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Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

June Feature Profile

The Road from Montreal to Louisville – Anne Gauthier

The Blogs

Keeping It Real

Keeping it Real – Section 2

How to Mix Using Multiple Reference Monitors

Ser bilingüe no siempre funciona

Being Bilingual Does Not Always Work


SoundGirls News

SoundGirls – Gaston-Bird Travel Fund

Shadowing Opportunity w/Guit Tech Claire Murphy

Shadowing Opportunity w/ FOH Engineer Kevin Madigan

Shadowing Opportunity w/ ME Aaron Foye

Letter for Trades and Manufacturers

https://soundgirls.org/scholarships-18/

Accepting Applications for Ladybug Music Festival

https://soundgirls.org/event/glasgow-soundgirls-meet-greet/?instance_id=1272

Shadowing Opportunities

Telefunken Tour & Workshop

https://soundgirls.org/event/colorado-soundgirls-ice-cream-social/?instance_id=1313

SoundGirls Expo 2018 at Full Sail University

https://soundgirls.org/event/bay-area-soundgirls-smaart-overview/?instance_id=1316

https://soundgirls.org/event/bay-area-soundgirls-sept-meeting/?instance_id=1317

Round Up From the Internet

Interview with Kelly Kramarik on How to Get Started

 


 

 

2019 She Rocks Awards Nominations Now Open

 



SoundGirls Resources

Directory of Women in Professional Audio and Production

This directory provides a listing of women in disciplines industry-wide for networking and hiring. It’s free – add your name, upload your resume, and share with your colleagues across the industry.


Women-Owned Businesses

Member Benefits

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

June Feature Profile

The Road from Montreal to Louisville – Anne Gauthier

The Blogs

Keeping It Real

Playing With Voices


SoundGirls News

Shadowing Opportunity w/Guit Tech Claire Murphy

Shadowing Opportunity w/ FOH Engineer Kevin Madigan

Shadowing Opportunity w/ ME Aaron Foye

Letter for Trades and Manufacturers

https://soundgirls.org/scholarships-18/

Accepting Applications for Ladybug Music Festival

SoundGirls London Chapter Social – June 17

https://soundgirls.org/event/glasgow-soundgirls-meet-greet/?instance_id=1272

Shadowing Opportunities

Telefunken Tour & Workshop

https://soundgirls.org/event/colorado-soundgirls-ice-cream-social/?instance_id=1313

SoundGirls Expo 2018 at Full Sail University

Round Up From the Internet

On tour with Brittany Kiefer

 

 


View from the Top: Maureen Droney, The Recording Academy

“I’m privileged to be an advocate for my favorite people: recording engineers and producers.”

 


SoundGirls Resources

Directory of Women in Professional Audio and Production

This directory provides a listing of women in disciplines industry-wide for networking and hiring. It’s free – add your name, upload your resume, and share with your colleagues across the industry.


Women-Owned Businesses

Member Benefits

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

June Feature Profile

The Road from Montreal to Louisville – Anne Gauthier

The Blogs

Multitasking – Why you should avoid it

Soldering for Beginners


SoundGirls News

Shadowing Opportunity w/ FOH Engineer Kevin Madigan

Shadowing Opportunity w/ ME Aaron Foye

Letter for Trades and Manufacturers

https://soundgirls.org/scholarships-18/

Accepting Applications for Ladybug Music Festival

https://soundgirls.org/event/vancouver-soundgirls-chapter-one-year-anniversary/?instance_id=1285

SoundGirls London Chapter Social – June 17

https://soundgirls.org/event/glasgow-soundgirls-meet-greet/?instance_id=1272

Shadowing Opportunities

Telefunken Tour & Workshop

https://soundgirls.org/event/colorado-soundgirls-ice-cream-social/?instance_id=1313

SoundGirls Expo 2018 at Full Sail University

Round Up From the Internet

The Theatrical Sound Designers and Composers Association Releases Statement on Women+ in Sound Design for Broadway and Theatres Across the Country


 

 

Engineer Liv Nagy on mixing sound for theatre

 

 


SoundGirls Resources

Directory of Women in Professional Audio and Production

This directory provides a listing of women in disciplines industry-wide for networking and hiring. It’s free – add your name, upload your resume, and share with your colleagues across the industry.


