Empowering the Next Generation of Women in Audio

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Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

May Feature Profile

https://soundgirls.org/from-making-tea-to-top-gear/


The Blogs

Internet Round-Up

New Web Project Immortalizes the Overlooked Women Who Helped Create Rock and Roll in the 1950s


 

Behind The Soundboard with Juno Black & Willa Snow

 


SoundGirls News


Leslie Gaston-Bird is raising funds for her 50th birthday. Happy Birthday! She is raising funds for the “SoundGirls – Gaston-Bird Travel fund” which has been established to increase the presence of women and those that identify as women at audio trade conferences. Women who have been invited to speak, or sit on panels at audio related trade conferences are welcome to apply. More info at https://soundgirls.org/soundgirls-gaston-bird-travel-fund/


SoundGirls Co-Founder Michelle Sabolchick Pettinato has created a Free eBook called 7 Things Every Live Sound Engineer Should Know

“The most common thing I hear from new engineers and those just getting started in live sound and mixing is how overwhelmed they are with how much there is to know. They focus on trying to learn all of the gear and keeping up with every new piece of equipment or plugin out there, instead of learning the underlying principles and techniques. This is why I created the eBook. There were so many other things I could have listed, but I tried to keep it to what I felt would help solve some of the biggest problems sound engineers face: Understanding how the system works together, being able to mix on any console, dealing with feedback, getting better quality sounds and mixes, and having more confidence in what they are doing.
The book covers these important concepts- Signal Flow, Proper Gain Structure. The eBook explains the importance of these, as well as proper EQ techniques, how to use a gate and compressor, choosing the right microphone, basic troubleshooting, and getting good sounds from the source.”

The link for the free ebook is:
https://www.mixingmusiclive.com/ebook-page


Top 30 Audio Engineering Blogs, News Websites & Newsletters To Follow in 2019

Congratulations to all our bloggers. The SoundGirls Blog is number 12 of the Top 30 Audio Engineering Blogs, News Websites & Newsletters To Follow in 2019.


SoundGirls Events

 

SoundGirls Wikipedia Edit-A-Thon – May 26th

Register For Career Paths in Recording Arts

 

https://soundgirls.org/event/los-angeles-soundgirls-june-social/?instance_id=1555

SoundGirls Intro to Soldering – Colorado

Ableton Live for Anybody


SoundGirls Opportunities


Apply to Work The Ladybug Music Festival

SoundGirls and SoundGym


Shadowing/Mentoring/Internship Opportunities


Shadowing Opportunity w/ ME Aaron Foye

Shadowing Opportunity – Brad Madix and Annette Guilfoyle

Shadow Gil Eva Craig – NZ & Australia


SoundGirls Resources


Spotify and SoundGirls Team Up – EQL Directory

SoundGirls – Gaston-Bird Travel Fund

Letter for Trades and Manufacturers


Women-Owned Businesses

A More Inclusive Industry

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Member Benefits

Ableton Live for Anybody

No experience necessary. Beginner and intermediate users welcome. All genders and non-binary people are welcome.

$60 for the two-day course – email soundgirls@soundgirls.org if you require financial aid

Register Here

Class Description
Do you want to start making beats? Do you want to learn how to make your own demos? Do you want to sharpen your DAW skills so you can get over that first learning curve and really start running with your creativity? Do you want to start performing live with Ableton, but don’t know where to start?

By the end of this two-day course, you will have learned all you need to know in order to really get your engines revved up about Ableton. I want to give you the tools to explore and to run as much of your show as you want to. With your newfound agility and excitement, you might even feel confident to explore parts of Ableton functionality that haven’t yet been discovered! Because that’s what creativity is all about—exploring and playing! But first, what is it exactly that you will be learning?

