Maya Finlay is a sound engineer that works in live sound, as well as in the studio recording, editing, mixing and producing. Maya works both freelance and for the SFJAZZ Center as well as Dolby Laboratories and recently has started touring with Rosanne Cash as her Monitor Engineer.

You Can’t Be What You Can’t See
We bring to you the stories of women working in audio, from the Groundbreakers to the Next Generation.

The EQL Directory
Powered by SoundGirls, Made Possible by Spotify

The EQL Directory is a global database of professionals that seeks to amplify the careers and achievements of women working behind the scenes in music and audio. Any person around the world can add their name and claim their space. And, any person looking to hire a more inclusive creative team can find professionals in their area.

The Ethel Gabriel Scholarship

We are proud to recognize Ethel’s contributions to the music industry and for paving the way for future generations of women working in music production. In honor of Ethel Gabriel, SoundGirls will be awarding two $500 scholarships to members pursuing a career in the recording arts. These scholarships will be awarded in August 2019 and can be used for educational training and university programs. The scholarships are open to all members of SoundGirls.

The scholarship funds awarded can be used for educational programs related to professional audio. Open to all members of SoundGirls. Deadline to apply is July 30th.

Teaching Kids About Sound

Resources for Educators – How to get kids hooked on audio. Some good resources for professional audio engineers as well.

Elisabeth Weidner is a sound designer, composer, and engineer based on California’s Central Coast.

Interview with Veronica Simonetti

Veronica Simonetti is the Lead Studio Engineer at Women’s Audio Mission (WAM) in San Francisco, California, where she has lived and worked for the past 4 years

Kate Haldrup is a Nashville-based freelance recording engineer and drummer. She has been freelancing in Nashville both as an engineer and drummer.

At Boom Box Post - Kate Finan and her team get to work inside imagined worlds, create sounds for unknown creatures, and image futuristic technology.

Kate Finan Kate began her career as a post-production sound effects editor. Over the next several years, she worked her way up to being a supervising sound editor at Warner Bros. and then left to start her own studio, Boom Box Post.

Creating Effective Transitions

Do you have two amazing musical tracks you want to blend together? Perhaps you have two parts of the same song that you want to seamlessly transition between. Well, I’ve narrowed down my three favourite techniques to make your track as seamless as possible.

Jen Athan is a composer and producer based in Glasgow. She has written music for theatre shows and short films and enjoys creating music to accompany a narrative.

The Art of Networking

For those that find it hard to attend social events alone, I have listed some ideas/tips below that may be of help.

Alexandra is a recent graduate from the University of Exeter. Her main passion throughout university was her role as ‘Head of Station Sound’ for XpressionFM. She has had experience working at BBC Devon, Cornwall and Newcastle as well as PhonicFM (Exeter).

Working for Free

“Low/no pay,” “micro-budget,” “volunteer,” “passion project, no one is getting paid.” You may think, “Who would work for free? Who are the people taking these jobs?”

Chelsea Body is a freelance sound editor and foley recordist based in Toronto. She is a graduate of the Audio Post Production and Music Industry Arts programmes at Fanshawe College and is currently a Foley Editor and Operator at Footsteps Post Production.

Should You Work a Gig for Free for Exposure?

When working in sound, chances are you’ll come across projects where you’re asked to work for free – and, depending on the project and your situation, you might be tempted to give it a go. But before you do, stop and think for a second. How will this end up benefiting you?

Freelancing Scheduling Your Gigs

As a freelancer, have you ever worried about your schedule or saying no to a gig for fear they may never call you again? When you are new to the business, it can be hard or scary to say no to any gig. Learning to say no can be hard, but learning to say no well will help you in the long run.

Heather Holm, holds a BA in Broadcasting and Digital Media Communication and an MS in Organizational Change Leadership. Heather has over seven years of working in higher education dealing with event logistics and production technology.

Should You Stay or Should You Go?

There is no shame in walking away. Try not to burn your bridges as you leave. This industry is close-knit and your reputation will precede you. The best revenge is simply living well.

Beth O’Leary is a freelance live sound engineer and tech-based in Sheffield, England.