Women-Owned Businesses

Member Benefits

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Multitasking – Why you should avoid it

Being multitalented is excellent and almost a necessity in the audio industry. It is expected of us to be able to do many different things, sometimes even at the same time!

However, I believe multitasking at work should be avoided if possible, and here is my reason why;

The other week I was asked to do a live recording of a band while they performed. We have set up multi-track recording via Dante, which means we can record straight into Pro Tools via a Cat 5 cable. This is great and makes life a hell of a lot easier when doing live recordings.

But also recently, having had a lighting course in the Jester 24 Zero 88 Lighting desk, I now also control the lights more in-depth than we used to.

So this one evening I was going to run the live sound, the lights, and record one of our four acts, while also making sure all the artists were looked after and ready to go for their allocated time slot.

I did not think much of it; I came in early to set up Pro Tools to make sure it was up and running. When that was set up, I prepared the stage and the setups for the different bands. I set up the lights; we had photographers in that evening so we made sure the lights hit all the sweet spots and set the colours, to make sure the artists would look great on picture.

I felt good about having everything set up, ready to go on time, and did not feel stressed at all.

Well, that was until I had the first act on who had almost finished their set. I thought I would do a test recording of the first act to make sure it sounded great for the second act; the band I had promised to record. At this point, I realised I did not get any signal from any of the wireless microphones.

Why?

Well, we have a Yamaha Rio 32×24 stage box, but our Shure Beta 58A wireless microphones we have are directly plugged into the back of our Yamaha QL1. Immediately, I felt fairly stressed as the first act walked off the stage and I simply did not have the time or hands to re-route it in the Dante Controller software.

As the second act walked on stage, I helped them set up and then quickly decided that the vocalist would have to use a wired Shure SM58 running it thru the Rio as I knew this route was already working. Not a big deal, but I definitely panicked for a second as I had promised and confidently said I would be able to record it, and there was just no room for any mistakes. Luckily, I managed and very quickly, came up with a solution though feeling ever so slightly stressed out.

I recorded the band, it sounded great, but I felt that my focus was definitely not where it should have been. It was a live show, and my focus should have purely been on the live sound.

My thinking was that everything was going to go well, it is not like we can predict disaster and obviously, we want all live shows/recordings to go well. However, something I have learned throughout the years it that most of the time, it does not run smoothly and you must leave room for mistakes. No matter how good you are, no matter how many things you think you can do, mistakes happen. Technology breakdowns happen. And when you are alone, you simply will not have the time to solve a problem, and you will cause yourself unnecessary stress.

I did, after all, run a successful night, the band was happy with the recording, photographers were pleased with the lightning, everyone was happy with the sound. However, I did learn my lesson, and next time I will get another pair of hands into the mix. It is simply just not worth the risk of messing up a show and recording because you decide to do everything on your own.

However, if you are ever having to multi-task and do several things on your own; leave plenty of room for mistakes because they will happen!

 

 

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

May Feature Profile

Daniela Seggewiss – Time Flies When You Are Doing What You Love

The Blogs

How to Subcontract work

Me and My Guitar: Part One

Times Up! Time to Move Forward


SoundGirls News

Shadowing Opportunity w/ FOH Engineer Kevin Madigan

Shadowing Opportunity w/ ME Aaron Foye

Letter for Trades and Manufacturers

https://soundgirls.org/scholarships-18/

Accepting Applications for Ladybug Music Festival

Amsterdam SoundGirls Tour & Social

https://soundgirls.org/event/vancouver-soundgirls-chapter-one-year-anniversary/?instance_id=1285

