Missed this Week’s Top Stories? Read our Quick Round-up!
It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org
Spotify Launches Second Year of EQL Residency – Apply Now! Deadline is June 7th!
Are you a female-identifying audio professional? Apply for this paid, six-month residency in either London, Los Angeles, or Nashville.
Last November we announced The EQL Directory—a database of women and gender non-conforming audio professionals, powered by SoundGirls, made possible by Spotify. The idea behind it is simple: here’s a resource designed to make putting together an inclusive team that much easier.
Hand in hand with this is Spotify’s annual EQL Residency, a program that provides hands-on experience for rising studio engineers. From today until June 7th at 5pm PST, you can submit your application for positions in our Secret Genius studios in London, Los Angeles and Nashville. In partnership with Berklee College of Music, the EQL Residency is a paid, six-month residency for female-identifying producers and engineers.
We are proud to recognize Ethel’s contributions to the music industry and for paving the way for future generations of women working in music production.
In honor of Ethel Gabriel, SoundGirls will be awarding two $500 scholarships to members pursuing a career in the recording arts. These scholarships will be awarded in August 2021 and can be used for educational training and university programs. The scholarships are open to all members of SoundGirls.
Any member of SoundGirls that is attending or plans to attend educational programs in Professional Audio. There is no age requirement and includes college programs, trade schools, seminars, and workshops. Applications are open to all genders and non-conforming genders.
HOW TO APPLY
The application includes two short essay questions:
Why you are applying for this scholarship;
How has Ethel Gabriel inspired you? (400-600 words, please.)
The essay submission deadline is 12:00 midnight EDT July 30, 2021. The scholarships will be awarded in August 2021, and paid to scholarship winners. Scholarship winners will be required to send proof of enrollment in the educational program to SoundGirls or scholarship money must be returned.
SELECTION PROCESS & NOTIFICATION
The SoundGirls Board will review essays and will notify the winners via email.
ADDITIONAL DETAILS
The scholarship funds awarded can be used for educational programs related to professional audio. Scholarships are non-renewable. You will need to submit proof of enrollment in a program.
QUESTIONS?
Any questions on the scholarship essay can be directed to soundgirls@soundgirls.org.
About Ethel Gabriel
Photo: Democrat & Chronicle Dec. 13, 2013
Ethel Gabriel may be one of the most prolific music producers you’ve never heard of. Ethel had a 4-decade career at RCA starting with an entry-level job and rising up to become the first female record producer for a major record label and an executive role in A&R.
During her career, Ethel produced over 5,000 records and worked with a wide variety of artists on RCA’s roster including Elvis Presley. Ethel was willing to take risks – such as producing the first digitally-remastered album or working with artists who brought new types of music to the mainstream. Her credits include everything from mambo to easy listening to rap.
Ethel’s Background
Ethel was born in 1921 in Pennsylvania. She started her own dance band at age 13 (called “En and Her Royal Men”) where Ethel played trombone. She originally wanted to go to college for forestry (at the encouragement of her father) but women were not allowed into the program. She decided to attend Temple University (Philadelphia, PA) and study music education.
A relative helped Ethel get a job at RCA’s record plant (in Camden, New Jersey) to help pay for tuition and expenses. Ethel’s first job included tasks like putting labels on records. She was promoted to record tester where she had to listen to one out of every 500 records pressed for quality. She learned every note of the big hits since Ethel had to listen to them over and over.
Ethel would hang out at the nearby RCA recording studios (and brought her trombone with her to play between sessions). She got to play with some major artists for fun and also learn how the engineers and producers worked. She also spent a lot of time in the studio as secretary to the manager of A&R at the time, Herman Diaz, Jr. Ethel got to produce her first session (with bandleader Elliot Laurence) when Diaz called in sick and asked her to do it.
In 1955, Ethel convinced her boss, Manie Sacks, to sign Perez Prado to RCA’s label. She produced his record, Cherry Pink and Apple Blossom White, which became a worldwide hit and helped bring the mambo craze to the US.
She was with RCA during the creation of their Nashville studios, the signing of Elvis, and their transition from mono to stereo.
