Bobbi Banks is a Supervising Sound, Dialog, and ADR Editor. Bobbi has been in the industry over 20 years with over 120 films to her credit list (including Men In Black International, Fate of the Furious, Selma, Straight Outta Compton, The Call, The Incredible Hulk, Poetic Justice, Best Man, Holiday, Pawn Sacrifice, August Osage County and Ghost Rider).
Dana Wachs is a Brooklyn based Audio Engineer, Tour Manager and Composer/Musician. Dana started her career in music in 1994, as bass player for the Dischord band Holy Rollers
Mary is a Grammy-nominated recording and live broadcast engineer and works in radio production at WFMT Radio. She also works independently with clients and teaches at Columbia College and DePaul University in Chicago. She got her start at the legendary Universal Recording Studios in 1991.
Lara Dale stumbled into Foley when she came across a Craigslist ad asking for someone with a trained dance background to become a Foley Assistant. The precise timing of classical music and the rigorous physical movements of ballet and modern became the perfect background for mastering the art of Foley, which she learned from the Academy Award-winning Foley Artist Ellen Heuer, who was ET’s footsteps among many other amazing credits.
“I think that if women stand behind women – both women as audience, women as listeners and viewers and women as co-workers within the broadcast field – we’d just be supportive and give each other a little encouragement, it would make all the difference.” Marion Keisker MacInnes