Becca Stoll

Becca Stoll (she/her/hers) is a theatrical audio engineer and stagehand working in and around New York City. She is currently a substitute A2 at Wicked and Harry Potter and the Cursed Child on BroadwayRecent mixing credits include The Outsiders (La Jolla Playhouse), Between the Lines (Tony Kiser Theater), and A Walk on the Moon (George Street Playhouse), plus industry presentations of the new musicals Anne of Green Gables, Real Women Have Curves, Hard Road, Norma Rae, and Muriel’s Wedding. Pre-pandemic, she served as Head of Audio for Rock of Ages (Off-Broadway at New World Stages).

Prior to working in NYC, Becca spent 3 years as the Production Audio Engineer for the Goodspeed Opera House in East Haddam, CT. She is a graduate of the Carnegie Mellon School of Drama and a former Northwestern “theatre cherub”. She’s a proud member of IATSE Local 74, and a member of (and mentor within) TSDCA, USITT, Sound Thinking NYC, and SoundGirls.

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Blog Posts by Becca Stoll

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At the end of 2022, I was offered a job at Harry Potter and the Cursed Child as a substitute A2....
So without further ado, here are my top theatre-centric gratitudes for 2023.
What is a 10/12? For those who don’t know, a 10/12 (pronounced “Ten Out Of Twelve”) is a type of technical rehearsal...
New musicals, as many of us know, are their own special beast, always evolving and keeping you on your toes as...
One thing that has changed for me post-shutdown is how I approach those messier situations. And learning to survive them and...
This month’s blog will go over some basic music theory concepts that I have found useful in my work as a...
One of the biggest things I had to learn about when I moved from working in regional theatre to working in...
Interview with Anna-Lee Craig (part two). ALC holds many impressive titles, even more, impressive when taken together. Among them are A2...
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