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Missed this Week’s Top Stories? Read Our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

October Feature Profile

https://soundgirls.org/bryony-october-tolerance-patience-the-ability-to-remain-calm/

The Blogs

Creating Suspense 

Glossary of Sound Effects (Part 2)

Troubleshooting Ourselves to Gain Perspective

SoundGirls News

 

Accepting Applications for SoundGirls Bloggers


We just got some new merch in. Long Sleeves, Onesies, Toddlers, Gig Bags, and Canvas Totes. Check it out Here

Internet Round-Up



SoundGirls Events

Portland SoundGirls Chapter Social

Bay Area Chapter Monthly Meeting

Colorado SoundGirls Chapter Social

SoundGirls Dante Certification Level 1, 2, 3

SoundGirls Alberta Chapter – Field Trip

Portland SoundGirls Chapter Social

SoundGirls Electricity and Stage Patch

Los Angeles – Live Sound Workshop

SoundGirls FOH Tuning Workshop – Los Angeles

SoundGirls Mentoring at AES@NAMM


SoundGirls Opportunities


SoundGirls and SoundGym

Sound Particles Licenses Available

Meyer Sound Supports SoundGirls


SoundGirls Resources


Spotify and SoundGirls Team Up – EQL Directory

SoundGirls – Gaston-Bird Travel Fund

Letter for Trades and Manufacturers


Women-Owned Businesses

SoundGirls Scholarships 2021 Now Open

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Member Benefits

Troubleshooting Ourselves to Gain Perspective

 

Do you ever notice how now and then, a series of annoyances seem to happen one after another? I’ve had a month where it feels like every day has provided something new to test my patience.

When we have weeks like these, it’s so easy for feelings of fatalism to set in – the philosophical belief that life is predetermined no matter what our actions may be. Stuck in a mental slump borne out of frustration and annoyance, I needed to pick myself back up again.

I remember that sometimes it would be better that some things don’t happen the way you want them to. Although this one is hard because it’s human nature to let ourselves get carried away in our imagination, picturing the things we think we want only to be disappointed when they don’t work out. Often we never get to see how that untraveled alternate path would have panned out, but once in a while, life will give us a glimpse of why this wasn’t the best thing for us.

Last year I was turned down for a gig that I was sure would be fulfilling for me both creatively and financially, and I felt like I’d missed out at the time. Not long after, I was shocked to see in the press that there had been an incident that turned into a politically charged legal and PR nightmare and a very real safety issue for those involved in the gig. It was a disaster. I certainly would have been caught in the middle of the crossfire with potentially long-lasting ties to it if I’d landed the job. It’s been useful to have this rejection in the back of my mind to draw upon when times of frustration come around as they inevitably do, and remember that sometimes things not happening can be a good thing.

The second phase of my fatalistic detox was thinking about perseverance and what it means. The alternative to going after what we truly want in life is accepting defeat and ceasing to try anymore. Surely this feels worse than any setback? Kim Liao’s viral article from 2016 Why you should aim for 100 rejections a year beautifully outlines her outlook on perseverance in the creative world of work. But it really can be applied in any area of life where we are losing our cool. Liao theorises that the more times we fail, the fear of failure itself shrinks and holds infinitely less power over us because the act of persevering has become routine. Additionally, Liao reasons that the more we practice at anything, the better we get, including building our resilience.

Most people tend to feel they need something to aim for to grow. I first became aware of Maslow’s hierarchy of needs during my teacher training, as it is heavily referenced in the British education system. Maslow’s expanded model is a motivational theory of human behaviour, though these needs are interchangeable, and some may even supersede others entirely.

  1. Biological and physiological needs– air, food, drink, shelter, warmth, sleep, etc.
  2. Safety needs– protection from elements, security, order, law, stability, etc.
  3. Love and belongingness needs– friendship, intimacy, trust, and acceptance, receiving and giving affection and love. Affiliating, being part of a group (family, friends, work).
  4. Esteem needs– which Maslow classified into two categories: (i) esteem for oneself (dignity, achievement, mastery, independence) and (ii) the desire for reputation or respect from others (e.g., status, prestige).
  5. Cognitive needs– knowledge and understanding, curiosity, exploration, need for meaning, and predictability.
  6. Aesthetic needs– appreciation and search for beauty, balance, form, etc.
  7. Self-actualisation needs– realising personal potential, self-fulfillment, seeking personal growth, and peak experiences.
  8. Transcendence needs– A person is motivated by values that transcend beyond the personal self (e.g., mystical experiences and certain experiences with nature, aesthetic experiences, sexual experiences, service to others, the pursuit of science, religious faith, etc.).

