Megan Benavente – Passion for Music
Megan Benavente is a freelance engineer based in Los Angeles and is one of the FOH Engineers at the legendary Troubadour, one of the best rock clubs in Los Angeles. (more…)
Megan Benavente is a freelance engineer based in Los Angeles and is one of the FOH Engineers at the legendary Troubadour, one of the best rock clubs in Los Angeles. (more…)
This past week, Pauline Blackwood and I hosted the first Toronto area SoundGirls.Org meet-up. Since becoming a SoundGirls member and blogger, I feel like I’ve become part of an active online group where I can ask questions and get great advice from fellow technicians. (more…)
Sometimes you are introduced to people who have a major effect on the direction you take in life. I was recently introduced to Dani Mari, founder of Female Frequency, a “music collective dedicated to empowering women & girls in the industry through the creation of media that is entirely female generated”. (more…)
Grace Royse FOH and Whitney Leigh Monitors.
Grace Royse has been touring for over a decade as both a FOH and Monitor Engineer and sometimes as the PM or SM. She has worked with Sublime with Rome, Fitz and Tantrums, Ms. Hill, The Dirty Heads, and Icona Pop.
Whitney Leigh works at The House of Blues Sunset and Saint Rocke (more…)
In my position, I spend the majority of my time teaching new students how to run the equipment we own. All the artists know they are coming to a college where learning occurs, and a majority of the audience members know this too. We constantly hear from artists that we have better equipment and are more prepared than the last school they were at, and I pride myself on that achievement. My expectations for a show are no less than what a professional production person would produce. (more…)
Michelle Desachy is a music producer, recording and mixing engineer and musician based in Mexico City. (more…)
You weren’t born knowing anything; nobody was. Everything you do that isn’t an automated function such as breathing is something you had to learn to do, even walking. All the sound engineers you know had to learn and be taught things and never stop learning. (more…)
Often in my job, I end up being the middle person. I don’t own the contract with the band, but I have to fulfill the requirements. Sometimes I get a say in what is allowed in the rider, other times I get to deal with cross renting items late in the game because I didn’t see the completed contract until the day before. I get to communicate with the band the possibilities for their show but must get all changes approved by the purchaser.
I’m sure many of you deal with people like me while on tour where others are in the same position as venue operators. I would like to point out that being the middle person has also given me an interesting aspect of my job that I tend to forget about the most: The Translator. (more…)