“Imagine la escena del ingeniero manejando el sonido y la comunicación clave entre el espacio y la tierra, que su espectáculo es ver una densa nube de vapor junto con una gran explosión y descarga de muchos decibeles emitidos por la nave mientras despega hacia el espacio exterior. , ufff, no tengo palabras para imaginar ese sentimiento, por eso me puse en contacto con Alexandria Perryman, ingeniera de sonido de la NASA “
Imagine the scene of the engineer handling the sound and key communication between space and earth, that his show is to see a dense cloud of steam along with a large explosion and discharge of many decibels emitted by the ship as it takes off into outer space, ufff, I have no words to imagine that feeling, that’s why I made contact with Alexandria Perryman, NASA Sound Engineer
Choosing our ideal headphones is usually a topic that binds us, and we tend to resort to the first direct recommendation that comes our way, whether it is from our friends, experts in the field, or the first thing that comes to us online, which is not that bad, but; how could they know exactly what we are looking for or, rather, what we are listening to?
Escoger nuestros auriculares ideales suele ser un tema que nos lía, y tendemos a recurrir a la primera recomendación directa que se nos cruce en el camino, ya sea de nuestros amigos, expertos en el tema o lo primero que se nos presenta por internet, lo cual no es que esté mal, pero. ¿Como ellos podrían saber exactamente que buscamos o, más bien dicho ¿que escuchamos?
Clement Ader did not understand why culture could not be available to all people. A true revolutionary. Since it was impossible for him to bring everyone to the theater, he brought the theater to everyone. Creating what was known as a théâtrophone.