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Intern with Sennheiser at AES NY 2018

Sennheiser & Neumann are seeking two members of SoundGirls to intern with the company during the 2018 AES NY show. Interns will need to be available from Oct. 16 – 19, 2018

Dates and Times

Responsibilities

AES NY takes place at Jacob K. Javits Convention Center

Payment will be a pair of Sennheiser headphones and microphone:HD280Pro and e835. You will also receive a letter of recommendation upon successful close of the show.

You’re also welcome to join Sennheiser for dinner each evening.

Please send a cover letter of why you would like to intern and a resume to soundgirls@soundgirls.org

 

Shadowing Opportunity w/ FOH Engineer Edgardo “Verta” Vertanessian

SoundGirls Members who are actively pursuing a career in Live Sound or Concert Production are invited to shadow FOH Engineer Edgardo “Verta” Vertanessian.

Verta is currently FOH Engineer for Vance Joy. Verta has over 22 years of experience having mixed and system teched for a wide range of musical genres in venues ranging from clubs to stadiums. FOH Engineer for Vance Joy, Juanes, Lil Wayne (ME) and more. He has been the system tech/crew chief on tours ranging from Taylor Swift, The Who, Rihanna, Jay Z – Kayne West and more.

The experience will focus on FOH Mixing. This is open to SoundGirls members ages 18 and over. There is one spot available for each show. Call times are TBD and members will most likely be invited to stay for the show (TBD).

Vance Joy – European Dates

Vance Joy – Australian Dates

Additional Dates

Please fill out this application and send a resume to soundgirls@soundgirls.org with Verta in the subject line. If you are selected to attend, information will be emailed to you.

 

Be Bold, Be You, & Be Proud

We are all amazing women; we do great things, experience amazing events, and live in wonderful ways. We are strong role models and have strong role models. We are moms, significant others, teachers, bosses, trendsetters, friends, and leaders.

All these traits are wonderful and amazing qualities that many people look up too. So then why do a lot of us as women self-deprecate? Why do we not accept compliments when they are well deserved, we don’t take ownership of our significant achievements, and we don’t lead without fear of being called a bitch. Part of it is some of our less progressive counterparts accelerating the way we feel, but I think this idea has been ingrained in us over centuries. We tell ourselves things that bring us down, and we allow others to talk or act that way to us as well. We feel the need to search for approval than to already know we are doing the right thing. We need to accept ourselves for all our strengths and weaknesses, but that does not require us to tear ourselves down. We have enough people that will do that for us. Since we are such magnificent women, it’s time for us to start changing this for ourselves.

Think about the last time you looked at a picture of yourself – did you look at it without thinking something negative about yourself or did you start picking it a part? Thinking or even saying out loud “I have ugly bags under my eyes,” “I didn’t stand right,” or “I look fat.” Maybe you didn’t even look at it because you already knew you looked terrible because you’ve told yourself that so many times you think it is true.  Society markets to us that we need to be skinnier, dress differently, act differently, and more. As a result, we do it to ourselves too. Society brings us down enough. We don’t need to do it to ourselves, and we definitely don’t need to do it to each other. We need to make sure our false opinions of ourselves don’t turn into our realities.

I think it’s time we challenge ourselves to reset the trend. I know so many strong women, yet this still seems to be engrained in us as those strong women also deal with these feelings and thoughts.  It’s time for a change, and it starts with us. Look at that picture and see your health, beauty, strength, and remember the moment in which the picture was taken. Remind yourself your leadership and direction is no different than your counterpart. You are not bitchy, you are confident, and are giving clear directions! You are a leader no different than anyone else. Stop getting stuck on that one decision or one thing that did not go according to your plan; instead, focus on everything that did! Let’s be the example that all women need and change the outlook for the next generation just like the generation before us has done in other ways.

Let’s look at that picture and say, I look great! That day was so fun! Let’s be bold, be you, & be proud for those before us, those after us, and most of all for yourself

 

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

August Feature Profile

Karol Urban – Sound and Storytelling

The Blogs

Performance Anxiety


SoundGirls News

https://soundgirls.org/event/mexico-city-more-music-more-women/?instance_id=1324

Seeking SoundGirls For Music Expo – Nashville

Career Paths in Film and Television Sound

https://soundgirls.org/event/bringing-the-audience-closer-soundgirls-at-plasa-2018/?instance_id=1321

Hearing Health Seminar

SoundGirls and SoundGym

Shadowing Opportunity w/Guit Tech Claire Murphy

Shadowing Opportunity w/ FOH Engineer Sean “Sully” Sullivan

Shadowing Opportunity w/ FOH Engineer Kevin Madigan

Shadowing Opportunity w/ ME Aaron Foye

https://soundgirls.org/event/bay-area-soundgirls-sept-meeting/?instance_id=1317

Round Up From the Internet

AES Membership Bursaries

The AES UK Section is working on the HeForShe campaign to address gender inequality within the audio industry and increase the representation of female and non-binary audio engineers.