The final part of my troubleshooting process is to mentally file which goals and needs can be met by reassessing my plans and actions accordingly. Henry Ford is quoted as saying, “If you do what you’ve always done, you’ll get what you’ve always got,” and I feel like this mantra is so useful when thinking about what we can proactively do to help ourselves.

Over the years, some of our goals and needs will remain the same, while others require tuning into in order to keep their relevance and propel us forward. Even when we are happily travelling down the same road as before, our surroundings or circumstances can change, making our old goals seem outdated. By being rigid, we can close ourselves off to change when it might be helpful to us, and they say that the definition of insanity is repeating the same thing while expecting a different outcome. If we can embrace change, whether in ourselves when it is needed and chosen, or when it feels like it is happening “to” us, we are also building resilience, and whether it feels like just what we need to hear or a philosophical reminder, the only real constant in life is change.

Creating Suspense 

Recently I’ve been working on a couple of projects that require some suspenseful swells of music. After trying out a few different methods, I decided I would share some of the techniques I used that seemed to be quite effective.

The first method I tried was to bury some long gong sounds leading up to the peak of the suspense. This worked as it was a very classical sounding score. However, if you were wanting to use this in another genre, you could always edit the sound with a pitch shifter, reverb, sending it through pedals. Etc.

My second tip is to just keep layering sounds during a build-up section. The idea of suspense could mean that the first section of your piece can be very controlled but the build-up really needs to grow. A really great way to do this is to add new sounds to every bar. This can be anything from recorded sounds to synths and instruments.

My final tip is to increase the volume automation throughout your build-up. This really helps especially when the music needs to be minimal but you still want the audience to sense some kind of change.

I hope some of these tips can help you create some suspense in your pieces. My advice is to just always keep playing around with different elements of the score, and eventually, you’ll find something that works.

 

 

Missed this Week’s Top Stories? Read Our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

October Feature Profile

https://soundgirls.org/bryony-october-tolerance-patience-the-ability-to-remain-calm/

The Blogs

Living In and Out of A Big Fat Suitcase

Sound Design in Another Medium

Launching Content 

SoundGirls News

 

Accepting Applications for SoundGirls Bloggers


We just got some new merch in. Long Sleeves, Onesies, Toddlers, Gig Bags, and Canvas Totes. Check it out Here

Internet Round-Up


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Recording Academy Putting Focus ‘Behind the Record’ With New Social Media Initiative

Regardless of whether it’s an indie or record label production, every individual involved in the music creation process deserves to be credited. It might seem like a small gesture, but for many music creators, engineers and producers, this hard-earned credit directly impacts their livelihoods.

So what better way to honor and celebrate the birth of an album than by acknowledging everyone involved in its creation!


SoundGirls Events

Portland SoundGirls Chapter Social

Bay Area Chapter Monthly Meeting

Colorado SoundGirls Chapter Social

SoundGirls Dante Certification Level 1, 2, 3

SoundGirls Alberta Chapter – Field Trip

Portland SoundGirls Chapter Social

SoundGirls Electricity and Stage Patch

Los Angeles – Live Sound Workshop

SoundGirls FOH Tuning Workshop – Los Angeles

SoundGirls Mentoring at AES@NAMM


SoundGirls Opportunities


SoundGirls and SoundGym

Sound Particles Licenses Available

Meyer Sound Supports SoundGirls


SoundGirls Resources


Spotify and SoundGirls Team Up – EQL Directory

SoundGirls – Gaston-Bird Travel Fund

Letter for Trades and Manufacturers


Women-Owned Businesses

SoundGirls Scholarships 2021 Now Open

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Member Benefits

Living In and Out of A Big Fat Suitcase

Tips for packing smarter

I love travelling, I love going on tour, but I hate packing. I think it boils down to my inability to make decisions, which is what packing is after all; deciding what you’ll need for maybe months at a time. You might leave home during a heatwave and not come back until the middle of winter, taking in all sorts of weather in between. How can anyone know what they’ll need through all that?

