Becca Stoll

Becca Stoll is a theatrical audio engineer. She specializes in mixing musicals and is especially passionate about mixing new works. Pre-pandemic, her main gig was Head of Audio on Rock of Ages (Off-Broadway at New World Stages). Other New York credits include: Two’s A Crowd (59E59), A Strange Loop (Playwrights Horizons), Antigone in Ferguson (St. Ann’s Church); We Are The Tigers (Theatre 80). Tours: Million Dollar Quartet (A2). Selected Regional: The Donkey Show (OBERON), Caucasian Chalk Circle (A2, Yale Rep), 3 seasons as Production Audio Engineer for the Goodspeed Opera House. Education: Carnegie Mellon School of Drama, NHSI “Theatre Cherubs”. Member: TSDCA, USITT, SoundGirls.

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Blog Posts by Becca Stoll

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What is a 10/12? For those who don’t know, a 10/12 (pronounced “Ten Out Of Twelve”) is a type of technical rehearsal...
New musicals, as many of us know, are their own special beast, always evolving and keeping you on your toes as...
One thing that has changed for me post-shutdown is how I approach those messier situations. And learning to survive them and...
This month’s blog will go over some basic music theory concepts that I have found useful in my work as a...
One of the biggest things I had to learn about when I moved from working in regional theatre to working in...
Interview with Anna-Lee Craig (part two). ALC holds many impressive titles, even more, impressive when taken together. Among them are A2...
As we all well know, the arts are an under-appreciated economic driver in this country. In just the state of New...
The Theatrical Sound Designers and Composers Association (TSDCA) is a professional membership organization of sound designers and composers for the performing...
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