Theatre Sound Design

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Last month, I reviewed Complicite's The Encounter from a sound design perspective. This month, I wanted to get an insider's view...
QLab is my software of choice for play back in musicals and plays. QLab is a Mac-based piece of software that...
You have a bunch of awesome equipment, you have awesome musicians, and you need to get the sound from the musician...
A man is whispering into my left ear. I turn my head to face him but the guy on my left...
London rush hour is awful and I do whatever I can to avoid it. Sometimes I cannot, early morning production meetings...
Kirsty Gillmore is a Sound designer, engineer and voice artist based in the UK. Sound Design for a Baroque Opera...
I knew the musical Ghost would be fun to do. There would be loads to play with; the ghost battles...
Monthly Contributor Kirsty Gillmore is a sound designer, engineer and voice artist based in the UK.

“Does an opera need...
Yvonne's 52 tips to remember, or how to be a badass sound engineer.
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