I tried to pack light for years, partly so I wouldn’t put my back out dragging everything around, but partly because I didn’t want to be seen as the clothes-addicted, materialistic woman. As I’ve grown older (and stopped caring what other people think so much) and spend more and more time working away, I’ve come to realise that my suitcase is the closest thing I have to a home on the road. I’m not a follower of fashion or a hoarder by any means, but if having more than one day-off outfit and a bath bomb or two makes a big difference to my quality of life, damn it, I’m going to bring them. I now look for smart swaps that I can make that will streamline my packing while leaving space for a few creature comforts.

I read travel and backpacker sites to get inspiration for lightweight, collapsible, or multipurpose versions of things I need. Some of them can be very expensive, but if you can afford the initial outlay, buying great quality items that will last for years will save you hassle and money in the long run, and have the added bonus of being better for the environment than buying multiple cheaper versions. A lot of the high-end brands also have lifetime guarantees, which can be invaluable. I have a wishlist and keep an eye out for any discounts or sales that will make them affordable. Here are the main changes I’ve made, whether packing for one night or three months:

Water Bottle

An increasing number of festivals and venues in the UK have stopped supplying disposable water bottles, and rightly so. Besides, bringing your own means, you don’t need to waste time searching for the water stash when you run out. Just find a tap. I got a silicone one that rolls up when it’s empty so I’m not losing space in my bag to air.

Coffee Cup

Again, reusable cups are much better for the environment, but they take up a lot of space. I bought a collapsible cup, with a wide foot so I’m less likely to knock it over.

Laundry Egg

I’ve replaced washing detergent and fabric softener with a reusable, eco-friendly laundry egg. They last for months and months before needing a top up, so I know it’s sorted for my whole time away.

Ereader

I know some people can’t be parted from paper, and I love reading real books too, but having the ability to choose from thousands of stories while taking up less space than a paperback is worth it for me. You can also load them with user manuals and catch up in your bunk if you’re struggling to get to sleep.

Coat

Unless you’re touring through the arctic circle, you shouldn’t need a big bulky coat. The key to packing smart while being prepared for any weather is lots of thin, breathable layers. I invested in a super thin jacket from Arc’teryx, which has lots of smart features like moisture-wicking material and a hood that will fit over my hard hat, while rolling up to the size of my headphones. I can use it all year round, and add thermals in the winter to keep warm.

Base Layers

You can avoid having to bring thick warm clothes ever again by getting some good thermal base layers. Merino wool ones are super toasty while staying breathable. Apparently, they also keep you cool in summer and can be worn for a week or so without smelling, but I have too much respect for my colleagues to put that to the test. More and more sports and outdoors brands are making ‘smart’ clothing, which can be super thin, moisture-wicking, breathable and quick-drying and many are made from synthetic material or bamboo, so don’t involve animal products.

Zip-off Trousers

Ok, you’re not going to win any best-dressed awards in zip-offs, but they are really useful. Not only will you save space compared to packing separate shorts and trousers, you have options for when the temperature suddenly changes without having to run back to the bus or hotel. I got a couple of pairs from an outdoors shop that are lightweight and quick-drying, so if I get caught in a downpour, I’m not soggy for the rest of the day.

Safety Shoes

If your role requires safety shoes, it’s non-negotiable. However, there are lots of lighter, trainer-style shoes out there so you don’t have to lug massive steel-toed boots around. I have some great springy, composite-toed, high-top style ones (because I don’t trust people not to push flight cases into my ankles) from Jallatte, which are not only lighter to carry in my bag, they’re a pleasure to wear.

Toiletries

I’m trying to replace as much as possible in my washbag with solid alternatives. They’re more compact, use less plastic, last longer, don’t leak and you don’t need to worry about taking them through airport security. I have solid shampoo and conditioner and use soap instead of shower gel (I was really interested in a major chain’s solid shower gel until I realised that it was just an expensive way of saying ‘soap’). I use stick deodorant, but it’s best not to bring aerosols on tour anyway. It’s rude and inconsiderate to use sprays inside the bus. For liquids, I buy the smallest bottle or decant it into travel containers. Again, this saves space and means I can bring most stuff in my hand luggage if I’m flying. You can always buy more as you go along.

Menstrual cups not only take up way less space than pads and tampons, but they’re also better for the environment, and you don’t need to worry about running out.