Through Ethel’s career, she was willing to take risks and experiment with new technology or music. In 1959, Ethel launched Living Strings, a series on RCA Camden’s label that ran for 22 years.
In 1961, she produced Ray Martin and his Orchestra Dynamica, the first release using RCA’s “Stereo Action.” In 1976,she was executive producer of Caruso,’s A Legendary Performer, the first digitally-remastered album. The technology used by Soundstream Inc (lead by Thomas Stockham) has gone on to be widely used in audio and photography restoration and Stockham’s work on the Caruso album was the basis for a 1975 scientific paper. In 1975, Ethel gave a chance to then-unknown producer Warren Schatz, who produced RCA’s first disco album, Disco-Soul by The Brothers.
Ethel also helmed RCA’s Camden label (designed for budget records). Camden was struggling when she took over in 1961 and had a sales volume increase of 100% over two years. Camden went on to become a multi-million dollar label under Ethel’s watch. Some of RCA’s major artists even asked to be released on the Camden line over the flagship RCA label because of Camden’s success.
During her career, Ethel received two RIAA Platinum records and 15 Gold records (over 10 million record sales) and her albums continue to sell. Many of these were repackages or re-releases where Ethel put her expert eyes (and ears) on song selection and label redesign. One album she re-packaged, Elvis’ Christmas Album, was the first Elvis record to reach Diamond (10 million sales).Ethel said of creating special packages (in Billboard Magazine Sept 5, 1981), “It’s like second nature to me. The secret is that you know the market you’re trying to reach. You can’t contrive a special record. It has to be genuine and full of integrity because people know the difference.” Ethel re-issued albums for nearly every RCA artist (including the Legendary Performer series, RCA Pure Gold economy line, and the Bluebird Complete series).
Towards the end of her time at RCA, Ethel asked the company to fund a women’s group for lectures and seminars. She wanted to help women learn to become executives. Ethel said she felt like a mother to some of the women she mentored (Ethel was married but did not have children). She wanted to teach skills like how to network, how to dress or behave. Ethel also became involved with Women in Music, one of very few groups available to women in the music industry at the time. In 1990, Ethel publicly spoke out against the “boys club” in a Letter to the Editor of Billboard Magazine (Oct 6). She said, “Yes, there are ‘record women’ in the industry – and they have ears, too!”
Ethel also worked with many artists and ensembles in the studio during her career including Chet Atkins, Caterina Valenti, Marty Gold, Los Indios Tabajaras, Teresa Brewer and the entire Living series recordings. She said of working with artists, “There are times to ‘harness’ artists and times to ‘push.’” Ethel said her most helpful qualifications to do the job were “her knowledge and love of music and her ability to make difficult decisions and hold to them.” (Cincinnati Enquirer August 18, 1983)
Ethel was not promoted to Vice President at RCA until 1982, over 40 years into her career. Many colleagues said it was long overdue. The following year, she won a Grammy for Best Historical Album (for co-producing The Dorsey/Sinatra Sessions). After leaving RCA, Ethel remained in the industry where she worked as president and vice president to smaller record labels.
Missed this Week’s Top Stories? Read our Quick Round-up!
It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org
Leslie Gaston-Bird is raising funds for her 50th birthday. Happy Birthday! She is raising funds for the “SoundGirls – Gaston-Bird Travel fund” which has been established to increase the presence of women and those that identify as women at audio trade conferences. Women who have been invited to speak, or sit on panels at audio related trade conferences are welcome to apply. More info at https://soundgirls.org/soundgirls-gaston-bird-travel-fund/
“The most common thing I hear from new engineers and those just getting started in live sound and mixing is how overwhelmed they are with how much there is to know. They focus on trying to learn all of the gear and keeping up with every new piece of equipment or plugin out there, instead of learning the underlying principles and techniques. This is why I created the eBook. There were so many other things I could have listed, but I tried to keep it to what I felt would help solve some of the biggest problems sound engineers face: Understanding how the system works together, being able to mix on any console, dealing with feedback, getting better quality sounds and mixes, and having more confidence in what they are doing.
The book covers these important concepts- Signal Flow, Proper Gain Structure. The eBook explains the importance of these, as well as proper EQ techniques, how to use a gate and compressor, choosing the right microphone, basic troubleshooting, and getting good sounds from the source.”