Day One will be all about the essentials of Ableton. What is the basic design behind this software? How do you get the sounds you want IN there, so you can edit them and play with them? How do you program a drum beat? How do you slow it down if you want to? How do you mess around with ideas and decide what parts you want to go at the beginning, the middle, and the end? How do you listen to it on your phone? By the end of the class, you will have a multi-track song that you create entirely by yourself using Ableton.
*Key items covered: time signatures & tempos, MIDI, audio, clips, arrangement view, bouncing

Day Two will focus on Ableton in live performance. You will learn how to make backing tracks that are suitable for the type of performance you want to put on. Maybe you want to push play at the beginning of the set and never really look at your computer again until your last song. Or maybe you want to engage with every sound that comes out of the house speakers. Or maybe your fantasy set is something in between! We will go over different approaches to designing your live set by using your new song from day one as a template.
*Key items covered: importing tracks, deciding on a playback concept, labeling, setting up loops and automation

Equipment needed (students):
-laptop with Ableton already installed – You can download a 30-day free trial


Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

May Feature Profile

https://soundgirls.org/from-making-tea-to-top-gear/


The Blogs

Zora Neale Hurston

Podcasting Gear on a Teacher’s Budget

Avoid the Event Hangover.

Being A Musician Makes Me A Better Sound Designer and Engineer

 

Internet Round-Up

New music program wants more women, non-binary producers in the mix


Songwriter / Producer / Entrepreneur, TRAKGIRL on Pensados Place

 


SoundGirls News


Leslie Gaston-Bird is raising funds for her 50th birthday. Happy Birthday! She is raising funds for the “SoundGirls – Gaston-Bird Travel fund” which has been established to increase the presence of women and those that identify as women at audio trade conferences. Women who have been invited to speak, or sit on panels at audio related trade conferences are welcome to apply. More info at https://soundgirls.org/soundgirls-gaston-bird-travel-fund/


SoundGirls Co-Founder Michelle Sabolchick Pettinato has created a Free eBook called 7 Things Every Live Sound Engineer Should Know

“The most common thing I hear from new engineers and those just getting started in live sound and mixing is how overwhelmed they are with how much there is to know. They focus on trying to learn all of the gear and keeping up with every new piece of equipment or plugin out there, instead of learning the underlying principles and techniques. This is why I created the eBook. There were so many other things I could have listed, but I tried to keep it to what I felt would help solve some of the biggest problems sound engineers face: Understanding how the system works together, being able to mix on any console, dealing with feedback, getting better quality sounds and mixes, and having more confidence in what they are doing.
The book covers these important concepts- Signal Flow, Proper Gain Structure. The eBook explains the importance of these, as well as proper EQ techniques, how to use a gate and compressor, choosing the right microphone, basic troubleshooting, and getting good sounds from the source.”

The link for the free ebook is:
https://www.mixingmusiclive.com/ebook-page


Top 30 Audio Engineering Blogs, News Websites & Newsletters To Follow in 2019

Congratulations to all our bloggers. The SoundGirls Blog is number 12 of the Top 30 Audio Engineering Blogs, News Websites & Newsletters To Follow in 2019.


SoundGirls Events

https://soundgirls.org/event/mastering-w-piper-payne-oakland-2/?instance_id=1522

https://soundgirls.org/event/vancouver-meyer/?instance_id=1524

https://soundgirls.org/event/vancouver-soundgirls-social-3/?instance_id=1526

 

SoundGirls Wikipedia Edit-A-Thon – May 26th

Register For Career Paths in Recording Arts

 

https://soundgirls.org/event/los-angeles-soundgirls-june-social/?instance_id=1555

SoundGirls Intro to Soldering – Colorado


SoundGirls Opportunities


Apply to Work The Ladybug Music Festival

SoundGirls and SoundGym


Shadowing/Mentoring/Internship Opportunities


Shadowing Opportunity w/ ME Aaron Foye

Shadowing Opportunity – Brad Madix and Annette Guilfoyle

Shadow Gil Eva Craig – NZ & Australia

Viva La Muxer – SoundGirls Volunteers


SoundGirls Resources


Spotify and SoundGirls Team Up – EQL Directory

SoundGirls – Gaston-Bird Travel Fund

Letter for Trades and Manufacturers


Women-Owned Businesses

SoundGirls Scholarships 2021 Now Open

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Member Benefits

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

May Feature Profile

https://soundgirls.org/from-making-tea-to-top-gear/


The Blogs

Interview with Electronic Music Collective Hyasynth House

 

Internet Round-Up

The Other 50% Podcast – Interviews Allie Boettger

Allie Boettger is a sound mixer. And I don’t mean the kind of sound mixer who works on a stage, although she can do that too. Allie is the kind of sound mixer that goes around the world on the Amazing Race, goes to Alaska in winter to shoot Alaskan Bush People, hikes to the top of a mountain and then rappels down it. She is super badass. And she is quite the storyteller, so this episode was really fun.


