Becca Stoll

Becca Stoll (she/her/hers) is a theatrical audio engineer and stagehand working in and around New York City. She is currently a substitute A2 at Wicked and Harry Potter and the Cursed Child on Broadway. Recent mixing credits include The Outsiders (La Jolla Playhouse), Between the Lines (Tony Kiser Theater), and A Walk on the Moon (George Street Playhouse), plus industry presentations of the new musicals Anne of Green Gables, Real Women Have Curves, Hard Road, Norma Rae, and Muriel’s Wedding. Pre-pandemic, she served as Head of Audio for Rock of Ages (Off-Broadway at New World Stages).

Prior to working in NYC, Becca spent 3 years as the Production Audio Engineer for the Goodspeed Opera House in East Haddam, CT. She is a graduate of the Carnegie Mellon School of Drama and a former Northwestern “theatre cherub”. She’s a proud member of IATSE Local 74, and a member of (and mentor within) TSDCA, USITT, Sound Thinking NYC, and SoundGirls.

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Blog Posts by Becca Stoll

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We Need More Arts Workers in Arts Advocacy

We Need More Arts Workers in Arts Advocacy
As we all well know, the arts are an under-appreciated economic driver in this country. In just the state of New...
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Five Reasons to Join TSDCA

Five Reasons to Join TSDCA
The Theatrical Sound Designers and Composers Association (TSDCA) is a professional membership organization of sound designers and composers for the performing...
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Mixing a New Musical

Mixing a New Musical
Getting any show up and running is hard. Layers upon layers of new information are being added to the piece once...
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The “Gibbs Rules” of Being a Stagehand

The “Gibbs Rules” of Being a Stagehand
“Gibbs's Rules are an extensive series of guidelines that NCIS Special Agent Leroy Jethro Gibbs lives by and teaches to the people he works...
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Make Room for Mental Health

Make Room for Mental Health
May is Mental Health Awareness Month, and I’ve had a lot of chances these past weeks to reckon with my feelings...
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On Mentorship

On Mentorship
We talk a lot about the importance of mentorship in this industry, and in general. While I may have studied theatre...
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The Changing of the Guard – Training subs and replacements on a show

The Changing of the Guard – Training subs and replacements on a show
Why is having a well-trained sub so important? Well, the old saying “the show must go on” applies equally on stage...
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Tips and Tricks for Subs and Replacements.

Tips and Tricks for Subs and Replacements.
A lot of folks’ first “big break” doesn’t come in the way that you might expect. Mine was a matter of...
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Getting Your Head In The Game – The Pre-Show Routine

Getting Your Head In The Game – The Pre-Show Routine
Have you ever watched athletes arrive at an arena hours before the game begins? Or read an entire article that is...
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