Empowering the Next Generation of Women in Audio

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Times Up! Time to Move Forward

We have all read the articles about the lack of women and diversity in music production. Articles titled, “Where are all the Women in (insert your discipline here)? We have all seen the clickbait headlines “Women have better Hearing than Men,” “What’s it Like Being the Only Women on Tour?”, and we have all read the comment sections that soon turn nasty.

We have discussed the lack of diversity in the industry ad nasuem. We are amazed year after year by the lack of women and other marginalized groups represented on panels, in ad campaigns, articles, and interviews.

We are once again horrified (but not shocked) to hear about sexual harassment and assault in our industry. And we are all tired of having to KICK DOWN THE DOOR to just get our foot in. It’s 2018, and we need to stop talking about it and take concrete steps towards inclusion in our industry.

We need to create actual change. Angela Davis asks and demands us to not only fight for a just world but to imagine the world we want and need. On diversity, Davis has this to say:

“Diversity — It should not be a “visual effect. You can have difference that truly makes a difference, but you can also have difference that doesn’t make a difference … that allows the machine to keep functioning in the same old way … sometimes more efficiently and effectively.”

We must ensure the steps we take don’t continue to make our problematic current institutional, cultural and societal structures stronger.

So as we move forward taking concrete steps to remake our world and industry, we want to hear your ideas, thoughts, and actions to enact change proactively. We will continue to talk with and listen to colleagues about their ideas, and we will keep updating these steps in the future.

Here are a few steps we can all take to begin working towards a more inclusive world.

Remember, diversity initiatives aren’t a checklist. This is an ongoing process and challenging work. We also acknowledge that our current institutional, cultural, and societal structures are fundamentally flawed and that until we fix those, these suggestions are only band-aids.


Addressing Unconscious Bias Within Your Company and Hiring practices.

We all have deep and ingrained unconscious bias. Yes, even the most enlightened and progressive among us. While this is hard and difficult work – we encourage everyone to try to unpack and understand it. You can do a google search to understand and work through unconscious bias – but here is a helpful article to get you started –  Avoiding Unconscious Bias at Work.

When it comes to unconscious bias in hiring, we all need to understand that this affects who gets the chance to interview and who will get the job.

While many companies spend a lot of time, energy, and financial resources to increase diversity,  others do not have the resources, and still, some are not even aware of these issues.

Very few companies ever improve their diversity without support from the top. Leadership needs to invest in diversity and inclusion. They must be role models in exhibiting inclusive behaviors, managing their own unconscious bias, and enthusiastically supporting employees from non-traditional backgrounds.


The Pipeline Deficiency – “You can’t find qualified candidates.”

This statement implies that women and ethnic minorities are, as a whole, underqualified.

If you believe this to be the case, as you only have a pile of resumes from white men, you need to expand your job search. Review where you are recruiting employment applications. Expand your job search by reaching out to groups that promote underrepresented people.

Understand the unconscious bias that affects your evaluation of qualifications. Men tend to be called back for an interview over women with the same qualifications, and the same happens with candidates that have black or latinx sounding names. Women and other marginalized groups tend to be rated more harshly after interviews.

Companies tend to hire from their networks; this leads to hiring people with very similar backgrounds as your current employees. Expand your job searches.

Companies may have a culture that is alienating. What are people from underrepresented groups saying about your company? You should act to address these issues.

Review the language in your job postings. This affects who applies. Is it off-putting to underrepresented groups?


Consider Enacting Blind Resumes

Resumes contain a lot of information about the applicant, but they also provide details about race, class, and gender. This affects who is considered.

Remove names – When women auditioned for orchestras behind a curtain it increased their chances by 50% – The Impact of Blind Auditions on Female Musicians

Consider removing university names and activities. These tend to signal race, gender and class differences.

Gapjumpers will test applicants on their skills and provide employers a list of candidates.


Instead of Blind Resumes Put in Place a Diverse Hiring Committee

Have a diverse hiring committee in place. The committee should all look through the same stack of resumes, and each brings their qualified candidates to the table. The committee hopefully will help check each members’ unconscious bias and will end up with a diverse group of candidates to choose from.

Again, this is dependent on the resumes you receive. If you only have a pile of resumes from white men, you need to expand your job search. Review where you are recruiting employment applications. Expand your job search by reaching out to groups that promote underrepresented groups.

To ensure that all candidates are treated the same, make sure they are all asked the same questions. Unstructured interviews can lead managers to overlook important details. Evaluate candidates during the interview process. Use a checklist.