Theatrical Sound Designer Rebecca Kessin

This is a hugely wide field, and what I’m doing changes from show to show. Musicals become more engineering/system design-oriented, while plays tend to be more content based. One week I’ll be figuring out the logistics of routing a huge orchestra, the next I’ll be recording the rustling palm trees outside my building at three am. (True story.) Creating a narrative through sound is my favorite aspect of what I do, especially from a psychoacoustic standpoint.


URM Podcasts Featuring Susan Rogers

Susan Rogers is a neuroscientist and professor at Berklee College of Music and a mixer/engineer who’s worked with legends like Prince, David Byrne, and Barenaked Ladies among many others.


 


SoundGirls News


Leslie Gaston-Bird is raising funds for her 50th birthday. Happy Birthday! She is raising funds for the “SoundGirls – Gaston-Bird Travel fund” which has been established to increase the presence of women and those that identify as women at audio trade conferences. Women who have been invited to speak, or sit on panels at audio related trade conferences are welcome to apply. More info at https://soundgirls.org/soundgirls-gaston-bird-travel-fund/


SoundGirls Co-Founder Michelle Sabolchick Pettinato has created a Free eBook called 7 Things Every Live Sound Engineer Should Know

“The most common thing I hear from new engineers and those just getting started in live sound and mixing is how overwhelmed they are with how much there is to know. They focus on trying to learn all of the gear and keeping up with every new piece of equipment or plugin out there, instead of learning the underlying principles and techniques. This is why I created the eBook. There were so many other things I could have listed, but I tried to keep it to what I felt would help solve some of the biggest problems sound engineers face: Understanding how the system works together, being able to mix on any console, dealing with feedback, getting better quality sounds and mixes, and having more confidence in what they are doing.
The book covers these important concepts- Signal Flow, Proper Gain Structure. The eBook explains the importance of these, as well as proper EQ techniques, how to use a gate and compressor, choosing the right microphone, basic troubleshooting, and getting good sounds from the source.”

The link for the free ebook is:
https://www.mixingmusiclive.com/ebook-page


Top 30 Audio Engineering Blogs, News Websites & Newsletters To Follow in 2019

Congratulations to all our bloggers. The SoundGirls Blog is number 12 of the Top 30 Audio Engineering Blogs, News Websites & Newsletters To Follow in 2019.


SoundGirls Events

https://soundgirls.org/event/bay-area-chapter-1st-mondays-meetings/?instance_id=1496

JBL VTX A8 Workshop – May 9 @ Harman Northridge

https://soundgirls.org/event/mastering-w-piper-payne-oakland-2/?instance_id=1522

https://soundgirls.org/event/vancouver-meyer/?instance_id=1524

https://soundgirls.org/event/vancouver-soundgirls-social-3/?instance_id=1526

 

SoundGirls Wikipedia Edit-A-Thon – May 26th

Register For Career Paths in Recording Arts

 

https://soundgirls.org/event/los-angeles-soundgirls-june-social/?instance_id=1555

SoundGirls Intro to Soldering – Colorado


SoundGirls Opportunities


Mix With the Masters Scholarships Available- Bob Power

SoundGirls and SoundGym


Shadowing/Mentoring/Internship Opportunities


Shadowing Opportunity w/ ME Aaron Foye

Shadowing Opportunity – Brad Madix and Annette Guilfoyle

Shadow Gil Eva Craig – NZ & Australia

Viva La Muxer – SoundGirls Volunteers


SoundGirls Resources


Spotify and SoundGirls Team Up – EQL Directory

SoundGirls – Gaston-Bird Travel Fund

Letter for Trades and Manufacturers


Women-Owned Businesses

SoundGirls Scholarships 2021 Now Open

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Member Benefits

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

April Feature Profile

https://soundgirls.org/town-planning-to-florence-and-the-machine/


The Blogs

Recording Guitars and Bass

Post, Theatre, Foley, and SoundGirls

Internet Round-Up

 

