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Mixing with a Toddler

Being an Audio Parent is a challenge but also incredibly rewarding. Managing pregnancy in the audio industry is a lot about self-care. Managing an infant and working in the audio industry is about mental and physical exhaustion. But then everything starts getting easier, you catch up on sleep, and you start feeling like yourself again. At the same time, this little personality is starting to emerge – they talk, say words, and have lots of preferences (Including music. It’s fascinating what my son likes and doesn’t.)

The biggest challenge we’ve faced with a young toddler (for my husband and me since we both work in audio) is balancing the things we each want to do – especially gigs or projects that involve our free time – with what everyone else wants to do. Who takes priority and when? How do you balance and keep everyone happy?

The hard stuff

Basic life tasks are more complicated. The analogy I use is taking a cat in public. Can you imagine going out to dinner with a loose cat and try not to disrupt anyone else? How about waiting in a long check-out line with a cat? Or being an airplane? It gives a new appreciation for a working parent who can show up on time, do their job without making mistakes, and can stay level-headed and cordial throughout.

Mom’s guilt gets worse. One of the most difficult things a working parent faces is not being there when your child needs you. It’s gut-wrenching when your child doesn’t want you to leave when you’re trying to get out of the house. Missing out (on activities or milestones) is a huge source of mom guilt. While I love seeing videos – like my son bowling for the first time while I’m at work – I’d rather be taking him myself.

Work guilt gets worse. In the past couple of years, I’ve seen some of my friends (without kids) make huge leaps in their careers. I’m genuinely happy for them but it’s also a reminder that my foot isn’t on the gas pedal. It’s a tough place because you’re totally capable of doing the work. It stinks to turn down a gig you want cause you can’t find a babysitter or you can’t be on call 24-7 (which is what is expected on some gigs). I’m constantly evaluating: Is this opportunity good for everyone (family, client, and me) or just for me? Am I going to come out of this gig feeling positive and fulfilled or just wiped out? Before the question was just, “Is this going to help my career or not?”

A toddler becomes your most demanding client. A toddler is a bit like an artistic genius with poor social skills. Every day they say or do something amazing or new but then they have a tantrum or 5 out of nowhere. You can’t use logic with a toddler who’s melting down because they want to wear clothes in the bath. The level of patience it takes on a daily basis can wear you thin some days. It’s affected my choice of work at times (very similar to morning sickness during pregnancy.)

Working nights is getting more complicated. Working swing shift wasn’t that big of a deal with an infant (it worked pretty nicely, actually). It’s harder when toddler activities tend to be in the morning (things like classes, playdates, preschool, etc).

The good stuff

Moms are more productive at work. Studies show women with children are more productive at work than women without children or men (whether they have kids or not!)

Working can be healthy for your kids, too. A Harvard Business School study shows kids who have an employed mom are just as happy as kids with an at-home mom. Daughters who had a working mom tend to do better in their careers, too.

Having a toddler enables you to connect with a wider variety of people at work. Talking about kids is an easy way to relate and to break the ice with some people who are reserved or private otherwise. I’ve gotten some great parenting advice through work, too.

You zero in on what’s important. When you have a lot of interests (or ambitions) and don’t have a lot of free time, it forces you to prioritize what’s most important. You don’t realize how much time you can lose by having too many interests (I think this is common in audio where we want to learn a lot of different skills, software or gear, types of work, etc). It may help you achieve goals faster to put energy into one or two things at a time.

You feel closer to the community, not further away. When you’re spending time at places like parks, play gyms, and playdates, you connect with more people in “normal” jobs than when you’re fully immersed in the audio industry. It’s a reminder we can relate and support each other in a way others can’t. (LA is a quirky outlier, though. Our preschool asked if either parent worked on-set as part of their emergency questions.)

For me, having a toddler has motivated me to start something new: a blog about kids and sound called Sound Is Fun. There’s a lot of interesting research about sound relating to kids that I had never heard before in the audio industry. For example, did you know children under the age of 5 are more at risk of hearing damage than adults? Since their ear canals are shorter, the sound pressure level is actually 10 dB higher. Background noise affects test scores and learning for kids and teens and it affects how toddlers learn language (tip: toddlers need dialog and vocals much clearer than an adult would for intelligibility). There is a lot to be explored in this area and I’m looking forward to learning more about it.

