Becca Stoll

Becca Stoll is a theatrical audio engineer. She specializes in mixing musicals and is especially passionate about mixing new works. Pre-pandemic, her main gig was Head of Audio on Rock of Ages (Off-Broadway at New World Stages). Other New York credits include: Two’s A Crowd (59E59), A Strange Loop (Playwrights Horizons), Antigone in Ferguson (St. Ann’s Church); We Are The Tigers (Theatre 80). Tours: Million Dollar Quartet (A2). Selected Regional: The Donkey Show (OBERON), Caucasian Chalk Circle (A2, Yale Rep), 3 seasons as Production Audio Engineer for the Goodspeed Opera House. Education: Carnegie Mellon School of Drama, NHSI “Theatre Cherubs”. Member: TSDCA, USITT, SoundGirls.

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Blog Posts by Becca Stoll

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How to Own Your Work Without it Owning You

How to Own Your Work Without it Owning You
One thing that has changed for me post-shutdown is how I approach those messier situations. And learning to survive them and...
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Music Reading for Drama Technicians

Music Reading for Drama Technicians
This month’s blog will go over some basic music theory concepts that I have found useful in my work as a...
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Shop Prep 101

Shop Prep 101
One of the biggest things I had to learn about when I moved from working in regional theatre to working in...
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Interview with Anna-Lee Craig, A2 for Hamilton on Broadway – Part 2!

Interview with Anna-Lee Craig, A2 for Hamilton on Broadway – Part 2!
Interview with Anna-Lee Craig (part two). ALC holds many impressive titles, even more, impressive when taken together. Among them are A2...
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Interview with Anna-Lee Craig, A2 for Hamilton on Broadway

Interview with Anna-Lee Craig, A2 for Hamilton on Broadway
Anna-Lee Craig, A2 for Hamilton on Broadway
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We Need More Arts Workers in Arts Advocacy

We Need More Arts Workers in Arts Advocacy
As we all well know, the arts are an under-appreciated economic driver in this country. In just the state of New...
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Five Reasons to Join TSDCA

Five Reasons to Join TSDCA
The Theatrical Sound Designers and Composers Association (TSDCA) is a professional membership organization of sound designers and composers for the performing...
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Mixing a New Musical

Mixing a New Musical
Getting any show up and running is hard. Layers upon layers of new information are being added to the piece once...
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The “Gibbs Rules” of Being a Stagehand

The “Gibbs Rules” of Being a Stagehand
“Gibbs's Rules are an extensive series of guidelines that NCIS Special Agent Leroy Jethro Gibbs lives by and teaches to the people he works...
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