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Empowering the Next Generation of Women in Audio

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Would You Say That to Your Boss?

 

In my position, I spend the majority of my time teaching new students how to run the equipment we own. All the artists know they are coming to a college where learning occurs, and a majority of the audience members know this too.  We constantly hear from artists that we have better equipment and are more prepared than the last school they were at, and I pride myself on that achievement. My expectations for a show are no less than what a professional production person would produce. (more…)

The Translator

 

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Often in my job, I end up being the middle person. I don’t own the contract with the band, but I have to fulfill the requirements. Sometimes I get a say in what is allowed in the rider, other times I get to deal with cross renting items late in the game because I didn’t see the completed contract until the day before. I get to communicate with the band the possibilities for their show but must get all changes approved by the purchaser.

I’m sure many of you deal with people like me while on tour where others are in the same position as venue operators. I would like to point out that being the middle person has also given me an interesting aspect of my job that I tend to forget about the most: The Translator. (more…)

Kim Watson on Mixing and Teching Monitors

image1What goes into being a great tech that engineers request or want to work with? The fourth in a series of articles on system teching and what it takes to be a great tech.

UK based sound engineer Kim Watson has been a freelance audio engineer since 1999.  She is currently touring with The Subways as a monitor engineer.  (more…)

Paying it Forward

 

Berklee College of Music hosted a panel on Women in Audio, this past Sunday at The Village Studios in Los Angeles. Organized by Justine Taormino, from Berklee College of Music, the panel included April Tucker, Tina Morris, and myself. We had a mix of Berklee Students and Alumni and SoundGirls members. It was a rewarding way to spend a Sunday afternoon. I love meeting and hearing other women’s stories and the paths they have taken. (more…)

Meet 23db Productions

By Karrie Keyes

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23db Productions started in 2014 by Fela Davis and Denis Orynbekov. The partnership was sparked when Denis purchased recording equipment and asked if Fela would be interested in recording with him. (more…)

The Road to 23db Productions – Fela Davis

 

11864830_1025765017455651_8199922057651526845_oFela Davis graduated from Full Sail University in 2002 and works as a live sound and recording engineer. Last year she started 23db Productions with Denis Orynbekov. (more…)

On Tour with KEN mode

At the end of May, I had the chance to head out on my first European tour as FOH with Canadian noise-rockers KEN mode. The entire run was booked around Temples Fest and found us hitting a whole range of venues. No two days or PA’s were alike; (more…)

Two SoundGirls on Tour

This time last year, I was finishing my first professional tour as Front of House/Tour Manager. Although I no longer work for the band that took me out, I can look back on the experience and appreciate all that I learned – first tours are often very much a trial by fire! (more…)

Jumping Into the Hot Seat

Preparation is the Key

There seems to be an unwritten rule in audio – when you’re new to a bigger club, you start by doing monitors.

I’d been asking a friend about opportunities for work in Toronto for quite some time. So when she hooked me up with a job interview to be a monitor tech at The Mod Club, I knew I had to take it. (more…)

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