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Technical Sound Designer – Hidden Path Entertainment – Bellevue, WA
Associate Music Editor – Pixar – Emeryville, CA
Program Manager Audio – AVID – Berkeley, CA
Audio Technician – Got Light – San Francisco, CA
Esports Production Manager (Broadcast) – Amazon – San Francisco, CA
Product Coordinator – Bright Antenna Records – San Francisco, CA
Director of Audio Content and Production – The Athletic – San Francisco, CA
Assistant Professor In Music Industry – California State University, Chico
– Chico, CA
Operations Technical and Front of House Staff On-Call Position – Fullerton College Theater – Orange Country/Southern CA
General Techs, hard working, timely, courteous. Hiring All areas (audio, lighting, rigging, backstage, SM, FOH etc.)
Pay is $15-25 depending on qualifications.
Please E-mail Adam Critchlow: email@example.com
Include experiences in technical theater and customer service in your inquiry.
Temporary Tools Engineer – Treyarch – Santa Monica, CA
Studio Camera Operator – NFL – Culver City, CA
Sound Designer – Blizzard – Irvine, CA
Post Production Audio Engineer – WGBH – Los Angeles, CA
Chief A&R Officer – Q&A Records and Publishing – Los Angeles, CA
VP of Creator Services – Q&A – Los Angeles, CA
Creative & Digital Advertising Manager – Dangerbird Records – Los Angeles, CA
DSP Marketing Director – MTheory – Los Angeles, CA
Music Supervisor – Entertainment One – Los Angeles, CA
Royalty Manager – Cinq Music Group – Los Angeles, CA
AV Technician (Full-Time / Part-Time) Hiring Event – PSAV – San Diego, CA – August 27th
Studio Technician/Editor – Tribune Media – San Diego, CA
Audio Visual Event Technician – Encore – Scottsdale, AZ
Freelance Audio Technician – Overtime Sports – Phoenix, AZ
Sound Designer – Scientific Games – Reno, NV
Entertainment Technician – Palms – Las Vegas, NV
Sound Engineer – Live Nation/House of Blues – Houston, TX
Audio Specialist – University of Texas at Austin/UT Main Campus – Austin, TX
Live Sound Engineer – VPRecruiter – Dallas, TX
Technician Audio Visual – PSAV – Dallas Fortworth Hiring Event – August 20th We will be hosting on-site interviews for all levels in the Dallas-Fort Worth area on Tuesday August 20th, 2019. To be considered, please apply to the “PSAV Hiring Event-Dallas Area” posting on the PSAV Career Site (linked above). Below are some of the positions we have available in the Dallas-Fort Worth area:
- Part-time/Full-time Technician– None to basic experience in any or all of the following five disciplines: Audio, Video, Computers, Lighting and Rigging. Responsible for accurate and timely setup, operation, and breakdown of intermediate audiovisual equipment. Experience in retail, hospitality, and or related industries preferred.
- Technical Lead – Intermediate experience in all of the following five disciplines: Audio, Video, Computers, Lighting and Rigging. 2 years of audio visual experience required. Responsible for accurate and timely setup, operation, and breakdown of intermediate audiovisual equipment.
- Technical Supervisor – Advanced experience in all of the following five disciplines: Audio, Video, Computers, Lighting and Rigging. 3-5 years of audio visual experience required. Leads floor operations with a focus on customer service, staff leadership and development. Assists in training technicians on all floor activities and on hotel and PSAV service expectations. Serves as a mentor for new hires.
- Technical Specialist – Advanced experience in Audio, Video or Lighting. 3-5 years of field experience in specialty area required. Performs advanced work with Project Managers. Supervises and directs other technicians during an event.
- Rigger– Performs Rigging activities in a hospitality or convention center environment while upholding safety and quality standards. Opportunities available for experienced event riggers and apprenticeships for those looking to start their rigging career.
Audio Artist – Electronic Arts – Orlando, FL
Music Producer – Elomuse – Orlando, FL
Assistant/Production Manager – Foundation Presents – Orlando, FL
Under the direction of the Director, the Production Manager will be
responsible for assisting the Director in managing all aspects related to Live Music
from day-to-day, front of house, and back of house operations with an emphasis on
supervising and executing all technical needs. In addition, the position will be
responsible for assisting the director in the successful and safe management of all
programs taking place in The Beacham and The Social to create a seamless live
Essential Duties and Responsibilities
Assist Director in coordination of all aspects of front of house management
related to each performance, including scheduling of Show Pros staff.
Oversee all technical needs
Attend and participate in meetings related to production, event calendar, and volunteer management.
Ensure professional appearance and conduct of all personnel.
Ensure the highest standard of safety, security and customer service is met
for our patrons.
Production Manage Live Shows; advance, manage staff, load in, soundcheck,
prepare venue for doors, run of show, settlement of show.
Assist in improving the patron experience and increase patron engagement.
Assist in hiring, training, scheduling, and supervising in-house staff such as
production staff; stage hands, techs, and box office employees.
Help keep track of the safety and cleanliness of the facility and ensure proper
maintenance of in-house gear and equipment.