Congratulations to all our bloggers. The SoundGirls Blog is number 12 of the Top 30 Audio Engineering Blogs, News Websites & Newsletters To Follow in 2019.
Missed this Week’s Top Stories? Read our Quick Round-up!
It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org
Leslie Gaston-Bird is raising funds for her 50th birthday. Happy Birthday! She is raising funds for the “SoundGirls – Gaston-Bird Travel fund” which has been established to increase the presence of women and those that identify as women at audio trade conferences. Women who have been invited to speak, or sit on panels at audio related trade conferences are welcome to apply. More info at https://soundgirls.org/soundgirls-gaston-bird-travel-fund/
“The most common thing I hear from new engineers and those just getting started in live sound and mixing is how overwhelmed they are with how much there is to know. They focus on trying to learn all of the gear and keeping up with every new piece of equipment or plugin out there, instead of learning the underlying principles and techniques. This is why I created the eBook. There were so many other things I could have listed, but I tried to keep it to what I felt would help solve some of the biggest problems sound engineers face: Understanding how the system works together, being able to mix on any console, dealing with feedback, getting better quality sounds and mixes, and having more confidence in what they are doing.
The book covers these important concepts- Signal Flow, Proper Gain Structure. The eBook explains the importance of these, as well as proper EQ techniques, how to use a gate and compressor, choosing the right microphone, basic troubleshooting, and getting good sounds from the source.”
Congratulations to all our bloggers. The SoundGirls Blog is number 12 of the Top 30 Audio Engineering Blogs, News Websites & Newsletters To Follow in 2019.
Missed this Week’s Top Stories? Read our Quick Round-up!
It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org
Allie Boettger is a sound mixer. And I don’t mean the kind of sound mixer who works on a stage, although she can do that too. Allie is the kind of sound mixer that goes around the world on the Amazing Race, goes to Alaska in winter to shoot Alaskan Bush People, hikes to the top of a mountain and then rappels down it. She is super badass. And she is quite the storyteller, so this episode was really fun.
This is a hugely wide field, and what I’m doing changes from show to show. Musicals become more engineering/system design-oriented, while plays tend to be more content based. One week I’ll be figuring out the logistics of routing a huge orchestra, the next I’ll be recording the rustling palm trees outside my building at three am. (True story.) Creating a narrative through sound is my favorite aspect of what I do, especially from a psychoacoustic standpoint.
Susan Rogers is a neuroscientist and professor at Berklee College of Music and a mixer/engineer who’s worked with legends like Prince, David Byrne, and Barenaked Ladies among many others.
SoundGirls News
Leslie Gaston-Bird is raising funds for her 50th birthday. Happy Birthday! She is raising funds for the “SoundGirls – Gaston-Bird Travel fund” which has been established to increase the presence of women and those that identify as women at audio trade conferences. Women who have been invited to speak, or sit on panels at audio related trade conferences are welcome to apply. More info at https://soundgirls.org/soundgirls-gaston-bird-travel-fund/
“The most common thing I hear from new engineers and those just getting started in live sound and mixing is how overwhelmed they are with how much there is to know. They focus on trying to learn all of the gear and keeping up with every new piece of equipment or plugin out there, instead of learning the underlying principles and techniques. This is why I created the eBook. There were so many other things I could have listed, but I tried to keep it to what I felt would help solve some of the biggest problems sound engineers face: Understanding how the system works together, being able to mix on any console, dealing with feedback, getting better quality sounds and mixes, and having more confidence in what they are doing.
The book covers these important concepts- Signal Flow, Proper Gain Structure. The eBook explains the importance of these, as well as proper EQ techniques, how to use a gate and compressor, choosing the right microphone, basic troubleshooting, and getting good sounds from the source.”
Congratulations to all our bloggers. The SoundGirls Blog is number 12 of the Top 30 Audio Engineering Blogs, News Websites & Newsletters To Follow in 2019.
Mix With the Masters Scholarships Available- Bob Power
SoundGirls Members have the chance to receive a 1000 euro scholarship provided to SoundGirls members from Mix With The Masters. There are three scholarships available for the week-long session with Grammy and Multi-platinum Producer/Mixer Bob Power.