 

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

November Feature Profile

Berenice Hardiman FOH Engineer/ Tour Manager


Spotify and SoundGirls Team Up – EQL Directory


The Blogs

Prepping Your Studio for a Hurricane

Entendiendo los convertidores AD/DA

Understanding AD / DA converters


SoundGirls News

https://soundgirls.org/event/pittsburgh-soundgirls-chapter-kickoff-meeting/?instance_id=1397

https://soundgirls.org/event/vue-audiotechnik-soundgirls-demo-and-reception/?instance_id=1398

Workshop in Sound Post-Production

https://soundgirls.org/event/vue-audiotechnik-soundgirls-demo-and-reception-2/?instance_id=1399

https://soundgirls.org/event/vancouver-soundgirls-social-2/?instance_id=1393

SoundGirls Launches Initiative for Members Working in Production Sound

GIRLSCHOOL 2019

https://soundgirls.org/namm-2019-badges-for-soundgirls-members-2/

NAMM Mentoring Session 2019

She Rocks at NAMM Ticket Orders

https://soundgirls.org/event/qsc-soundgirls-tour/?instance_id=1394

Shadowing/Mentoring/Internship Opportunities

Los Angeles Monthly Shadowing Opportunity

https://soundgirls.org/shadowing-opportunity-brad-madix-and-annette-guilfoyle/

Shadow Beth O’Leary ME Tech on Kylie Minogue

Shadowing Opportunity w/ FOH Engineer Sean “Sully” Sullivan

Shadowing Opportunity w/ ME Aaron Foye

https://soundgirls.org/soundgirls-mentoring/


Round Up From the Internet

Latin Grammy History for the first time  a womann has won the award best producer of the year. Congratulations to Linda Briceño


SoundGirls Resources

Spotify and SoundGirls Team Up – EQL Directory

SoundGirls – Gaston-Bird Travel Fund

Letter for Trades and Manufacturers


Women-Owned Businesses

SoundGirls Scholarships 2021 Now Open

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Member Benefits

Spotify and SoundGirls Team Up – EQL Directory

“In order to make change, everyone has to agree there’s a problem to solve in the first case,” says Anna Ingler, co-founder of the Upfront Producer Network, which represents 100-plus female and gender-nonconforming producers in Sweden.

It’s estimated that less than 5 percent of all audio professionals are women. Many people in the music industry are—and have been—working to solve this issue by providing educational, networking, and community resources to increase diversity in these fields. And yet, the excuse still exists: “We want to hire a woman, but we couldn’t find one.”

Introducing the EQL Directory, powered by SoundGirls and made possible by Spotify. The EQL Directory is a global database of professionals that seeks to amplify the careers and achievements of women working behind the scenes in music and audio. Any person around the world can add their name and claim their space. And, any person looking to hire a more inclusive creative team can find professionals in their area.

“[We] face the myth that there are not very many women or non-conforming people working in audio, and because of this people don’t even bother to look. The EQL Directory proves that this is not true,” says Karrie Keyes, co-founder of SoundGirls and Pearl Jam’s long-time sound engineer.

“This is a great tool to create more opportunities for women,” says TRAKGIRL, a successful producer who has worked with everyone from Jhene Aiko to Belly to Omarion. “We have to continue the work and create more inclusion and diversity in male-dominated spaces; we have a lot of work to do, but this is an awesome start.”

The EQL Directory was made possible through a partnership between Spotify and SoundGirls, a nonprofit founded by Karrie Keyes and Michelle Sabolchick Pettinato dedicated to expanding opportunities for girls and women in music.

“SoundGirls already had this global directory of women in audio and production, and we were excited to support their organization and initiative by helping them make it more beautiful, more useful, and more visible within the industry,” says Kerry Steib, Spotify’s Director of Social Impact.