SoundGirls London Chapter Social – June 17

https://soundgirls.org/event/glasgow-soundgirls-meet-greet/?instance_id=1272

Shadowing Opportunities

Telefunken Tour & Workshop

SoundGirls Expo 2018 at Full Sail University

Round Up From the Internet

Rock n Roll In Brazil: A SoundGirl Explains

20 Questions With Catherine Vericolli

Catherine Vericolli is the owner, engineer, manager of Fivethirteen Recording Studios in Tempe, Arizona. She is a lover of all things analog who has personally headed all console installations and outboard wiring at Fivethirteen since the studio’s first console and 2″ machine in 2006. She also co-edits Pink Noise Magazine and teaches classes at The Conservatory Of Recording Arts and Sciences.

Tape Op Podcast Episode 16: Susan Rogers

As an engineer Susan really got her start working with Prince from 1983 to 1988, including albums like Purple Rain, Around the World in a Day, Parade, Sign o’ the Times, and The Black Album. Her other studio sessions have included artists like Barenaked Ladies, David Byrne, Toad the Wet Sprocket, Rusted Root, Tricky, Geggy Tah, and Michael Penn. She is currently the director of the Berklee College of Music’s Perception and Cognition Laboratory, and is an associate professor at Berklee.


SoundGirls Resources

Directory of Women in Professional Audio and Production

This directory provides a listing of women in disciplines industry-wide for networking and hiring. It’s free – add your name, upload your resume, and share with your colleagues across the industry.


Women-Owned Businesses

Member Benefits

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

How to Subcontract work

There are a number of good reasons to subcontract work. Subcontracting allows you to do more work than you could on your own, to spend less time on tasks you don’t want to do, or to hire someone to do a task better than you can.

What qualifies as subcontracting?

Anytime you pay someone else to do part of a job you are hired to do; you are subcontracting. If you’re hiring an assistant for a gig (and you are paying – not the client), you are subcontracting. Whether you’re paying a sound editor or a mastering engineer, when the client is writing you a check that covers everyone’s costs, you are subcontracting.

Tips for subcontracting

The most important part: let your client know. Be transparent about the fact that you’re hiring help. Generally, if there’s a good reason for it, there won’t be a problem. If you’re working an event, you don’t want anyone asking, “who’s this and why are they here?” If a client is asking you a question about work someone else is doing, you don’t want to be caught off-guard not knowing the answer because of someone they don’t know about.

Put your subcontractor’s deadlines and rates in writing. It doesn’t have to be a formal contract – even a simple email like, “Thanks for helping with this project. Like we talked about, my budget is xx, and I’ll need a Pro Tools session from you by Friday morning.”

Pay people fairly and pay on time. If you wouldn’t want your boss keeping half of your pay and doing none of the work, don’t do it to other people.

Don’t undercut yourself. It takes time to handle logistics, communication, and other tasks to keep your subcontractors working and your clients informed. Keep track of these hours so you can work it into your budgets.

Be available for questions and help. When someone is working for you, they want you to be happy with their work. Some people need more support than others to get the work done.

Don’t subcontract lightly. If you’ve made a commitment to a client then subcontract because a better gig came along, it can reflect poorly on you (unless it was planned/discussed before committing in the first place).

Know when you should pass the gig to someone else vs. subcontracting. If you’re not going to be involved, someone else is doing all the work, and they’re not using your gear or studio it might be easier (and less liability) to have them work/get paid directly.

Hourly or task rate?

The only time I subcontract at an hourly rate is if the client is paying hourly, too. If I need an assistant for a 4-hour gig and it goes into overtime, I want myself and my assistant to get paid fairly for our extra time. Most of the time when I subcontract it’s a set price to complete a task by a certain deadline. They can work whatever hours and pace they want (day or night) as long as the work is done when I need it. I have a pretty good idea (based on experience) how long it would take me to do a task so I usually set rates based on what I would reasonably expect to get paid to do the same job.

The reason I don’t do hourly for tasks is if someone takes 8 hours on something that would take me 4 hours, it’s coming out of my pay (not the clients). Plus, when you have an hourly rate for a task, there’s no incentive to work faster. In fact, some people may work slower. When you have a task rate, there’s incentive to work faster. If someone gets a job done in half the time than planned and the work is done well, they earned it!