As part of the campaign, we are pleased to announce that thanks to sponsorship from MathWorks we are able to provide 5 HeForShe Membership bursaries! 2 bursaries will be for students and 3 for early career professionals. The bursaries will cover the cost of the AES Membership. Applications are only open to female and non-binary applicants who have a connection to either Cambridge or Glasgow, such connection could be due to one of the cities being city of birth, or place of work, or where you completed a degree or are currently studying or maybe where you did a placement. The requirement for such connection is due to the fact that MathWorks has offices both in Cambridge and Glasgow and they wish to support the local communities.

Please send your application statement (max 400 words) to mariana.lopez@york.ac.uk explaining how the bursary will help your studies and future plans if you are a student and how it will help your career if you are an early career professional. Please make sure you explain what your connection to either Cambridge or Glasgow is.

The deadline for applications is 11.59pm on the 31st August 2018.


Exciting news from Spotify

The latest initiative with Electric Lady Studios and Berklee College of Music have launched their new EQL Studio Residency Program. You can find more info below.

Background

Women are severely underrepresented as artists, songwriters, engineers, and producers. In fact, women make up only 2% of female producers. We know that the reasons for the lack of diversity and inclusion, especially for women, in the music industry are complex and systemic. We can’t fix everything. However, we think that we have a unique opportunity to focus on creating visibility and opportunity for women in the music industry, particularly among female producer/engineers. That’s why we are partnering with Berklee College of Music and Electric Lady Studios to introduce the first-ever EQL Studio Residency.

Introducing the EQL Studio Residency

Starting in October, we will offer (3) paid Studio Residencies to women in NYC, Nashville, and London. During these paid six-month residencies, these women will have the opportunity to work in one of our studios, have access to networking and mentoring opportunities and gain valuable hands-on skills.

In NYC, we will be teaming up with iconic Electric Lady Studios where the resident will split her time between the Spotify Studios and Electric Lady Studios. In Nashville and London, the resident will work out of our Secret Genius studios where we have already shown a commitment to supporting emerging talent.

We are also partnering with Berklee College of Music’s Dean of the Professional Education Division and their newly formed Women Chair Forum. This group of female administrators will help to select the final three residents and then mentor these women for the duration of the program, providing valuable networking and coaching opportunities

Timing

The posting for these positions is live now!

Application closes at 5 pm EST on August 24
https://newsroom.spotify.com/…/announcing-the-eql-studio-r…/
Residents will start Oct 1


SoundGirls Resources

Directory of Women in Professional Audio and Production

This directory provides a listing of women in disciplines industry-wide for networking and hiring. It’s free – add your name, upload your resume, and share with your colleagues across the industry.

SoundGirls – Gaston-Bird Travel Fund

Letter for Trades and Manufacturers


Women-Owned Businesses

A More Inclusive Industry

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Shadowing Opportunity w/ FOH Engineer Sean “Sully” Sullivan

SoundGirls Members who are actively pursuing a career in Live Sound or Concert Production are invited to shadow FOH Engineer Sean “Sully” Sullivan.

Sully has mixed FOH for everyone from Sheryl Crow, Thom Yorke,  Beck, Justin Timberlake, Rihanna & Red Hot Chili Peppers. He is currently mixing Shaina Twain.

The experience will focus on FOH Mixing. This is open to SoundGirls members ages 18 and over. There is one spot available for each show. Call times are TBD and members will most likely be invited to stay for the show (TBD).

Shaina Twain – European Dates

Shaina Twain – Australian and New Zealand Dates

Please fill out this application and send a resume to soundgirls@soundgirls.org with Sully in the subject line. If you are selected to attend, information will be emailed to you.

 

Shadowing Opportunity w/ FOH Engineer Kevin Madigan

SoundGirls Members who are actively pursuing a career in Live Sound or Concert Production are invited to shadow FOH Engineer Kevin Madigan.

The experience will focus on FOH Mixing. This is open to SoundGirls members ages 18 and over. There is one spot available for each show. Call times are TBD and members will most likely be invited to stay for the show (TBD).

Graham Nash

David Crosby

Please fill out this application and send a resume to soundgirls@soundgirls.org with Kevin Madigan in the subject line. If you are selected to attend, information will be emailed to you.

 

Hearing Health Seminar

SoundGirls Presents Hearing Health with Musicians Hearing Solutions

Join SoundGirls for an evening learning about hearing health, live sound, noise-induced loss and how to prevent it.  Learn about IEMS and ear plugs and how to use them properly. Dr. Julie Glick of Musicians Hearing Solutions will have demos of different IEMS available; JH Audio, Ultimate Ears, Sensaphonics and Noble Audio. Plus we will have plenty of time to meet and network with other SoundGirls members. Musicians Hearing Solutions will be offering attendees a discount on products and services. (details TBD)

Register Here

JULIE GLICK, Au.D., F-AAA

Dr. Glick was first introduced to custom in-ear monitors and musicians earplugs twenty years ago when she started her career in a private practice in Beverly Hills, California and is thrilled to have come full circle after spending time gaining a myriad of experiences in Chicago and New York City.