The EQL Directory is one of many initiatives Spotify has developed to support equity in the audio industry. In August, we created three full-time residencies in our Secret Genius and Spotify studios to support hands-on career development for female studio engineers, The Equalizer Project’s success has continued with networking dinners and a recent Producer Camp in Sweden, and The SoundUp Bootcamp, an accelerator program for aspiring podcasters in underserved communities has been launched in the U.S., UK, and Australia.

“The goal is for the EQL Directory to become a go-to resource for audio professionals and to remove the excuse that you couldn’t find a woman for a particular job,” says Steib. “We know that increasing equity for women in these fields is a complex problem to solve. We have to work with great partners across the industry and come together to create solutions.”

To guide our commitment to increasing equity in these fields, Spotify and Secret Genius have assembled a team of some of the most talented and in-demand professionals to create a new EQL Advisory Board. TRAKGIRL, along with Lauren D’elia, Jin Jin, Kesha Lee, and Ali Tamposi will help shape the future of these programs.

The EQL Directory is also made possible through collaborations with organizations who provide resources to women in the field, whether that’s educational programs or networking opportunities. Visitors to the EQL Directory can find resources from initiatives and organizations like the Audio Engineering Society, Beatz By Girlz, female:pressure, Gender Amplified, Girls Make Beats, Instituto Criar, Secret Genius, shesaid.so, SoundGirls in Mexico, The Equalizer Project, The 7% Series, Upfront Producers Network, and the Women’s Audio Mission.

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

November Feature Profile

Berenice Hardiman FOH Engineer/ Tour Manager


SoundGirls Panel – Career Paths in Film & TV at Sony Studios


The Blogs

Should I Stay or Should I Go?


SoundGirls News

Sexual Harassment Seminar

https://soundgirls.org/event/orlando-soundgirls-social-4/?instance_id=1388

Workshop in Sound Post-Production

https://soundgirls.org/event/vancouver-soundgirls-social-2/?instance_id=1393

SoundGirls Launches Initiative for Members Working in Production Sound

GIRLSCHOOL 2019

https://soundgirls.org/namm-2019-badges-for-soundgirls-members-2/

NAMM Mentoring Session 2019

She Rocks at NAMM Ticket Orders

https://soundgirls.org/event/qsc-soundgirls-tour/?instance_id=1394

Shadowing/Mentoring/Internship Opportunities

Los Angeles Monthly Shadowing Opportunity

https://soundgirls.org/shadowing-opportunity-brad-madix-and-annette-guilfoyle/

Shadow Beth O’Leary ME Tech on Kylie Minogue

Shadowing Opportunity w/ FOH Engineer Sean “Sully” Sullivan

Shadowing Opportunity w/ ME Aaron Foye

https://soundgirls.org/soundgirls-mentoring/


Round Up From the Internet

Diversity and Inclusion Guidelines for Convention and Conference Policy Committees.


SoundGirls Resources

 

SoundGirls – Gaston-Bird Travel Fund

Letter for Trades and Manufacturers


Women-Owned Businesses

A More Inclusive Industry

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Member Benefits

Berenice Hardiman FOH Engineer/ Tour Manager

Berenice Hardiman is a veteran of the industry having first been inspired after seeing Pink Floyd at the Liverpool Empire, which was her very first concert.  “I immediately knew that I wanted to be part of whatever that “thing” was that I had just witnessed, but of course I had no idea how to even start. I ended up doing computing at University in the late 70s, which of course, ironically, has actually ended up being very useful. I’d always gone to loads of gigs all over the world, and as I reached my late 20’s, I decided that if I was ever going to make the leap into the music industry, time was ticking away.”  So taking a huge risk, Berenice decided to sell her house and buy a PA system with her partner Dave Claxton. From there they proceeded to mostly teach themselves. “We got books from the library and talked to anyone who would spare us 10 minutes. I’d been hanging around the periphery of the music industry for years so I had some useful contacts to press into service. Luckily, it transpired that I was able to achieve a good FOH sound and Dave took to doing monitors. We worked out very quickly that buying a monitor desk would give us the edge over other local PA companies.”