 


Jett Galindo | Mastering Engineer and Vinyl Cutter, The Bakery

 


SoundGirls News


Leslie Gaston-Bird is raising funds for her 50th birthday. Happy Birthday! She is raising funds for the “SoundGirls – Gaston-Bird Travel fund” which has been established to increase the presence of women and those that identify as women at audio trade conferences. Women who have been invited to speak, or sit on panels at audio related trade conferences are welcome to apply. More info at https://soundgirls.org/soundgirls-gaston-bird-travel-fund/


SoundGirls Co-Founder Michelle Sabolchick Pettinato has created a Free eBook called 7 Things Every Live Sound Engineer Should Know

“The most common thing I hear from new engineers and those just getting started in live sound and mixing is how overwhelmed they are with how much there is to know. They focus on trying to learn all of the gear and keeping up with every new piece of equipment or plugin out there, instead of learning the underlying principles and techniques. This is why I created the eBook. There were so many other things I could have listed, but I tried to keep it to what I felt would help solve some of the biggest problems sound engineers face: Understanding how the system works together, being able to mix on any console, dealing with feedback, getting better quality sounds and mixes, and having more confidence in what they are doing.
The book covers these important concepts- Signal Flow, Proper Gain Structure. The eBook explains the importance of these, as well as proper EQ techniques, how to use a gate and compressor, choosing the right microphone, basic troubleshooting, and getting good sounds from the source.”

The link for the free ebook is:
https://www.mixingmusiclive.com/ebook-page


Top 30 Audio Engineering Blogs, News Websites & Newsletters To Follow in 2019

Congratulations to all our bloggers. The SoundGirls Blog is number 12 of the Top 30 Audio Engineering Blogs, News Websites & Newsletters To Follow in 2019.


SoundGirls Events

https://soundgirls.org/event/bay-area-chapter-1st-mondays-meetings/?instance_id=1496

JBL VTX A8 Workshop – May 9 @ Harman Northridge

https://soundgirls.org/event/mastering-w-piper-payne-oakland-2/?instance_id=1522

https://soundgirls.org/event/vancouver-meyer/?instance_id=1524

https://soundgirls.org/event/vancouver-soundgirls-social-3/?instance_id=1526

SoundGirls Wikipedia Edit-A-Thon – May 26th

Register For Career Paths in Recording Arts

 

https://soundgirls.org/event/los-angeles-soundgirls-june-social/?instance_id=1555

SoundGirls Intro to Soldering – Colorado


SoundGirls Opportunities


Scholarships Available for Smaart Training

 

SoundGirls and SoundGym


Shadowing/Mentoring/Internship Opportunities


Shadowing Opportunity w/ ME Aaron Foye

Shadowing Opportunity – Brad Madix and Annette Guilfoyle

Shadow Gil Eva Craig – NZ & Australia

Viva La Muxer – SoundGirls Volunteers


SoundGirls Resources


Spotify and SoundGirls Team Up – EQL Directory

SoundGirls – Gaston-Bird Travel Fund

Letter for Trades and Manufacturers


Women-Owned Businesses

SoundGirls Scholarships 2021 Now Open

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Member Benefits

SoundGirls Intro to Soldering – Colorado

Soldering is a necessary skill for audio engineers and techs. Being able to make and repair your cables can get you out of a tight spot and save you money. In this workshop, you’ll learn proper soldering techniques to carry with you to live gigs, in the studio and beyond! We’ll build XLR and TRS or TS cables that you can take home with you. Please note that you will need to bring your own soldering kit with you – see below for options. If you don’t have one, don’t fret!

This class will address the knowledge and techniques required to produce high-quality manually soldered joints and provide an overview of the basic manual soldering equipment and the proper safety precautions for soldering. You will be able to take your finished mic and guitar cables home to continue practice soldering.

If you cannot bring a soldering iron to class please email us at soundgirls@soundgirls.org and we will try and locate a loaner.