Her passion for music and commitment to the field of audiology led her to recognize that the optimization of the live performances of musicians and hearing conservation was a niche she wanted to be involved in from the very beginning. Over the past twenty years,

Julie has spent invaluable time with monitor/sound engineers and has been backstage and in rehearsal studios with musicians of all genres.  She has also worked as an audiologist for two years at Sensaphonics Hearing Conservation in Chicago. Through all of these experiences, she has gained great insight and appreciation for all the technical details that go into live musical performances and how important hearing and hearing conservation is to not only musicians but to the fans as well. Dr. Glick’s knowledge and technical expertise of sound, hearing and hearing conservation make her a valuable asset to the music community.

Dr. Glick received her Bachelor of Arts degree in Speech and Hearing Science from The Ohio State University, Master of Science in Communicative Disorders from California State University, Northridge and Doctor of Audiology from the Pennsylvania College of Optometry, School of Audiology. Dr. Glick is a licensed Audiologist and Hearing Instrument Dispenser in the states of California and New York and a Fellow of the American Academy of Audiology.


 

Performance Anxiety

I think pretty much everyone has at least once in their lifetime experienced anxiety in one way or another. Personally, my anxiety is a good old friend I have had with me for years. It is something I always have struggled with and there is different reasons to why that is, but some reasons that stands out the most is; I am a perfectionist and I am not best friends with failure.

For a lot of people, I think it is hard to admit that you suffer from anxiety and the impact it may have on your life. I used to be like that because I felt like I was overreacting.

In my previous blog post ‘A lesson about fun & failure,’ I briefly mentioned and touched on the subject about failure. My anxiety, and probably for a lot of people, is linked to the fear of failure.

I have studied music for many years; I began at the age of 11 to play classical piano. I love playing the piano, and I learned sight-reading from an early age. I played Mozart, Beethoven, Bach and I to this day absolutely love their compositions. But, what I could not get my head around was that I could not play those pieces perfectly every time. I got so angry with myself for messing it up to the point where I stopped enjoying playing the piano because I felt like I was failing.

Throughout college, I had to go through plenty of live performances, all of which I suffered terrible anxiety attacks from. I simply did not want to be on stage; I could not deal with the pressure and the possibility of failing. The pressure I put on myself, not anybody else, I’ve realised now later in life.

This is one of the main reasons I chose to work behind the stage and what makes me love and care so much about live performances. For me, it is so important that artists feel comfortable whilst being on stage because I know what it feels like when you don’t.

Performance anxiety is so important to acknowledge and to deal with in all aspects and careers of life. We put so much pressure on ourselves, from such an early age, it affects our mental health severely. It’s good to be ambitious, but when is it too much? At what point do we tell ourselves ‘hey it’s getting a bit too much now’?. Especially within the music industry, it is a very fast-paced industry and you’re expected to be multi-talented from a young age.

Sometimes it is not about overcoming your anxiety, sometimes it is merely about becoming friends with it. Nowadays I handle it in such a way that I give myself some time and space. I analyse what is going on in my life, usually my anxiety flares up when I’ve got too many things going on at the same time and really should’ve said no to a couple of jobs. I get terrible anxiety when I am new to things, especially jobs, to the point where I feel nauseous and overthink every possible scenario that might happen. But when this happens I tell myself that everything will be ok, one way or another.

We are only human in the end of the day, and as I have learned along the way, it is perfectly normal to feel anxious sometimes. However, if you feel like you need help to improve your anxiety and mental health do not hesitate to get in touch with your GP. There are also great apps to manage and improve your mental health here: https://apps.beta.nhs.uk/category/mental_health/.

 

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

August Feature Profile

Karol Urban – Sound and Storytelling

The Blogs

Live Digital Audio in Plain English Part 1

Basic Sound Circuit Glossary

El proceso creativo de la Iluminación

The Creative Process of Illumination


SoundGirls News

SoundGirls Expo in Orlando, Florida

SoundGirls and Girls Rock Camp

Seeking SoundGirls For Music Expo – Nashville

GIRLSCHOOL New York 2018

Career Paths in Film and Television Sound

https://soundgirls.org/event/bringing-the-audience-closer-soundgirls-at-plasa-2018/?instance_id=1321

SoundGirls and SoundGym

Shadowing Opportunity w/Guit Tech Claire Murphy

Shadowing Opportunity w/ ME Aaron Foye

https://soundgirls.org/event/bay-area-soundgirls-sept-meeting/?instance_id=1317

Round Up From the Internet

The Time After: Dealing With Post Show Blues

Ann Mincieli On ‘She Is The Music,’ Jungle City, Drake, Alicia Keys & More

 


SoundGirls Resources

Directory of Women in Professional Audio and Production

This directory provides a listing of women in disciplines industry-wide for networking and hiring. It’s free – add your name, upload your resume, and share with your colleagues across the industry.

SoundGirls – Gaston-Bird Travel Fund

Letter for Trades and Manufacturers


Women-Owned Businesses

SoundGirls Scholarships 2021 Now Open

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

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