“We built up the company over the next ten years or so covering tens of thousands of miles, first in a Ford Transit and then building up to a 7.5 tonner (truck), doing the sort of gigs where you learn your trade and people generally seemed to like what we did. By the early 2000’s it had become obvious that in order to continue expanding would involve massive capital commitment, and by that point work with our main client, Midge Ure, had reached the point where really we didn’t have time for any other shows, so we took the decision to sell off most of the gear while it was still worth something, and put on our white gloves.”

Currently, along with being FOH Engineer and Tour Manager for Midge Ure, Berenice also handles most of Midge’s bookings, does contracts, invoices, designs his merchandise, runs Midge Ure’s webshop and website and whatever else needs to be done.  “We started off providing the system; then he asked me to do FOH and TM as he liked what he’d heard me do for the support act on the previous tour. We carried on like that for a while until 1998 when I told him that he really should have his own website and online store as I felt that was the way to go. Somehow it ended up falling on my desk! Merch design followed on from that in an obvious sort of way. Then he left his manager of 25 years, and I decided it was time to stop being a hire company as it would have needed massive financial investment to continue, so it made sense for me to take over booking the shows. After all, we had been doing his shows for over ten years by that point so knew all the venues

The Show Must Go On!

As anyone who has been on tour knows, things are not always what they should be, and some gigs and productions leave a lot to be desired.  The lack of attention to detail by some service providers/promoters is one of the things Berenice hates about touring. “We had a fairly prestigious festival show recently that descended into a total nightmare for me. The in-ears hadn’t been set up prior to our arrival, one of the keyboards didn’t have a power supply, the drum riser was the wrong size, half the rider was missing, and if that wasn’t enough I discovered the mix position was on a gantry in the roof of a round metal building. I literally couldn’t hear a THING I was doing. I also couldn’t get down to hear what it sounded like where the audience was.”

Clearly, Berenice has a history of doing whatever it takes and keeping a positive attitude, which are key to being successful. “Obviously we have done loads of gigs where it’s gone horribly wrong for whatever reason, but we’ve always managed to scrape by somehow! That’s what it’s all about though, making the best of things and getting the show done. Once, there was the time when the truck windshield wiper motor went on our way to a show in mid-Wales, some 4-hour drive away, and the only solution was to rig up some bits of wire and pliers so we could move them manually every now and again… we made the gig though!”

“Once, I nearly got stabbed when somebody pulled a knife on me at a show a long time ago when the only way to avoid our desk being stolen by a rioting crowd was to lie across it! We were doing a Soca band in a drinking club in Southall called the Tudor Rose. What we didn’t know was that there was a big boxing match being shown in the venue after the band and I suddenly became aware we were somewhat outnumbered! Not only outnumbered, but by people who REALLY wanted a load of audio gear!! They didn’t get it though.”

When asked what Berenice likes most about her job,  “Nothing beats standing behind the desk with a great PA and making it sound fantastic!”

Michelle Sabolchick Pettinato and Berenice Hardiman at Rock Of Ages Festival in Rottenburg, Germany

What advice would you give young women wanting to enter the field of live sound or professional audio?

“Be very sure it’s what you want! Home life is bound to suffer. I’m lucky that I work with my other half because otherwise, we would never see each other. We worked every New Year’s Eve for about 15 years! The downside is that we never really switch off from “work” which is ok for us because we love what we do.”

As it is with most veteran live sound engineers, when Berenice started her mixing career, consoles were of the analogue format.   If you understood signal flow, you could walk up to any analog desk and familiarize yourself with it rather quickly- a luxury that no longer exists in the current digital age. Coming from a computer background, Berenice made the transition from analogue to digital consoles fairly easily.  “ My only issue still is that at the back of my mind I know that if an analogue board goes down, you can generally row to shore somehow, but the same is simply just not the case when you go digital. Having said that, there are so few old boards out there that work flawlessly now that it’s a small price to pay for being able to just simply load your show, and off you go with a few tweaks!”

The vast array of digital platforms and the complete lack of uniformity among them can be intimidating if not overwhelming to a less experienced engineer.  Berenice’s suggestion for learning different consoles- “RTFM!!! and then install the offline editor and play with it… YouTube is a very useful resource.”