This is a week-long seminar valued approximately at 4,000 euros and includes lectures and workshops, accommodation within the mansion, catering (breakfast, lunch, dinner) the fitness room, swimming pool and shuttles from Avignon to the studio.
You must have an advanced understanding of audio and work as producer/mixer/engineer to attend Mix with the Masters.
You are responsible for Travel to France and remainder of balance to Mix with the Masters.
Session Includes
private bedroom, on site within the mansion for 6 nights
Full-board accommodation with meals prepared by gourmet chefs on-site
Return shuttle services from Avignon to Studios La Fabrique
Unlimited drinks and snacks throughout the week
Approximately 50 hours in the studio with the guest speaker
One-on-one time between you and the master to assess and work on your own material
Professional photography done throughout the week, including portrait shots of you with the Master
Hundreds of full-resolution photos shared with you afterwards via download link, to keep and use as you please
A certificate of completion issued on behalf of Mix With the Masters and Studios La Fabrique, signed by the Master if you wish
Exclusive MWTM merchandise given only to seminar attendees: embossed Moleskine notepads, pens, mugs, t-shirts, USB keys and stickers.
Use of the La Fabrique swimming pool, garden, fitness centre, and scenic walks
Nearby access to the enchanting town of St. Rémy de Provence
About Bob Price:
Grammy and Multi-platinum Producer/Mixer Bob Power possesses a wide and diverse range of musical talents: producer, engineer, composer, arranger, performer, and educator. In the recording world, Power has produced, recorded, or mixed hundreds of pop and jazz recordings for such artists and groups as Erykah Badu (produced and mixed 1998 Grammy “Best Female R&B Vocal”, “Best Female R&B Album”), A Tribe Called Quest, D’Angelo, Bobby Mc Ferrin, Chaka Khan, MeShell N’degeOcello, Ozomatli (produced and mixed 2002 Grammy “Best Alternative Latin Album”), De La Soul, Common, Jason Moran, Miles Davis, the Roots, Mos Def, Reggie Watts, Curtis Mayfield, David Byrne, Spike Lee, The Jungle Brothers, Quincy Jones (Remix), and Run DMC. A 1997 Grammy Award nominee himself for mixing, Bob Power has had over 40 charting records, and has received more than 20 gold or platinum records.
In the broadcast advertising world, Bob Power has written and produced music for Coca Cola, BMW, Philip Morris, Mercedes, Casio, the American Cancer Society (EMMY Award winner), and many others.
Holding two university music degrees, he began his studio career scoring for television in the late 1970s.
In addition to producing, mixing ,and mastering at his studio Chez Bob in New York, Power teaches at the Clive Davis Institute of Recorded Music, Tisch School of the Arts, New York University.
Program
The process of greatness fostering greatness has long been recognized and is the reason why master classes are organized. The Mix With The Master’s seminars is part of this tradition, offering an exchange of in-depth first-hand studio experience and knowledge that is unparalleled and not available anywhere else. Each seminar is conducted by one of the world’s top music mixers and producers, ready to share their professional secrets with a select group of a maximum of 14 carefully-screened, professional-level participants, who come from all over the world.
One factor that contributes to the enormous success of the seminars is that all tutors support the general MWTM ethos, which is about the love of music, music technology and wanting to help others. Participants also are in part selected on displaying similar, positive attitudes. The fact that the seminars last a full week is another major contributory factor because it offers tutors the time and space to go into real depth, and the participants the opportunity to spend a prolonged time watching a master at his peak, and to ask any question they can think of.
The tutors share exclusive, insider-information on any subject: detailed technical knowledge, how to run sessions, how to handle artists, how to manage a career, the right attitude, how to remain successful, and more. The tutors also assess the work of the participants, by listening to their mixes and mixing recording sessions that they bring, and providing extensive feedback to each participant on where they are at, and how they can get to where they want to be. This is invaluable and offers participants wanting to become world-class professionals in their own right a unique advantage.