Candidates should be interviewed by several managers. Do not use a panel to interview as your perspective can be shaped by other colleagues. Do not compare notes until the interview process is complete.

Adopt the Rooney Rule – This rule requires the NFL to interview minority candidates for every coaching job. You should interview several minority candidates for every job, but especially for managerial and leadership roles.


Unconscious Bias in Academia (this applies to Academia in our industry)

Although this will not eliminate all bias, a step we can take to address gender, race, and class bias is to have research and white papers submitted blindly – with no name or indication of gender, race, etc. Then we can judge these papers on their merits.

You must be aware of the spaces and organizations you are recruiting from. Is the culture alienating to marginalized groups? Are you recruiting from your networks that may be full of people that are similar to yourself? Expand your search by reaching out to groups that promote underrepresented groups. Make sure you are aware of the structural barriers in place that deter women and other underrepresented groups from submitting papers.

This should apply to mix off competitions as well.


For Educators

Please make sure you are featuring, sharing, and discussing engineers and producers of all genders and races. Include a balanced list of industry leaders in your coursework.

Make sure your classroom is inclusive and welcoming for all your students.

Make women and other marginalized people normal by highlighting them. Remember “You can’t be what you can’t see.”

Recommend diverse groups that can help your students find mentoring, internships, and support.


Trade Magazines

Feature women and other marginalized groups regularly.

Don’t pat yourselves on the back when you do finally feature a woman. Featuring three female engineers out of the 130 of the interviews you have done, is not progress. If you can’t find these people, then you are not interested, don’t care, and are not doing your research. These people are literally everywhere working in all aspects of our industry.

If you are interested in reaching out to trade magazines or manufacturers here is a sample letter you can modify and send to them


Marketing Departments

See above

We are tired of seeing the same white male engineers using your gear, and we like to support companies that promote inclusiveness.

Here is a diverse ad campaign DiGiCo ran in 2017, featuring four women  Excellence Exposed


Panels for Trade Shows and Events 

See all above

Put together a diverse committee that will make sure panels include representation from marginalized groups on panels and discussions.

Instead of putting together panels on “Women in Audio,” make sure women and other underrepresented people are featured on all panels.


List of resources

The EQL Directory

Gender Amplified

Diversify the Stage

Never Famous

Bands, festivals, TV shows, traveling Broadway musicals, and other touring groups need competent and diverse personnel who perform their tasks with a high level of expertise and professionalism day-in and day-out. Touring personnel need a way to market their expertise and let their availability be known within the industry. Both groups need a way to broaden the scope of available jobs, resources, and candidates, and break out of the cycle of peer-to-peer referrals and word of mouth as the primary way to hire and get hired.

POC in Audio Directory

The directory features over 500 people of color who work in audio around the world. You’ll find editors, hosts, writers, producers, sound designers, engineers, project managers, musicians, reporters, and content strategists with varied experience from within the industry and in related fields.

While recruiting diverse candidates is a great first step, it’s not going to be enough if we want the industry to look and sound meaningfully different in the future. Let us be clear: this isn’t about numbers alone. This is about getting the respect that people of color—and people of different faiths, abilities, ages, socioeconomic statuses, educational backgrounds, gender identities, and sexual orientation—deserve.


50+ All-women and feminist sound/music tech collectives, co-ops, non-profits

Women in Lighting

Femnoise

A collective fighting for the reduction of the gender gap in the music industry. But we soon realized that the solution is not just activism. We have to go one step further: to connect and empower underrepresented individuals on a large scale, worldwide.

POC Theatre Designers and Techs

Wingspace

is committed to the cause of equity in the field.  There are significant barriers to accessing a career in theatrical design and we see inequalities of race, socioeconomic status, gender identity, sexual orientation and disability across the field.

Parity Productions

Fills creative roles on their productions with women and trans and gender nonconforming (TGNC) artists. In addition to producing their own work, they actively promote other theatre companies that follow their 50% hiring standard.

Production on Deck

Uplifting underrepresented communities in the arts. Their main goal is to curate a set of resources to help amplify the visibility of (primarily) People of Color in the arts.

She is the Music DataBase

Live Nation Urban’s Black Tour Directory

The F-List Directory of U.K. Musicians

FUTURE MUSIC INDUSTRY 

WOMEN/ NON-BINARY DJS/PRODUCERS

South America – Productores por país – Podcasteros

Women in Live Music DataBase

Women’s Audio Mission Hire Women Referrals


Organizations working towards Diversity and Inclusion

Turn It Up is a collective working toward gender parity in music.

