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      • SoundGirls Sound Camps Registration
    • SoundGirls.org – F.A.Q.s
    • Member Benefits
    • Testimonials
    • Our Sponsors
    • Contact Us
  • News
    • Jobs & Internships
  • Events
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  • Profiles
  • Resources
    • Getting Started
    • Women in the Music Industry
    • Articles
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    • Podcast
    • Recommended Reading
    • Related Websites
    • A More Inclusive Industry
  • Sexual Harassment
    • What is Sexual Harassment
    • Sexual Harassment Reforms
    • Freelancer Resources
    • How Men Can Be Allies
    • Self Care for Trauma
    • Reporting Sexual Harassment
    • Resources for Sexual Harassment
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Audio and Music Production

The Ear Training Guide for Audio Producers

The Art of Mastering

Mastering Q&A with Jett Galindo

Interview with Doug Sax of The Mastering Lab

Producing EDM

Back to Basics: Gain Structure

Gain Staging in your DAW Software

Gain Structuring with Plug-Ins

Intro to Sound Design for Theatre

Details, Details: Setting up Snake Channel 24

True Lies and Digital Audio: Time for a Quick Trip Down the Disinformation Superhighway

The Saturday Gigs

What’s the Difference: Polarity vs. Phase

Dave Rat: Perception and Failed Illusions

The Conundrum Of “Ears Versus Education”

What The Hell Do Sound Mixers Do?  

What Are The Basics Of Mixing? Theory & Practice

 

 

 

 

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Analog console, audio, Concert, concert touring, concerts, FOH, FOH engineer, karrie keyes, Live mixing, live sound, Live sound mixing, Mastering, Mastering Engineer, Michelle Sabolchick, mixing, monitor engineer, Music industry, recording engineer, The Mastering Lab, theater, touring, women in audio
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