What is your favorite gear?

“I’m a big L’Acoustics fan! And I don’t like to go anywhere without a trusty TC Electronics D2 with a footswitch. I’m not really into carrying racks of valve compressors etc.”

What’s in your tool bag?

“Now? A bag full of XLR/jack converters, my headphones, a footswitch, and some lucky Chinese money a fan gave me in 2009!”

What do you feel is the biggest mistake you made throughout your career? What did it teach you?

“I once tried to fix a power amp during soundcheck and forgot to unplug it first! It taught me not to panic because things get forgotten!”

What would you say are some ‘must have’ skills?

“Calm, methodical thinking in a crisis, and keep your eyes and ears open all the time.”

“Being able to cope with very little sleep and crap food also helps!”

“As far as audio engineering goes, a very wise man once described a very well respected engineer to me… he’s a really great engineer, there’s nothing between his ears and his fingertips, and I think that’s still a very sage opinion. In my opinion, there are far too many engineers out there who overanalyze stuff rather than just feeling the sound.”

Find More Profiles on The Five Percent

Profiles of Women in Audio


Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

October Feature Profile

First to Record Elvis – Marion Keisker


SoundGirls Panel – Career Paths in Film & TV at Sony Studios


The Blogs

SoundGirls at Mix Sound for Film

Live Digital Audio Part 3


SoundGirls News

Sexual Harassment Seminar

https://soundgirls.org/event/orlando-soundgirls-social-4/?instance_id=1388

SoundGirls Launches Initiative for Members Working in Production Sound

GIRLSCHOOL 2019

https://soundgirls.org/namm-2019-badges-for-soundgirls-members-2/

NAMM Mentoring Session 2019

She Rocks at NAMM Ticket Orders

Shadowing/Mentoring/Internship Opportunities

Los Angeles Monthly Shadowing Opportunity

https://soundgirls.org/shadowing-opportunity-brad-madix-and-annette-guilfoyle/

Shadow Beth O’Leary ME Tech on Kylie Minogue

Shadowing Opportunity w/ FOH Engineer Sean “Sully” Sullivan

Shadowing Opportunity w/ ME Aaron Foye

https://soundgirls.org/soundgirls-mentoring/


Round Up From the Internet

The producer’s handbook to mixing audio stories

Red Bull Studios’ #NormalNotNovelty to receive Campaign Award at 2018 Pro Sound Awards

 


SoundGirls Resources

Directory of Women in Professional Audio and Production

This directory provides a listing of women in disciplines industry-wide for networking and hiring. It’s free – add your name, upload your resume, and share with your colleagues across the industry.

SoundGirls – Gaston-Bird Travel Fund

Letter for Trades and Manufacturers


Women-Owned Businesses

SoundGirls Scholarships 2021 Now Open

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Member Benefits

GIRLSCHOOL 2019

 GIRLSCHOOL is a Celebration of Females Challenging the Status Quo.

 

With a production crew of all-women sound engineers, production designers, and lighting designers GIRLSCHOOL 2018 Festival featured; Shirley Manson + The Girlschool Choir, Jay Som, Kristin Kontrol + Special Guests, Moon Honey, Amber Coffman, Boyfriend, FAARROW, Lauren Ruth Ward, Marian Mereba, Soccer Mommy, Low Leaf, Akua, Pinky Pinky, A.W., Mary Lattimore, Nick + Navi, Drum & Lace, Desi Mo, Chelsea Jade, and Polartropica. DJ sets by Zuri Adia, Rituals of Mine, and Kim + The Created.

GIRLSCHOOL 2019 will take place on Feb. 1 – 2 in Los Angeles (venue tba). The festival will showcase over 20 bands, across two stages. Proceeds will benefit a girl-positive 501(c)3.

GIRLSCHOOL and SoundGirls mission is to create opportunities for women in the music industry.  We invite SoundGirls to be involved – all positions are volunteer only.