I use packing cubes to keep all this stuff organised. It’s quick, it helps you compress your clothes down so you have more space, and it’s an extra layer of privacy while you’re rummaging through your suitcase at the side of the road in front of your colleagues and passers-by. I also bring a smaller canvas bag so I can take everything I need until the next day off up to my bunk and leave the suitcase in the bus bay. If you delve into travel blogs, you can get a wealth of information for packing lighter and smarter, but don’t get too caught up in minimising your luggage. We aren’t on holiday, we do this full time. While it’s a good idea not to have too much stuff weighing you down, we deserve to have a few luxuries or reminders of home to make us feel human.

Missed this Week’s Top Stories? Read Our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

October Feature Profile

https://soundgirls.org/bryony-october-tolerance-patience-the-ability-to-remain-calm/

The Blogs

So you Think you Want a Career in Live Sound.

The Secret to Being a Woman on the Road

My Take on Line-By-Line Mixing for Theatre

SoundGirls News

SoundGirls at AES

NAMM 2020 Badges for SoundGirls Members

Accepting Applications for SoundGirls Bloggers


We just got some new merch in. Long Sleeves, Onesies, Toddlers, Gig Bags, and Canvas Totes. Check it out Here

Internet Round-Up



SoundGirls Events

Colorado – BLUE MAN GROUP – BACKSTAGE TOUR & DINNER

Bay Area Chapter Monthly Meeting

Colorado SoundGirls Chapter Social

SoundGirls Dante Certification Level 1, 2, 3

SoundGirls Alberta Chapter – Field Trip

SoundGirls Electricity and Stage Patch

Los Angeles – Live Sound Workshop

SoundGirls FOH Tuning Workshop – Los Angeles


SoundGirls Opportunities


SoundGirls and SoundGym

Sound Particles Licenses Available

Meyer Sound Supports SoundGirls


SoundGirls Resources


Spotify and SoundGirls Team Up – EQL Directory

SoundGirls – Gaston-Bird Travel Fund

Letter for Trades and Manufacturers


Women-Owned Businesses

SoundGirls Scholarships 2021 Now Open

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Member Benefits

My Take on Line-By-Line Mixing for Theatre

Theatre sound

Since I had started as a live sound engineer for theatre, I didn’t really pay attention to other mixing styles. Line-by-line mixing made sense to me and was my natural technique. It wasn’t until I started working with musical artists and bands that I realized I needed to change my approach. I was not a live sound music mixer, I am a theatrical mixer, and there was a learning curve for me. Line-by-line at the most minimal means you are opening/closing mics for each person coming on and going offstage. Mute groups, DCA/VCA, and automated scenes REALLY help when you have a ton of radio mics. Mixing for an orchestra plus 15-25+ wireless mics were the norm for me while in college (& working professionally later).

We were taught to read a script a minimum of three times. Script analysis was integral for sound design, as it forces academic research. The first time you read a script is the most important as you are forming first impressions and understanding of the story. The second read-through was sometimes done with other designers, actors, director, etc. but I felt they often left out the tech crew. The second was to solidify the understanding of the themes, subjects, and tonality. The third and subsequent read-throughs of the script are for writing SFX cues, entrances, and exits (if not in the script OR noting they will go off and immediately return), orchestral solos, and grouping of singers.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

In rehearsals and the tech week process, there was always a lot of “hurry up and wait” while we all made adjustments. This was a valuable time for note-taking; if my script was thorough and accurate, I would be able to focus more on the mix rather than who the hell is onstage right now. An Audio Engineer for the theatre is a lot of things: FOH, foldback, A2, RF Tech, systems engineer, sound effects operator, comms, and so many other little things. Keeping organized was the most important because we have a lot of shit to handle.

Once you know who is doing what on stage, which solos or special parts the orchestra has (which is why attending the sitzprobe is integral for success, ( In opera and musical theatre, a sitzprobe (from the German for seated rehearsal) is a rehearsal where the singers sing with the orchestra, focusing attention on integrating the two groups, it is often the first rehearsal where the orchestra and singers rehearse together.) You can build your show file and program the console. The Stage Manager will be able to call your SFX cues (and sometimes even run them) so I make notes and place trust in my SM. I learned how to mix on an Allen & Heath ML4000 (?? TBH it was over 13 years ago), so my brain is focused on having as much as possible in front of me. Layers are where I hide things that don’t need to be actively mixed, as I do not like switching between layers quickly.

