Post-Production Sound
Post-Production Sound Basics
- Post-Production Sound (for film and television) basics and job roles
- The History of Sound Design
- What does a Supervising Sound Editor (Film and TV) do?
- SOUND DESIGN – Foley – Carolina C. Antón
- FOLEY 101: A Crash Course
- Guerrilla Recording: Be Your Own Foley Team at Home
Job Seeking
- Looking to move from music into post-production? Here’s some things to consider
- Post-production basics: Studio jobs (and how to get one)
- Promo Mixing
- The Versatile Engineer: Freelancing in Post Production
Technical/Workflow
- New Editors: How To Find Your SFX Editorial Process?
- Dialog Editing Basics: A 10-part online course (apriltucker.com)
- What is an OMF or AAF, and Why Does it Matter?
- Sound editing basics – Dialog
- Broadcast Mixing: Broadcast Limiters and Loudness Metering
- Collaborating With Another Editor
- Five Things I’ve Learned About Editing from Mixing
SoundGirls Profiles & Blogs
From Making Tea to Top Gear: Lucy J Mitchell, Sound Editor and Dubbing Mixer (UK)
Karol Urban – Sound and Storytelling – Re-recording Mixer
From “Girl Engineer” to Re-Recording Mixer – Sherry Klein
Chelsea Body – Foley Mixer & Editor
Bobbi Banks: Breaking Glass Ceilings in Dialog & ADR
Kate Finan – Boom Box Post Production, owner & sound designer
Aline Bruijns, MPSE – Sound designer and Foley editor (Netherlands)
Pro Audio Girl – April Tucker, re-recording mixer
Shannon Deane – Post-Production Engineer and Stunt Car Driver
Annlie Huang: Music Editor for Television & Mix Engineer
Greta Stromquist: Dialogue Editor and Associate Producer
Helping Filmmakers Tell a Story – Deb Adair – Re-Recording Mixer
Post, Theatre, Foley, and SoundGirls: Iida Aino Viljanen (Sweden)
SoundGirls Panel Discussion: Career Paths in Film & TV Post-Production
Interviews & Articles
Meet Paula Fairfield Sound Designer on Game of Thrones
Making Waves: The Art of Cinematic Sound (Midge Costin)
Vickie Sampson reflects on a 40-year sound editing career
La La Land’ sound mixer Ai-ling Lee makes Oscar history with an ‘invisible’ art . . . and car horns
Breaking the Sound Barrier: 4 Top female audio professionals share the secrets of success
The industry is smaller than you think’ Grey’s Anatomy re-recording mixer shares thoughts on sound (Karol Urban)
In the Spotlight… Sophia Hardman, Foley Mixer at Twickenham Studios
In Conversation with Emma Butt
Interview with Sound Editor Lucy Johnstone
Meet Jane Tattersal: Sound Supervisor for Penny Dreadful
Podcasts
- Anna Behlmer on Mixing Sound Effects in Movies
- How to Become a Top Notch Sound Designer with the Team Behind ‘First Man’ (Ai-Ling Lee & Mildred Iatrou Morgan)
- Working Class Audio #195 with Sherry Klein
- Foley With Ele Matelan
Tonebenders Podcast
The Right Scuff Podcast
Industry Related
Motion Picture Sound Editors (MPSE)
- MPSE has student memberships and the Verna Fields Award and Ethel Crutcher Scholarship for students
- CAS has interviews and articles in their Quarterly Magazine
- CAS has student memberships and the CAS Student Recognition Award
- Glass Elevator is a networking and skill sharing tool for professional women in the industry. It is a free, membership-based international community. Membership grants you access to peer-to-peer career advancement classes, social events, a searchable database of our Member Directory and an internal Avail Check system.
Women in Post Production PR List
- If you’re interested in sharing your knowledge publicly and help the ongoing issue of industry panels and events with all men, join this list! More on Why All-Male Panels Matter.
Sites about Post-Production Sound
Designing Sound The Art and technique of sound design
Soundworks Collection is dedicated to profiling the greatest and upcoming sound minds from around the world and highlight their contributions. The SoundWorks Collection was created in 2009 by filmmaker Michael Coleman as an online destination that takes you behind the scenes and straight to the dub stage for a look into audio post-production for feature films, video game sound design, and original soundtrack composition.
Boom Box Post provides insights into the creative sound design process of Boom Box Post’s owners and employees.
Sound Libraries for Post-Production & Music
The Alan Lomax Collection at the Library of Congress
The Acoustic Atlas collects the sounds of Montana and the Greater Yellowstone Ecosystem, along with habitats and species from throughout the Western United States.
Yellowstone National Park release massive catalog of ambient sounds into the public domain for your sampling pleasure Soundly
You can build your own medieval soundscapes in this interactive website. Based on extensive research on Mystery Plays, it allows you to explore how the plays could have been affected by acoustic changes and sounds.