Another primary factor in making the MWTM seminars exceptional is that they take place at La Fabrique, a large, comfortable, high-end recording studio located in a picturesque historic building, surrounded by huge, lush grounds, and set in the south-east for France in one of the world’s most beautiful environments. The secluded and idyllic location offers the participants and tutors a lot of space to relax and recharge, far away from the hustle and bustle of daily life and the all-demanding intensity of their regular professional environments.
Because the courses are residential, the participants and tutor work, eat, socialize, and sleep in the same environment. While tutors, and participants, will at times opt to retire to their private quarters, there is ample opportunity for social interaction outside of the studio environment. Participants interact extensively with each other and the tutor, making it easier to assimilate the intangible qualities necessary to be successful at the highest level—presence, focus, social skills, intelligence, creativity, the right attitude, and so on.
In short, for seven days participants can experience mixing with a master in both senses of the phrase, mixing and interacting with them. Get more information about Studio La Fabrique
Mix With the Masters Scholarships Available- Bob Power
SoundGirls Members have the chance to receive a 1000 euro scholarship provided to SoundGirls members from Mix With The Masters. There are three scholarships available for the week-long session with Grammy and Multi-platinum Producer/Mixer Bob Power.
This is a week-long seminar valued approximately at 4,000 euros and includes lectures and workshops, accommodation within the mansion, catering (breakfast, lunch, dinner) the fitness room, swimming pool and shuttles from Avignon to the studio.
You must have an advanced understanding of audio and work as producer/mixer/engineer to attend Mix with the Masters.
You are responsible for Travel to France and remainder of balance to Mix with the Masters.
Session Includes
private bedroom, on site within the mansion for 6 nights
Full-board accommodation with meals prepared by gourmet chefs on-site
Return shuttle services from Avignon to Studios La Fabrique
Unlimited drinks and snacks throughout the week
Approximately 50 hours in the studio with the guest speaker
One-on-one time between you and the master to assess and work on your own material
Professional photography done throughout the week, including portrait shots of you with the Master
Hundreds of full-resolution photos shared with you afterwards via download link, to keep and use as you please
A certificate of completion issued on behalf of Mix With the Masters and Studios La Fabrique, signed by the Master if you wish
Exclusive MWTM merchandise given only to seminar attendees: embossed Moleskine notepads, pens, mugs, t-shirts, USB keys and stickers.
Use of the La Fabrique swimming pool, garden, fitness centre, and scenic walks
Nearby access to the enchanting town of St. Rémy de Provence
About Bob Price:
Grammy and Multi-platinum Producer/Mixer Bob Power possesses a wide and diverse range of musical talents: producer, engineer, composer, arranger, performer, and educator. In the recording world, Power has produced, recorded, or mixed hundreds of pop and jazz recordings for such artists and groups as Erykah Badu (produced and mixed 1998 Grammy “Best Female R&B Vocal”, “Best Female R&B Album”), A Tribe Called Quest, D’Angelo, Bobby Mc Ferrin, Chaka Khan, MeShell N’degeOcello, Ozomatli (produced and mixed 2002 Grammy “Best Alternative Latin Album”), De La Soul, Common, Jason Moran, Miles Davis, the Roots, Mos Def, Reggie Watts, Curtis Mayfield, David Byrne, Spike Lee, The Jungle Brothers, Quincy Jones (Remix), and Run DMC. A 1997 Grammy Award nominee himself for mixing, Bob Power has had over 40 charting records, and has received more than 20 gold or platinum records.
In the broadcast advertising world, Bob Power has written and produced music for Coca Cola, BMW, Philip Morris, Mercedes, Casio, the American Cancer Society (EMMY Award winner), and many others.
Holding two university music degrees, he began his studio career scoring for television in the late 1970s.
In addition to producing, mixing ,and mastering at his studio Chez Bob in New York, Power teaches at the Clive Davis Institute of Recorded Music, Tisch School of the Arts, New York University.
Program
The process of greatness fostering greatness has long been recognized and is the reason why master classes are organized. The Mix With The Master’s seminars is part of this tradition, offering an exchange of in-depth first-hand studio experience and knowledge that is unparalleled and not available anywhere else. Each seminar is conducted by one of the world’s top music mixers and producers, ready to share their professional secrets with a select group of a maximum of 14 carefully-screened, professional-level participants, who come from all over the world.