My Console Setup

Once everything is labeled and organized, I start with assigning VCAs/DCAs (Showing my experience/age). Wind, strings, rhythm, etc. will each get a DCA if it’s a larger orchestra. Orchestra overall gets a DCA. Ensemble (separated men/women), and quartet/trios should also get their own DCA. Some of these may be assigned to a group instead of processing, which will depend on the situation. Mute groups are your best friend, it takes some time to program them on older consoles, but it is worth the effort. Depending on your digital console, recording scenes or screenshots while in rehearsals would be the best option. You can always make small edits later if your timing isn’t quite perfect. From there, it’s all about the notes from rehearsal. Line-by-line was the most logical method for theatre & I still think this way during productions.

 

Missed this Week’s Top Stories? Read Our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

October Feature Profile

https://soundgirls.org/bryony-october-tolerance-patience-the-ability-to-remain-calm/

The Blogs

An Open Letter to Theatre Reviewers

 How to be the New Crew Person

Glossary of Sound Effects (Part 1)

SoundGirls News

AES Exhibits-Plus Badges for SoundGirls Members

NAMM 2020 Badges for SoundGirls Members

Accepting Applications for SoundGirls Bloggers


We just got some new merch in. Long Sleeves, Onesies, Toddlers, Gig Bags, and Canvas Totes. Check it out Here

Internet Round-Up


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Natalie Hernandez – synthesizer and electronics technician

Natalie discusses her background in electronics design and repair, including her work at Death By Audio. She speaks candidly about combatting imposter syndrome and the importance of saying “I don’t know.”


List of Woman and Non-binary-Run Music Organizations Is the Future of the Industry


SoundGirls Events

Colorado SoundGirls Chapter Social

Colorado – BLUE MAN GROUP – BACKSTAGE TOUR & DINNER

Bay Area Chapter Monthly Meeting

SoundGirls Dante Certification Level 1, 2, 3

SoundGirls Alberta Chapter – Field Trip

Vancouver SoundGirls Console of the Month

SoundGirls Electricity and Stage Patch

Los Angeles – Live Sound Workshop

SoundGirls FOH Tuning Workshop – Los Angeles


SoundGirls Opportunities


SoundGirls and SoundGym

Sound Particles Licenses Available

Meyer Sound Supports SoundGirls


SoundGirls Resources


Spotify and SoundGirls Team Up – EQL Directory

SoundGirls – Gaston-Bird Travel Fund

Letter for Trades and Manufacturers


Women-Owned Businesses

SoundGirls Scholarships 2021 Now Open

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Member Benefits

Missed this Week’s Top Stories? Read Our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

October Feature Profile

https://soundgirls.org/bryony-october-tolerance-patience-the-ability-to-remain-calm/

The Blogs

Radioactivity and Sound

Hearing Health – Hearing Test

Deconstructing a Song

SoundGirls News

Opportunity to Shadow Sound & Lights National Tour

AES Exhibits-Plus Badges for SoundGirls Members

NAMM 2020 Badges for SoundGirls Members

Accepting Applications for SoundGirls Bloggers


We just got some new merch in. Long Sleeves, Onesies, Toddlers, Gig Bags, and Canvas Totes. Check it out Here

Internet Round-Up


Lisa Affenzeller on Roadie Free Radio!
FOH Engineer, Tour Manager, Production Manager, and Stage Manager based in Hamburg, Germany.

 


 

 


SoundGirls Events

Bay Area Chapter Monthly Meeting

Alberta SoundGirls Chapter Social

Colorado SoundGirls Chapter Social

AES SoundGirls Events

SoundGirls Dante Certification Level 1, 2, 3

SoundGirls Alberta Chapter – Field Trip

Vancouver SoundGirls Console of the Month

SoundGirls Electricity and Stage Patch

Los Angeles – Live Sound Workshop

SoundGirls FOH Tuning Workshop – Los Angeles


SoundGirls Opportunities


SoundGirls and SoundGym

Sound Particles Licenses Available

Meyer Sound Supports SoundGirls


SoundGirls Resources


Spotify and SoundGirls Team Up – EQL Directory

SoundGirls – Gaston-Bird Travel Fund

Letter for Trades and Manufacturers


Women-Owned Businesses

SoundGirls Scholarships 2021 Now Open

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Member Benefits

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