If you would like to be involved – please apply here  –

We look forward to working with Anna and GIRLSCHOOL to make this Festival a success. You can view photos from GIRLSCHOOL 2017 here GIRLSCHOOL – Three days of music and workshops in Los Angeles

 

GIRLSCHOOL is a music festival that celebrates women-identified-fronted bands and women artists.

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

October Feature Profile

First to Record Elvis – Marion Keisker


SoundGirls Panel – Career Paths in Film & TV at Sony Studios


The Blogs

The Importance of Good Production Sound

Preventing the Burnout

A Guide to Supporting Women in Sound


SoundGirls News

https://soundgirls.org/event/philadelphia-soundgirls-event/?instance_id=1352

Chance to Win Mix with the Masters with Tom Lord-Alge

Analog/Tape Recording Workshop w/Lenise Bent

Sexual Harassment Seminar

https://soundgirls.org/event/orlando-soundgirls-social-4/?instance_id=1388

https://soundgirls.org/namm-2019-badges-for-soundgirls-members-2/

NAMM Mentoring Session 2019

She Rocks at NAMM Ticket Orders

SoundGirls and SoundGym

Shadowing/Mentoring/Internship Opportunities

https://soundgirls.org/shadowing-opportunity-brad-madix-and-annette-guilfoyle/

Shadow Beth O’Leary ME Tech on Kylie Minogue

Shadowing Opportunity w/ FOH Engineer Sean “Sully” Sullivan

Shadowing Opportunity w/ ME Aaron Foye

https://soundgirls.org/soundgirls-mentoring/


Round Up From the Internet

AES Diversity and Inclusion Committee Acts with Intention

The AES Diversity and Inclusion Committee met yesterday to discuss goals and accomplishments as part of the organization’s efforts to better represent all segments of the pro audio community.

 

Meet the people creating the Code of Conduct to end sexual harassment in dance music

 


SoundGirls Resources

Directory of Women in Professional Audio and Production

This directory provides a listing of women in disciplines industry-wide for networking and hiring. It’s free – add your name, upload your resume, and share with your colleagues across the industry.

SoundGirls – Gaston-Bird Travel Fund

Letter for Trades and Manufacturers


Women-Owned Businesses

SoundGirls Scholarships 2021 Now Open

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Member Benefits

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

October Feature Profile

First to Record Elvis – Marion Keisker

The Blogs

A Year of Saying No

JoJo Worthington – Independent Producer and Composer

Quick Guide on Invoicing

A Guide to Supporting Women in Sound


SoundGirls News

Chance to Win Mix with the Masters with Tom Lord-Alge

Hearing Health Seminar

Analog/Tape Recording Workshop w/Lenise Bent

Sexual Harassment Seminar

https://soundgirls.org/namm-2019-badges-for-soundgirls-members-2/

NAMM Mentoring Session 2019

She Rocks at NAMM Ticket Orders

SoundGirls and SoundGym

Shadowing/Mentoring/Internship Opportunities

Shadow Beth O’Leary ME Tech on Kylie Minogue

Shadowing Opportunity w/ FOH Engineer Sean “Sully” Sullivan

Shadowing Opportunity w/ ME Aaron Foye

https://soundgirls.org/soundgirls-mentoring/

 


Round Up From the Internet

Leslie Ann Jones inducted into NAMM TEC Hall of Fame

The acclaimed producer and engineer Leslie Ann Jones will be honoured in Anaheim, California, on January 26, 2019

 

 

The AES Diversity and Inclusion Committee strives to ensure diversity in the AES worldwide and the audio industry as a whole by improving accessibility, welcoming diverse genres, embracing emergent audio fields and research, and radiating inclusiveness to all races, gender and gender identities, physical abilities, ages, and nationalities. AES Diversity and Inclusion Resources

 


SoundGirls Resources

Directory of Women in Professional Audio and Production

This directory provides a listing of women in disciplines industry-wide for networking and hiring. It’s free – add your name, upload your resume, and share with your colleagues across the industry.

SoundGirls – Gaston-Bird Travel Fund

Letter for Trades and Manufacturers


Women-Owned Businesses

SoundGirls Scholarships 2021 Now Open

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Member Benefits

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