Roadies of Color United

FEMusician.com

wosradio.com

The Women of Rock Oral History

Alice Bag’s Women in L.A. Punk Archives

Jenny Woolworth Radical Repository

Riot GRRRL Research

She Shreds – Compilation of Anti-Racism Resources For White & Non-Black Musicians

International Alliance for Women in Music

#Normal Not Novelty

Sound Women

Women in Sound Women on Sound

Yorkshire Sound Women Network

50+ All-women and feminist sound/music tech collectives, co-ops, non-profits

Women in Post Production

More than a Few Female Music Producers

150 Female Producers You Need to Know

The Five Percent

The AWITTechGuide

 

 

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

May Feature Profile

Daniela Seggewiss – Time Flies When You Are Doing What You Love

The Blogs

Systematic Inequality, Part 2: Culture, Culture, Culture

What is in my toolkit?

Consideraciones para realizar un diseño de refuerzo Sonoro.

Considerations for a Sound Reinforcement Design.

District of Screen Composers


SoundGirls News

Letter for Trades and Manufacturers

https://soundgirls.org/scholarships-18/

Line Check! Experience Sound Check a Grammy Nominated R&B/Pop Artist

Accepting Applications for Ladybug Music Festival

Representation on Panels – Music Expo – Boston

Philadelphia SoundGirls Chapter May Meeting – May 19th

SoundGirls Productions Meet & Greet

https://soundgirls.org/event/orlando-soundgirls-chapter-social-2/?instance_id=1273

https://soundgirls.org/event/melbourne-soundgirls-chapter-social-2/?instance_id=1286

Amsterdam SoundGirls Tour & Social

https://soundgirls.org/event/vancouver-soundgirls-chapter-one-year-anniversary/?instance_id=1285

SoundGirls London Chapter Social – June 17

https://soundgirls.org/event/glasgow-soundgirls-meet-greet/?instance_id=1272

Shadowing Opportunities – Berlin

Shadowing Opportunities

Telefunken Tour & Workshop

Round Up From the Internet

Creative licence is key: Sound designer Kirsty Gillmore on producing theatre audio

 

 

 

Primavera Sound Instates Zero Tolerance Policy Against Sexual Aggression and Harassment

 

Live Nation Launches the Women Nation Fund to Boost Female-Led Biz

 


SoundGirls Resources

Directory of Women in Professional Audio and Production

This directory provides a listing of women in disciplines industry-wide for networking and hiring. It’s free – add your name, upload your resume, and share with your colleagues across the industry.


Women-Owned Businesses

Member Benefits

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

District of Screen Composers

Empowering Women & Youth in Music Film Composing

One of the most important components of a film is the musical score. It sets the pace and emotion of the story, engaging the viewer to identify with each character. Composing the soundtrack requires the director to write and arrange music that pairs perfectly with the film, utilizing flawless performances by instrumental ensembles, choruses, or musicians. Being a woman composer in a field dominated by men adds to the challenge, something that 22-year-old Romanian composer Ioana Selaru knows all too well.

Ioana Selaru was born in Galati, Eastern Romania where she studied music at an early age. She is an accomplished violinist of over 12 years and has grown up surrounded by music, art, and literature. Her love for composing music sparked the idea to create DISC – District of Screen Composers, a cultural and educational enterprise centering on the music field, consisting of talented and ambitious young musicians, with the common purpose of creating, adapting, and mastering a wide variety of audio products.

Her main goal with DISC is to become a household name on the audio-cultural market, all the while making a positive impact on the local youth through workshops, projects and collaborations. At the same time, initiate and take part in various cultural programs aiming to bring added value to the community.

But, as a female entrepreneur, Ioana faces many obstacles running a successful business in a field dominated by men.  She is motivated by her love for film composing and recognizing that the film industry is very poorly developed in Romania. Ioana states there is currently no community to support ideas like hers in her country that encourages young composers, especially women. She wants to be a part of that change, just like Soundgirls is.

We interviewed Ioana Selaru to learn more about this phenomenal woman on how she came into this industry, and what DISC is doing to increase awareness of women in the music film composing industry.

Myki Angeline: Where is DISC located, when was it established, and how can anyone take part in your workshops and projects?