If there’s a problem with material that causes the work to take longer, I may go back to the client to authorize an additional charge (before doing the work). When I subcontract, I also budget 5-10% for “misc charges” to cover anything unexpected that comes up which can include subcontractor overages.

Who to hire

Subcontracting taxes in the US

In the US, if you pay someone over $600 in a year (total), there’s some tax paperwork needed:

W-9 form Form W-9 – IRS.gov Ask for this when you ask for an invoice.

In January of the following year, you’ll have to issue a 1099-MISC form. One copy needs to go to the worker and another to the IRS. There are a few ways to do this:

A 1009 form has to be sent to your worker by January 31. The IRS copy has to be received by February 28 (for physical mail/USPS) or March 31 for electronic filing.

Any time you send a W-9 or a 1099 your social security number is revealed. For protection, you may want to get an EIN number (Employer Identification Number) which is free from the IRS. You can do this online, and the process is very simple. https://www.irs.gov/businesses/small-businesses-self-employed/apply-for-an-employer-identification-number-ein-online

Resources:

Get an IRS EIN Number to Protect your SSN on W9’s for Self-Employment Income

The difference between subcontractors and employees

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

May Feature Profile

Daniela Seggewiss – Time Flies When You Are Doing What You Love

The Blogs

Times Up! Time to Move Forward

How to Write About Women in Sound

Murphy’s Law


SoundGirls News

Shadowing Opportunity w/ ME Aaron Foye

Letter for Trades and Manufacturers

https://soundgirls.org/scholarships-18/

Line Check! Experience Sound Check a Grammy Nominated R&B/Pop Artist

Accepting Applications for Ladybug Music Festival

https://soundgirls.org/event/vancouver-soundgirls-digico-sd12-training/?instance_id=1304

https://soundgirls.org/event/melbourne-soundgirls-chapter-social-2/?instance_id=1286

Amsterdam SoundGirls Tour & Social

https://soundgirls.org/event/vancouver-soundgirls-chapter-one-year-anniversary/?instance_id=1285

SoundGirls London Chapter Social – June 17

https://soundgirls.org/event/glasgow-soundgirls-meet-greet/?instance_id=1272

Shadowing Opportunities

Telefunken Tour & Workshop

Round Up From the Internet

Calling All Crows is fighting against sexual violence in the live music scene. Work with them to design a sexual violence prevention campaign for your next tour. Programming includes: fan volunteers at each show raising awareness about sexual violence and asking other fans to support the campaign; trainings before some or all of your shows for volunteers and venue staff; pre-show trainings with band + 25 fans in select cities; messaging from stage and social media; partnerships with local rape crisis centers; text hotline; and more.

 

Fever Ray is Smashing Boundaries with her Female Crew

In an industry that continually struggles with gender diversity, Dreijer is smashing boundaries, breaking free of the patriarchy and creating an enterprise that is driven by women and individuals not bound by gender. According to her team, who shared their uncensored thoughts before taking the stage in London, the results are radical. It’s so nice to play with strong women that give you the freedom to express yourself.

 

Roadie Free Radio Interviews Jason Sprinzen, author of the forthcoming book about legendary sound and lighting company, SHOWCO.

 


SoundGirls Resources

Directory of Women in Professional Audio and Production

This directory provides a listing of women in disciplines industry-wide for networking and hiring. It’s free – add your name, upload your resume, and share with your colleagues across the industry.


Women-Owned Businesses

Member Benefits

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

How to Write About Women in Sound

PSN Europe recently interviewed me about my work as a sound designer. Aside from the fact that it’s an articulate, interesting article – thanks to the writer, Tara Lepore – there is one key thing that makes it stand out for me. Although I had the opportunity to mention my work with SoundGirls, and how we work to support women working in sound, at no point does the article define me as a “woman working in sound.”