Assist in communicating and coordinating with performers before and after
Can fill in as FOH engineer when needed
To perform this job successfully, individual must have a technical background and
be able to perform each essential duty satisfactorily. The requirements listed are representative of the knowledge, skill, and/or ability required. Availability to work
weekends as needed. Computer skills (Windows, Word, Excel, E-mail) required.
Must have the ability to work with diverse personalities while maintaining
diplomacy and calm demeanor under extreme pressure and high stress situations.
Must play well with others and not be easily ruffled by high emotions and remain
level headed during high stress situations.
Education and Experience
FOH Audio Engineer experience required
Stage Managing experience preferred
Management experience preferred
Customer Service experience preferred
High School Diploma or GED is required. College degree preferred
Skills and Abilities
Strong interpersonal and team leadership skills.
Requires exceptional problem-solving skills.
Experience and strong ability to recruit, organize and delegate work to
Strong verbal and organizational skills and a professional presence required.
Ability to interpret a variety of instructions furnished in written and oral
Must adapt quickly and calmly to changes in daily routine and work well
Demonstrate the ability to work as part of a team.
Self-starter with the ability to work with minimal supervision.
Contact Kate Clodfelter: firstname.lastname@example.org; email@example.com
Legal/Licensing Account Representative – Pro Music Rights – Naples, FL
A1/FOH Audio Engineer – FaithChurch – West Palm Beach, FL
Managing Director of Direct-To-Consumer (DTC) and eCommerce – Hal Leonard – Milwaukee, WI
Executive Director – The Clyde Theatre – Fort Wayne, IN
Production Technician – Triune Media Company – Hartford, CT
FoH/IEMs – Kansas City, MO/KS
8 piece Funk and R&B cover band.
Fridays and Saturdays, shows scheduled weeks in advance. Opening beginning at the end of October, training and transition to start ASAP.
Email Samantha Potter firstname.lastname@example.org
A1/FOH Audio Engineer – FaithChurch – Saint Louis, MO
Music Streaming Specialist – Gaither Music & Green Hill Music Group – Nashville, TN
Assistant Director of Broadcast Production – University of Alabama – Tuscaloosa, AL
Podcast Producer – Southampton, PA
Audio Visual Specialist – Booz Allen Hamilton – Rockville, MD
Assistant Teaching Professor – Music Industry – Drexel University – Philadelphia, PA
Marketing Director – City Winery – Washington D.C.
Audio Engineer (Morning Edition) – American University – Washington D.C.
Audio Engineering Supervisor – NPR – Washington D.C. Metro Area
Event Support and A/V Supervisor – George Mason University – Prince William, VA
Music Clubhouse/Creative Arts Director – Brockton Boys & Girls Club – Brockton, MA
Youth Music Program Manager – Jordan Boys & Girls Club – Chelsea, MA
Music Clubhouse Director – Lawrence YMCA – Lawrence, MA
Music Clubhouse Coordinator – Sociedad Latina – Roxbury, MA
Freelance Engineer – NBCUniversal – Newton, MA
Broadcast Engineer – NBCUniversal – Newton, MA
Manager, Podcast Audio Content – NBC Sports Boston – Burlington, MA
Podcast Producer – WGH – Boston, MA
Student Podcast Assistant – Berklee College of Music – Boston, MA
Production Coordinator – Drape Kings – North Bergen, NJ
Part Time Board Operator – Townsquare Media – Oneonta, NY
Audio Editor – New York Times – New York, NY
WNYC Studios Internship, Fall 2019 – WNYC NY Public Radio – New York, NY
Corporate Controller – Distrokid – New York, NY
Financial Operations Director – YellowHeart – New York, NY
Hip-Hop Publicist – Audible Treats – Brooklyn, New York, NY
Assistant Sound Designer (Part-Time) – Gimlet Media – Brooklyn, New York, NY
Webcast Production Specialist – A-V Services Inc. – New York, NY
Audio Producer – Financial Times – New York, NY
Executive Producer, Audio – Thrive Global – New York, NY
Associate Producer, Audio – NBCUniversal/MSNBC – New York, NY
Producer, Podcasting – iHeartMedia – New York, NY
Audio Operator, Studio Operations – CBS News – New York, NY
Sound Designer, Producer – NCBUniversal – New York, NY
Sound Designer – Listen – New York, NY
Sr. Director of Audio – theSkimm – New York, NY
Head of Audio Product – New York Times – New York, NY
Audio Director – Sumo Digital – Sheffield, England
Audio Designer – Splash Damage – Bromley, GB
Lead Audio Designer – CCP Games – London, UK
Business Affairs Manager – Domino – London, UK
Senior Manager, Rights Management – AWAL – London, UK
Senior Royalty Assistant – AWAL – London, UK
Digital Marketing Manager – Lex Records – London, UK
Finance Manager – Downtown Music Publishing – London, UK
Various Music Industry Roles – Kobalt Music Group – London, UK
Various Technology & Engineering Roles – Kobalt Music Group – London, UK
Sr. Manager Sync Licensing – Downtown Music Publishing – London, UK
Head of Audio – Financial Times – London, UK
Audiovisual Electronics Engineer – British Library – St Pancras, London, UK
Digital Music Copyrights Manager (Remote Work) – Qanawat – Dubai, UAE