Ioana Selaru:  DISC, District of Screen Composers, is a music studio located in the heart of Bucharest, Romania’s capital city, is a cultural hub called Manasia. The studio was established three years ago, in 2015, but with another vision and under a different name. The studio is open to anyone who is interested in our activities, and any student or young music enthusiast, willing to be part of the music field, can take part in our cultural programs aiming to bring value to the community.

Myki Angeline: What is your background in music and knowledge, and how is this incorporated into DISC?

Ioana Selaru:   Much of my passion for art comes from the environment I grew up in. My father was a musician in his youth, a guitarist in a rock music band, and my siblings studied architecture, painting, and literature. My passion for composing music has emerged in the final years of high school when I started creating my own arrangements for a band. Then I saw the movie “American Beauty” and listened to the soundtrack composed by Thomas Newman. It was the first time film music really drew my attention in a meaningful way because I was simply absorbed by the perfect blend between music and story. Being trained in a classical way from a very young age is a factor that is easily recognizable in my own compositions. From the way, I build my melody, to harmony and orchestration. I like to integrate the sound of violin in almost any creation. Regardless of whether it is a plucked string, making a percussive sound with the bow or with the body of the instrument.

Myki Angeline: Have you encountered any hurdles as a woman in your industry? If so, what have you done to overcome them?

Ioana Selaru:   I was lucky enough not to have experienced blatant sexism directly. I think prejudice is everywhere, all around the world. Many people, I think, are still not used to the idea of seeing a woman in a leading role. Inappropriate comments are just a sign of insecurity. It is quite clear that there are more men than women working in the film industry, but that does not mean that women are not interested in this kind of job. Every time I am faced with a similar situation I try not to show that I am affected and treat it as a normal work problem. Apart from the above, my male colleagues have been very respectful and supportive.

Myki Angeline: Do you have any upcoming films to be released, or upcoming projects for others to become a part of to share with our readers?

Ioana Selaru:  Apart from my composing work and efforts to develop productive professional relationships, I am investing a good amount of time into organising events that combine visual art with music.  On May 19, the works of three young graphic artists will be accompanied by live ambient music created by us. We will also be interacting with guests and presenting the studio and the artists’ activities in a laid-back atmosphere. There are several future projects, so it is best for readers to follow us on Facebook, Soundcloud, and Instagram.

Myki Angeline: What advice do you have for those choosing to pursue a career in film score composing?

Ioana Selaru:   My advice would be simple: to get out of their comfort zone and experiment. As an artist, it’s important to find your own style and draw inspiration from other people, but what leads to being a real artist is experimenting and developing productive relationships.

Follow DISC on Facebook, Soundcloud, Instagram, and Vimeo.

Follow Iona Selaru on Facebook and Soundcloud


 

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

May Feature Profile

Daniela Seggewiss – Time Flies When You Are Doing What You Love

The Blogs

What’s Your Plan B?

Mix With the Masters Experience

The Sound of Cinematic Femininity


SoundGirls News

https://soundgirls.org/scholarships-18/

Line Check! Experience Sound Check a Grammy Nominated R&B/Pop Artist

Accepting Applications for Ladybug Music Festival

Representation on Panels – Music Expo – Boston

Philadelphia SoundGirls Chapter May Meeting – May 19th

SoundGirls Productions Meet & Greet

https://soundgirls.org/event/orlando-soundgirls-chapter-social-2/?instance_id=1273

Amsterdam SoundGirls Tour & Social

SoundGirls London Chapter Social – June 17

https://soundgirls.org/event/glasgow-soundgirls-meet-greet/?instance_id=1272

NYC – Location Sound Mixing Opportuntity

Shadowing Opportunities – Berlin

Shadowing Opportunities

Telefunken Tour & Workshop

Round Up From the Internet

https://www.themarysue.com/support-ladies-get-paid/

 

 

 


SoundGirls Resources

Directory of Women in Professional Audio and Production

This directory provides a listing of women in disciplines industry-wide for networking and hiring. It’s free – add your name, upload your resume, and share with your colleagues across the industry.


Women-Owned Businesses

Member Benefits

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

SoundGirls Scholarships

APPLICATIONS For 2021

We are awarding four $250 scholarships to be used for audio education and continuing education. Applications will open on June 1, 2021

WHO IS ELIGIBLE?

Any member of SoundGirls that is attending or plans to attend educational programs in Professional Audio. There is no age requirement and includes college programs, trade schools, seminars, and workshops. Applications are open to all genders and non-conforming genders.