In my seventeen years working in the industry, I believe this was the first time I haven’t had to answer a single question about why there aren’t more women working in sound/music, or on a similar gender imbalance-based theme. It was both a relief and hugely refreshing.

Interviews like this are necessary.  To the writers and journalists: female sound engineers, producers and designers have answered enough questions about why or how or what’s it like to be a woman working in sound and music. Talking about why women make up only 5% of the industry only serves to reinforce the message that women are an anomaly. The way you encourage more women into audio is to show women, particularly WOC, succeeding in various areas of music and sound. Make it clear to the female sound experts of the future that there are paths open to them. Put the focus on our careers, not our gender.

Instead of asking women what we can do about the industry’s gender imbalance, ask the people and organisations who influence the industry what they plan to do about it. The answers to those “women in the sound/music industry” questions are well documented – we, the women, have been talking about it for years. Take those and investigate the causes, put out a call to action, challenge those in a position of power who can instigate change.

Don’t force women interviewees to act as a spokesperson for all “women in sound.” If gender expression is a crucial part of an interviewees’ work, then it should be included – in a way that works for them. Let them bring it up. If they don’t, then it’s probably not something they feel is relevant to their career.

Highlighting sexism and sexual assault in the industry is important and relevant in the current climate, but it shouldn’t be the whole conversation. Nor should anyone expect women to share their experiences. It can be challenging enough to fight everyday sexism without having to relive the trauma for an interview unexpectedly. If it’s an article about sexism, then that should be made clear upfront so the interviewee can decline if they wish. Otherwise, ask whether it’s relevant for the article.

If you’re interviewing a woman sound professional about her work, it comes down to this: would you ask a male audio expert a question with the same angle? If not, then it’s probably unnecessary.

I welcome any writer who wants to support women and girls in the sound and music industries. The best way to do this is to let us talk about what we love: sound and music. Ask us about what we’ve created, what inspires us, what artists we love and the gear we like to use. Take the opportunity to promote the hundreds of amazing women sound engineers, producers, and designers and the work we do. Not the lack of us.

Resources for a more inclusive industry

 

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

May Feature Profile

Daniela Seggewiss – Time Flies When You Are Doing What You Love

The Blogs

Systematic Inequality, Part 2: Culture, Culture, Culture

What is in my toolkit?

Consideraciones para realizar un diseño de refuerzo Sonoro.

Considerations for a Sound Reinforcement Design.

District of Screen Composers


SoundGirls News

Letter for Trades and Manufacturers

https://soundgirls.org/scholarships-18/

Line Check! Experience Sound Check a Grammy Nominated R&B/Pop Artist

Accepting Applications for Ladybug Music Festival

Representation on Panels – Music Expo – Boston

Philadelphia SoundGirls Chapter May Meeting – May 19th

SoundGirls Productions Meet & Greet

https://soundgirls.org/event/orlando-soundgirls-chapter-social-2/?instance_id=1273

https://soundgirls.org/event/melbourne-soundgirls-chapter-social-2/?instance_id=1286

Amsterdam SoundGirls Tour & Social

https://soundgirls.org/event/vancouver-soundgirls-chapter-one-year-anniversary/?instance_id=1285

SoundGirls London Chapter Social – June 17

https://soundgirls.org/event/glasgow-soundgirls-meet-greet/?instance_id=1272

Shadowing Opportunities – Berlin

Shadowing Opportunities

Telefunken Tour & Workshop

Round Up From the Internet

Creative licence is key: Sound designer Kirsty Gillmore on producing theatre audio

 

 

 

Primavera Sound Instates Zero Tolerance Policy Against Sexual Aggression and Harassment

 

Live Nation Launches the Women Nation Fund to Boost Female-Led Biz

 


SoundGirls Resources

Directory of Women in Professional Audio and Production

This directory provides a listing of women in disciplines industry-wide for networking and hiring. It’s free – add your name, upload your resume, and share with your colleagues across the industry.


Women-Owned Businesses

Member Benefits

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

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