Allies and Agression

"What we are doing now matters to the future generations, we can shame people in public for having bad experiences or we can lift them up to be greater and learn from those times instead."

Susan Williams is an educator in Winter Park, FL. Susan has spent her career working for various theatres, including the Orlando Repertory Theatre, The Garden Theatre, & the Lake Tahoe Shakespeare Festival.

Re-Amping a Guitar Signal

If you have a small home set-up, but have always had trouble getting the right guitar tones, or don’t want to settle using an amp simulator (which I am NOT opposed to- there are some really great ones out there), capturing a DI signal at home, and scheduling time at a studio for a small amount of time.

Virginia Haladyna is a musician, songwriter, performer, and freelance recording engineer based out of Austin, Texas.

SoundGirls of Mexico Blog

SoundGirls in Mexico broke paradigms and prejudices, thanks to the union of people who chose to break mental boundaries and bet on the path of art, creation, and technology. We wish to thank our sponsors Digico, Klang, Meyer Sound, Dolby, and sound:check Xpo.

SoundGirls of Mexico Blog

SoundGirls en México rompió paradigmas y prejuicios, gracias a la unión de personas que eligieron romper los límites mentales y apostar por el camino del arte, la creación y la tecnología. Queremos agradecer a nuestros patrocinadores Digico, Klang, Meyer Sound, Dolby y sonido: verifique Xpo

Consoles, Consoles, Consoles

I recently had a training day using some of the consoles likely to be installed on future client contracts. We spent the day getting our geek on, and these were my top three.

Michelle Sciarrotta is a singer/songwriter, composer, and musician. She is passionate about women’s rights and education for girls.

Erika Earl. Jett Galindo, Ali McGuire, Lenise Bent, and Catharine Wood share their advice and careers SoundGirls.
You can view the video on our YouTube Channel - www.youtube.com/channel/UCYP0dnGLCUH7rRgasadHM7A

SoundGirls Wikipedia
Edit-A-Thon

SoundGirls have an opportunity to spread awareness through Wikipedia, but it takes all of us. Every little edit, no matter how small, adds up. Similar to Geena Davis’ crusade of “If She Can See It She Can Be It,” let us build towards gender parity.

Nicole Kirch is a North Carolina based recording engineer and musician. In her short career, she has worked on location sound, post-production, stage crew, and electronics.

Choosing a Different Route

In the live industry, you sort of have to play it safe most of the time because there is simply no time to be adventurous. You got to make it sound good, and you have to do it fast.

Olive Olin is a freelance sound engineer and production manager based in London. She holds a BA degree in Music Production.

Tips from the Pros -How to prevent/prepare for live sound failures - Christina Moon, Michelle Sabolchick Pettinato, Kim Watson, Becky Pell, Karrie Keyes, and Brad Madix

As Festival and Touring Season are upon us - Here are tips for staying healthy on the road.

What's in Your Go Bag?

Don’t forget the things that make your job go smoothly. Do you need in ears on this gig? What about headphones? Flash drives are always useful. A snack? An emergency twenty dollar bill?

Elisabeth Weidner is a sound designer, composer, and engineer based on California’s Central Coast. She is currently the Sound Director and Resident Sound Designer/Composer for PCPA, Pacific Conservatory Theatre.

Editing SoundGirls into Wikipedia

Wikipedia Hackathon to add Women in Audio into Wikipedia. Nicole has provided SoundGirls with a roadmap. It is a great step by step guide.

Nicole Kirch is a North Carolina based recording engineer and musician. In her short career, she has worked on location sound, post-production, stage crew, and electronics.

Career Paths in Film and TV – Highlights

Report Sexual Harassment or Assualt - JDoe App

Sexual misconduct remains a difficult crisis for women and men. Fear, social blaming, and isolation continue to be key factors that cause victims to remain silent. JDoe is an encrypted and anonymous reporting platform. By linking victims of mutual offenders with lawyers. JDoe is designed with survivors and witnesses in mind. A detailed index of sexual misconduct laws by state is built directly into the app to help guide users through the reporting process. Quickly browse for nearby resources and the latest policies concerning sexual misconduct.