HOW TO APPLY

Write a 400-600 word essay on the topic:  Why you love working or want to work in professional audio. Applications will open on June 1, 2021 – Apply Here

DEADLINE FOR SUBMISSION

The essay submission deadline is 12:00 midnight EDT July 30, 2021. The scholarships will be awarded in August 2021, and paid to scholarship winners. Scholarship winners will be required to send proof of enrollment in the educational program to SoundGirls or scholarship money must be returned.

SELECTION PROCESS & NOTIFICATION

The SoundGirls Board will review essays and will notify the winners via email.

ADDITIONAL DETAILS

The scholarship funds awarded can be used for educational programs related to professional audio. Scholarships are non-renewable. You will need to submit proof of enrollment in a program.

QUESTIONS?

Any questions on the scholarship essay can be directed to soundgirls@soundgirls.org.

 

 

 

 

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

May Feature Profile

Daniela Seggewiss – Time Flies When You Are Doing What You Love

The Blogs

How to Communicate About Audio With Non-Audio People

Take Care of Good People


SoundGirls News

Accepting Applications for Ladybug Music Festival

Representation on Panels – Music Expo – Boston

Philadelphia SoundGirls Chapter May Meeting – May 19th

SoundGirls Productions Meet & Greet

Amsterdam SoundGirls Tour & Social

SoundGirls London Chapter Social – June 17

NYC – Location Sound Mixing Opportuntity

Shadowing Opportunities – Berlin

Shadowing Opportunities

Round Up From the Internet

 

Sisters on Sound PodcastEpisode 5 Rachel Ryan

 

Los Angeles – May 6th

SoundGirls will be at this awesome event. Join Women in Music Los Angeles and Beats By Girlz on Sunday, May 6th from 2-5PM for an afternoon of networking and presentations from key women working in music and technology.

 

 

http://www.thewimn.com/rocks-talks-action-items-facing-adversity-diversity/

Sennheiser at ASCAP EXPO 2018

 

https://www.prosoundweb.com/channels/live-sound/organization-communication-anticipation-working-the-monitor-scene-at-a-large-festival/

 

 


SoundGirls Resources

Directory of Women in Professional Audio and Production

This directory provides a listing of women in disciplines industry-wide for networking and hiring. It’s free – add your name, upload your resume, and share with your colleagues across the industry.


Women-Owned Businesses

Member Benefits

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Take Care of Good People

SoundGirls is a community by women for women, to enable greater gender balance in male-dominated audio and related fields. Groups like SoundGirls exist to provide women with space they need to develop and share the skills and experience necessary to work as professionals in music and audio.

It goes without saying that these spaces exist as women-only because their real-life counterparts are essentially male-only, though not officially or by definition. There is no rule of a soundboard that says you have to be male, and yet the majority of students, interns, teachers, mentors, and other people working soundboards are men. So men are provided with the experience of learning something new in an environment that feels somewhat familiar, and women interested in the same thing are not able to learn in an environment that feels familiar, except through programs like those that SoundGirls offer.

So, here we are with programming that is expanding, and a growing professional database of women in audio and music. How do we translate this to the real world, to actually being at work? There are many women-only collectives, labels, and studios & businesses propping up, which is very exciting. But not all people want to be surrounded by only their gender. Also, isn’t the goal equity?

One day I hope to work in a studio with as many women as men. I hope to produce male artists; I hope to produce women artists aside from myself. I hope to hand over skills that others want to learn, regardless of who they are as a gender.

When you love a woman, you take her seriously. You aren’t surprised at her skill level, and you encourage her to keep challenging herself. You let her learn from her mistakes. You let her go, switch jobs, leave for tour, meet new people. Just like we do men.

Good People – Naz Massaro

Working with all genders means that everyone understands they have strengths and weaknesses. One person may be good at something that someone else is terrible at, and that person may know much more about something than the first person. A young brain would feel threatened by this disparity, and try to compensate with egotistical actions. But truly, there is nothing to feel threatened by—your differences make you a stronger team. Embrace them. Challenge yourself to learn from the people around you! Challenge yourself to learn more about yourself by recognizing your strengths and weaknesses! Enjoy the beauty that is collaboration. Teach people around you to work from a place of love, so they too can spread that light.

Note: SoundGirls is inclusive and open to anyone who has a desire and drive to succeed in professional audio. The ratio of women to men members is approximately 65% women and 35% men.