One factor that contributes to the enormous success of the seminars is that all tutors support the general MWTM ethos, which is about the love of music, music technology and wanting to help others. Participants also are in part selected on displaying similar, positive attitudes. The fact that the seminars last a full week is another major contributory factor because it offers tutors the time and space to go into real depth, and the participants the opportunity to spend a prolonged time watching a master at his peak, and to ask any question they can think of.
The tutors share exclusive, insider-information on any subject: detailed technical knowledge, how to run sessions, how to handle artists, how to manage a career, the right attitude, how to remain successful, and more. The tutors also assess the work of the participants, by listening to their mixes and mixing recording sessions that they bring, and providing extensive feedback to each participant on where they are at, and how they can get to where they want to be. This is invaluable and offers participants wanting to become world-class professionals in their own right a unique advantage.
Another primary factor in making the MWTM seminars exceptional is that they take place at La Fabrique, a large, comfortable, high-end recording studio located in a picturesque historic building, surrounded by huge, lush grounds, and set in the south-east for France in one of the world’s most beautiful environments. The secluded and idyllic location offers the participants and tutors a lot of space to relax and recharge, far away from the hustle and bustle of daily life and the all-demanding intensity of their regular professional environments.
Because the courses are residential, the participants and tutor work, eat, socialize, and sleep in the same environment. While tutors, and participants, will at times opt to retire to their private quarters, there is ample opportunity for social interaction outside of the studio environment. Participants interact extensively with each other and the tutor, making it easier to assimilate the intangible qualities necessary to be successful at the highest level—presence, focus, social skills, intelligence, creativity, the right attitude, and so on.
In short, for seven days participants can experience mixing with a master in both senses of the phrase, mixing and interacting with them. Get more information about Studio La Fabrique
Missed this Week’s Top Stories? Read our Quick Round-up!
It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org
Leslie Gaston-Bird is raising funds for her 50th birthday. Happy Birthday! She is raising funds for the “SoundGirls – Gaston-Bird Travel fund” which has been established to increase the presence of women and those that identify as women at audio trade conferences. Women who have been invited to speak, or sit on panels at audio related trade conferences are welcome to apply. More info at https://soundgirls.org/soundgirls-gaston-bird-travel-fund/
“The most common thing I hear from new engineers and those just getting started in live sound and mixing is how overwhelmed they are with how much there is to know. They focus on trying to learn all of the gear and keeping up with every new piece of equipment or plugin out there, instead of learning the underlying principles and techniques. This is why I created the eBook. There were so many other things I could have listed, but I tried to keep it to what I felt would help solve some of the biggest problems sound engineers face: Understanding how the system works together, being able to mix on any console, dealing with feedback, getting better quality sounds and mixes, and having more confidence in what they are doing.
The book covers these important concepts- Signal Flow, Proper Gain Structure. The eBook explains the importance of these, as well as proper EQ techniques, how to use a gate and compressor, choosing the right microphone, basic troubleshooting, and getting good sounds from the source.”
Congratulations to all our bloggers. The SoundGirls Blog is number 12 of the Top 30 Audio Engineering Blogs, News Websites & Newsletters To Follow in 2019.
Soldering is a necessary skill for audio engineers and techs. Being able to make and repair your cables can get you out of a tight spot and save you money. In this workshop, you’ll learn proper soldering techniques to carry with you to live gigs, in the studio and beyond! We’ll build XLR and TRS or TS cables that you can take home with you. Please note that you will need to bring your own soldering kit with you – see below for options. If you don’t have one, don’t fret!
This class will address the knowledge and techniques required to produce high-quality manually soldered joints and provide an overview of the basic manual soldering equipment and the proper safety precautions for soldering. You will be able to take your finished mic and guitar cables home to continue practice soldering.
If you cannot bring a soldering iron to class please email us at soundgirls@soundgirls.org and we will try and locate a loaner.
Optional Basic continuity meter (Multimeter) or cable tester (1/4″ and XLR)
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Spotify Launches Second Year of EQL Residency – Apply Now! Deadline is June 7th!
Catherine Vericolli: A Sense of Wonder
Register For Career Paths in Recording Arts