Required Tools to Bring to Class

 


 

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

April Feature Profile

https://soundgirls.org/town-planning-to-florence-and-the-machine/


The Blogs

Career Paths in Film and TV Sound: Stories of Tenacity

Positive Action for Women in Music

The Simple Home Studio Kit

Internet Round-Up

 

Ele Matelan is the director of public outreach at WildClaw Theatre. On February 11, she gave an Artist Talk to Northwestern’s Sound Arts and Industries students about Foley.

 


Q&A with sound no.1 on Six The Musical Eleanor Theodorou

 


SoundGirls News


Leslie Gaston-Bird is raising funds for her 50th birthday. Happy Birthday! She is raising funds for the “SoundGirls – Gaston-Bird Travel fund” which has been established to increase the presence of women and those that identify as women at audio trade conferences. Women who have been invited to speak, or sit on panels at audio related trade conferences are welcome to apply. More info at https://soundgirls.org/soundgirls-gaston-bird-travel-fund/


SoundGirls Co-Founder Michelle Sabolchick Pettinato has created a Free eBook called 7 Things Every Live Sound Engineer Should Know

“The most common thing I hear from new engineers and those just getting started in live sound and mixing is how overwhelmed they are with how much there is to know. They focus on trying to learn all of the gear and keeping up with every new piece of equipment or plugin out there, instead of learning the underlying principles and techniques. This is why I created the eBook. There were so many other things I could have listed, but I tried to keep it to what I felt would help solve some of the biggest problems sound engineers face: Understanding how the system works together, being able to mix on any console, dealing with feedback, getting better quality sounds and mixes, and having more confidence in what they are doing.
The book covers these important concepts- Signal Flow, Proper Gain Structure. The eBook explains the importance of these, as well as proper EQ techniques, how to use a gate and compressor, choosing the right microphone, basic troubleshooting, and getting good sounds from the source.”

The link for the free ebook is:
https://www.mixingmusiclive.com/ebook-page


Top 30 Audio Engineering Blogs, News Websites & Newsletters To Follow in 2019

Congratulations to all our bloggers. The SoundGirls Blog is number 12 of the Top 30 Audio Engineering Blogs, News Websites & Newsletters To Follow in 2019.


SoundGirls Events

https://soundgirls.org/event/bay-area-chapter-1st-mondays-meetings/?instance_id=1496

JBL VTX A8 Workshop – May 9 @ Harman Northridge

https://soundgirls.org/event/mastering-w-piper-payne-oakland-2/?instance_id=1522

https://soundgirls.org/event/vancouver-meyer/?instance_id=1524

https://soundgirls.org/event/vancouver-soundgirls-social-3/?instance_id=1526

SoundGirls Wikipedia Edit-A-Thon – May 26th

Register For Career Paths in Recording Arts


SoundGirls Opportunities


Scholarships Available for Smaart Training

 

SoundGirls and SoundGym


Shadowing/Mentoring/Internship Opportunities


Shadowing Opportunity w/ ME Aaron Foye

Shadowing Opportunity – Brad Madix and Annette Guilfoyle

Shadow Gil Eva Craig – NZ & Australia

Viva La Muxer – SoundGirls Volunteers


SoundGirls Resources


Spotify and SoundGirls Team Up – EQL Directory

SoundGirls – Gaston-Bird Travel Fund

Letter for Trades and Manufacturers


Women-Owned Businesses

SoundGirls Scholarships 2021 Now Open

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Member Benefits

Positive Action for Women in Music

Give peeps a chance

I’m impressed with what 2019 has offered so far in the way of women achieving greatness and it being celebrated, both close to home and worldwide.  The 2019 Grammy awards were pioneering for women in the industry with 31 award winners, which is an increase of 82% from last year, sweeping the board across all areas including classical music and production.  While the work of women is recognised at the highest levels, the language surrounding them is still being improved. Oscar-winning sound editor Nina Hartstone was covered by the BBC in the run-up to the event with the headline “The sound editor mum up for an Oscar.”  After something of a public backlash, the BBC rephrased their reporting on the feature to “From tea girl to Oscars red carpet,” and it now appears in online searches under the headline “Bohemian Rhapsody: First Oscars night for sound editor.” Considering Hartstone is a woman with 25 years of experience in the industry and a string of A-list film credits in her portfolio, the backlash seems like fair criticism.  It is refreshing to have seen the conversations and the subsequent corrections that were made to this error of judgment.