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

April Feature Profile

Heather Augustine – Patience, flexibility, and persistence

The Blogs

Festival Guide part 2: In-house Tech/Engineer

Maintaining Business Relationships – Part 2

A Chance to Build Each Other Up


SoundGirls News

https://soundgirls.org/event/video-conference-on-audiobook-editing/?instance_id=1261

SoundGirls Productions Meet & Greet

Amsterdam SoundGirls Tour & Social

SoundGirls London Chapter Social – June 17

NYC – Location Sound Mixing Opportuntity

Shadowing Opportunities – Berlin

Shadowing Opportunities

Round Up From the Internet

CompTIA – Advancing Women in TechnologyTechnology Programs for Women & Girls

 

 

The Nine: Alesia Hendley

 

 


Producer, songwriter, and gender diversity campaigner Carla Marie Williams

 

 

http://www.musictech.net/2018/04/rhiannon-mair-interview/

SoundGirls Resources

Directory of Women in Professional Audio and Production

This directory provides a listing of women in disciplines industry-wide for networking and hiring. It’s free – add your name, upload your resume, and share with your colleagues across the industry.


Member Benefits

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

A Chance to Build Each Other Up

Yorkshire Sound Women Networks Meetup, March 2018

On March 25 I had the pleasure of attending the Yorkshire Sound Women Networks meetup at Yorkshire Dance in Leeds.

The Yorkshire Sound Women Networks were founded in Huddersfield on July 14, 2015, with the aim of bringing women together to “share knowledge and skills in music and sound technology, sonic arts, production, and audio electronics.” They describe their “glorious mission” as “to inspire and enable more women and girls to explore sound and music technology.”

Since 2015 they have seen the network expanded to encompass regional groups in Sheffield, Hebden Bridge/Todmorden, York, Oxford, and as far afield as Malta. As well as regular member meetups, the network offers workshops in synthesis, Ableton Live, Arduino, live coding, production sound, and sound design.

March 25 was the first joint meetup for all groups, and the first time the network has offered a full day of workshops, talks, and performances. The day was open to all women who were interested in attending, from within the Yorkshire region and beyond.

Sharing knowledge was one of the key themes of the day – the programme handed to me as I registered included the statement “Today is our chance to build each other up by sharing ourselves, our knowledge, our resources, our networks.”

I appreciated that these resources and knowledge included talks on more administrative and educational topics, as well as electronics and music. Andie Brown’s practical and informative presentation focussed on finance management for the self-employed, while Michelle Myrie’s talk provided insight into her experience of changing lives through music through her work with NEET young people – young people “not in education, employment or training.” It was clear that YWSN had thought carefully about what topics would be pertinent and valuable to the attendees, who included students and women who were interested in electronic music and sound, as well as professional performers, musicians, and educators.

Collaboration was also a welcome theme. In the section of the day dedicated to showcasing work from YWSN’s regional groups, it was exciting to see how musicians and sound artists were inspired by each other’s work, which resulted in unusual and unexpected collaborations. The Hebden Bridge/Todmorden group spoke about a sound walk they’d designed which incorporated location sound recording and electronic sound art. The Huddersfield group performed live (their first live performance as a group), using a mixture of synthesizers, vocal manipulations, and found instruments.

The highlights of the day for me were an immersive electronic music performance from University of Huddersfield student Ching Wu, and Vicky Clarke’s hands-on DIY electronics workshop, where we had the chance to breadboard a noisemaker. As someone who hasn’t fiddled with electrical components since sound school, it was a fun and somewhat challenging reminder that there’s more to sound-making than sitting behind a console or computer in a studio.

Finally, it was immensely encouraging to see lots of young women in attendance – from Ching’s performance using Ableton Live, to the Malta Sound Women Network’s report on their work and events (delivered by video). It was clear to me that providing this kind of supportive spaces and communities where collaboration and experimentation (both successes and failures) are encouraged is not only a good thing, it is vital to the continuation and growth of women working in music and sound.

To slightly paraphrase the quote from Laurie Spiegel, printed in the programme information for the day): Bravo to the Yorkshire Sound Women Network. I can’t wait to hear what you’ll create next.

Special thanks to Liz Dobson from YSWN for inviting me to attend the day.

You can find

The Yorkshire Women’s Network on Facebook Here

Malta Sound Women Network

Yorkshire Sound Women Network – Sheffield

YSWN Hebden Bridge

Leeds Sound Women

YSWN York

X