Post-Production Sound

Post-Production Sound Basics

Job Seeking


SoundGirls Profiles & Blogs

From Making Tea to Top Gear: Lucy J Mitchell, Sound Editor and Dubbing Mixer (UK)

Karol Urban – Sound and Storytelling – Re-recording Mixer

From “Girl Engineer” to Re-Recording Mixer – Sherry Klein

Chelsea Body – Foley Mixer & Editor

Lara Dale, Foley Artist

Bobbi Banks: Breaking Glass Ceilings in Dialog & ADR

Kate Finan – Boom Box Post Production, owner & sound designer

Aline Bruijns, MPSE – Sound designer and Foley editor (Netherlands) 

Pro Audio Girl – April Tucker, re-recording mixer

Shannon Deane – Post-Production Engineer and Stunt Car Driver

Annlie Huang: Music Editor for Television & Mix Engineer

Greta Stromquist: Dialogue Editor and Associate Producer

Helping Filmmakers Tell a Story – Deb Adair – Re-Recording Mixer

Post, Theatre, Foley, and SoundGirls: Iida Aino Viljanen (Sweden)

SoundGirls Panel Discussion: Career Paths in Film & TV Post-Production

Interviews & Articles

Meet Paula Fairfield Sound Designer on Game of Thrones

Making Waves: The Art of Cinematic Sound (Midge Costin)

Vickie Sampson reflects on a 40-year sound editing career

La La Land’s’ (Female) Sound Team Wants More Women Behind the Camera: Young People “Don’t Even Know These Roles Exist”

La La Land’ sound mixer Ai-ling Lee makes Oscar history with an ‘invisible’ art . . . and car horns

Breaking the Sound Barrier: 4 Top female audio professionals share the secrets of success

How to Succeed in Sound Design for Games, Animation and Television – with Anne-Sophie Mongeau & Kate Finan

The industry is smaller than you think’ Grey’s Anatomy re-recording mixer shares thoughts on sound (Karol Urban)

Emmys: ‘Game of Thrones’ Re-recording Mixers Onnalee Blank & Mathew Waters on the Epic “Battle of the Bastards

In the Spotlight… Sophia Hardman, Foley Mixer at Twickenham Studios

In Conversation with Emma Butt

Interview with Sound Editor Lucy Johnstone

Meet Jane Tattersal: Sound Supervisor for Penny Dreadful


Tonebenders Podcast

The Right Scuff Podcast

Industry Related

Motion Picture Sound Editors (MPSE)

Cinema Audio Society (CAS)

  • CAS has interviews and articles in their Quarterly Magazine
  • CAS has student memberships and the CAS Student Recognition Award

Glass Elevator

  • Glass Elevator is a networking and skill sharing tool for professional women in the industry.  It is a free, membership-based international community. Membership grants you access to peer-to-peer career advancement classes, social events, a searchable database of our Member Directory and an internal Avail Check system.

Women in Post Production PR List

  • If you’re interested in sharing your knowledge publicly and help the ongoing issue of industry panels and events with all men, join this list! More on Why All-Male Panels Matter.

Sites about Post-Production Sound

Designing Sound The Art and technique of sound design

Soundworks Collection is dedicated to profiling the greatest and upcoming sound minds from around the world and highlight their contributions. The SoundWorks Collection was created in 2009 by filmmaker Michael Coleman as an online destination that takes you behind the scenes and straight to the dub stage for a look into audio post-production for feature films, video game sound design, and original soundtrack composition.

Boom Box Post provides insights into the creative sound design process of Boom Box Post’s owners and employees.

Sound Libraries for Post-Production & Music

BBC Sound Effects

The Alan Lomax Collection at the Library of Congress

The Acoustic Atlas collects the sounds of Montana and the Greater Yellowstone Ecosystem, along with habitats and species from throughout the Western United States.

Yellowstone National Park release massive catalog of ambient sounds into the public domain for your sampling pleasure Soundly

Free Sound Effects Library

ProSound Effects

You can build your own medieval soundscapes in this interactive website. Based on extensive research on Mystery Plays, it allows you to explore how the plays could have been affected by acoustic changes and sounds.

Film & TV Production Sound