 

I wonder if a shift is finally happening around us, as for the first time I’ve experienced, being a woman in music seems to be supported, encouraged, and has positively impacted me – on a much smaller scale of course!  While positive discrimination is illegal under UK law, positive action is when an employer takes steps to help or encourage certain groups of people with different needs, who are disadvantaged in some way, access work or training. I have been heartened to see big and small organisations alike encouraging the inclusion of women where there is a disparity. The Grammy Recording Academy Task Force on Inclusion and Diversity is announcing the launch of the Producer and Engineering Inclusion Initiative – an industry-wide initiative that asks that at least two women are identified and therefore considered as part of the selection process every time a music producer or engineer is hired.  In the UK, The Musician’s Union is currently launching a mentoring scheme for women in association with Shesaid.So, as well as consulting with ministers in Government to implement policies that will promote parity for women in music. The MU also hosted a conference for Women in Music this month, which was a hugely positive event I attended that was filled with inspirational speakers, workshops and chances to network, share connections and experiences as well as business talk with like-minded individuals.

Recently I’ve been pleasantly surprised to have found positive action in motion via new allies in my work; taking on a client who specifically encouraged women to reach out, and also starting some audio work for a lovely company looking to support equality with the work they’re doing in the industry.  These last few months have been quite unfamiliar to me, coming from a background where I’ve often felt like the ‘token woman’ at work, a subordinate, or at worst a ‘threat’ in a world where our major achievements are so often defined as secondary to our matriarchal or marital status.

While there’s still a lot of room for improvement across the board, and unsolicited explanations on the fundamentals of what I do from ‘helpful’ outsiders still regularly infest my space, they don’t hold the weight they once did.  I can see positive changes that are both aspirational and experiential for the first time in my life, and that’s brand new. Even my local BBC radio station has shown support for female-led happenings in the industry, inviting me to be part of a conversation this week on the subject of women in music, and it feels like people are banding together to address the disparity and actually do something to proactively change it.  It is a change that I hope will continue to flourish far and wide, and I also have hope that this is the start of better times ahead for all of us wherever we are, in our pursuit of making music and being heard.

Additional Resources:

How to Write about Women in Sound

The EQUAL Directory – Find and Hire Women

A More Inclusive Industry

AES Diversity and Inclusion Committee

 

The Simple Home Studio Kit

Creating and recording music can be a daunting task if you don’t have any prior knowledge of production. From aspiring music producers to seasoned musicians, the art of recording your music can become quite a difficult undertaking very quickly.

So, to combat this, I thought I would compile a range of equipment that I believe to be great for beginners and anyone wishing to record on a budget.

The Right DAW

A DAW is short for Digital Audio Workstation. To put it simply, it is the software you use to record and mix your music. There is a wide variety of different DAW’s out there, and each producer has their preference for a multitude of various reasons and depending on what they require.

My advice is to start simple. If you’re new to music production, software like Pro Tools, Logic and Ableton can seem extremely daunting.

If you’re a Mac user start with GarageBand. It’s free and is very much a simplified version of Logic. If you have a Windows computer, try Audacity. They are both mapped out in a way that it is straightforward to begin recording some tracks you can then transfer this knowledge to more complex DAW’s.

The Interface

I have used many interfaces, and the one I find recommending most to beginners is the Scarlett 2i2.

It is a USB audio interface and has everything you need to start recording: two line/mic ports, 48v phantom power (some microphones require this power to operate), can record 192kHz /24-bit sample rate.

Overall it’s the perfect compact recording device and comes in at around $160/ £100.

A Microphone

Microphones, for me, are the hardest to recommend. It depends so much on a person’s preference and what they want to record. More specifically what sound they want to achieve. But, if you need a place to start, I recommend the MXL 770.

It comes in at around $72 / £90, and I believe it to be well worth the money. It’s impressive, to say the least. It’s not perfect, but it certainly can give microphones worth triple the price a run for their money.

I hope you find this information helpful and just remember there is no perfect set up. I am always updating my kit and trying out new things. It’s what keeps you creative as a producer.

 

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