Empowering the Next Generation of Women in Audio

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Preventing the Burnout

Have you ever heard of burnout theory? Burnout theory was introduced by Freudenberger and Richelson in 1980 as a mental condition of emotional fatigue, depersonalization, and a decreased sense of individual achievements.  Back then burnout theory was mostly paired with professions such as teachers, nurses, and lawyers, but I think it can really be experienced by anyone, and especially those in demanding positions.

There does not seem to be a way to specifically measure burnout for each individual, but professionals do have different tools they use to identify burnout.  These measurement tools consider things like emotional exhaustion, depersonalization, and lack of personal accomplishment and symptoms such as feeling exhausted all the time, viewing everything as negative or bad, or feeling numb throughout the day, can be prevalent. I think for all of us at one point, or another will likely experience at least one or more of these sensations in our careers. We work hard and tirelessly to establish ourselves in our career paths and are continuously pushing the boundaries set for us, all while working long hours, jumping from event to event, and continuously pushing the envelope of what we can physically and mentally handle. We likely all know someone who has burned out or is burning out, and we’ve all likely experienced some of the symptoms at one time or another.

As many of us are coming off of the busy summer season full of tours and festivals, some of us will take a small break before jumping into corporate and holiday shows while others won’t take any breaks at all. A majority of us are already looking at the next season; planning our schedules, routes, and stops to stay gainfully employed for the next year. No matter what stage of the year you are in as you continue to move forward be careful of the potential for burnout and if you do experience burnout consider a few of these items to prevent and cope with it.

First, if you feel burnout, or anticipate having this experience soon, try taking some time away from the job. Giving yourself a break can be the best thing you could do. Taking a moment to step away and focus on yourself can be a good thing. Taking a break and reset yourself emotionally and physically to a point where when you do start again you can tackle the issues that felt like huge mountains before with ease. Give yourself the right amount of time to refresh.  Without sufficient time, your burnout will quickly return, and you will be dealing with its elements again, too soon.

Second, work to gain a sense of control. Spend time organizing yourself, your priorities, and your goals. Refocusing can help you establish a new sense of self and priorities that matter most to you. Gaining a sense of control can be reassuring and energizing as you refocus on the things that matter most to you. Control your situation and life, by removing things that stress you out and adding things you enjoy the most. Finding life balance is important, and you will need to analyze and establish your priorities to heal.

Third, pay attention to what your body needs, which is likely some sleep and exercise. When we get busy, these are often the first things sacrificed.  Listen to your body and if you feel tired, get some rest. Sleep can help your body and mind heal. When you are sick, emotionally or physically, rest and adequate sleep are always recommended. Although often set aside in our industry, sleep can reset us physically and mentally. Research has shown that lack of sleep increases your risk of injury and accidents, impairs your judgment, increases forgetfulness, can cause depression, impacts your metabolism, and can cause serious health problems, such as heart disease, high blood pressure and more.  It’s healthy to spend time resting to recuperate and sleep when you need to, but also make sure you don’t become a couch potato either. If you don’t already, introduce exercise into your routine. Find an exercise routine you enjoy that can be as simple as walking or as physical as kickboxing but work it into your daily and weekly routine. Exercise is healthy for you mentally and physically. Work toward building the muscles you need to do your job, meet weight goals and relieve stress. Endorphins from exercising can help reset your system and help you recover from burnout in many ways and build endurance for the future. You are also physically using your body so when you do get back to work you will have the stamina to do the job.

There are many other tips to prevent and recover from burnout and if you are experiencing burnout or the symptoms of burnout, make sure to reach out so those who can help. Consulting a physician or mental health professional can provide you with specific tips for you to work through your burnout and can help you return to your normal self quickly.

For more information about burnout and how to prevent or recover from burnout, the effects of lack of sleep, and the benefits of exercise consider reading these articles:

Techniques for Dealing with Overwhelming Stress

To Recover from Burnout, Regain Your Sense of Control

Factor structure of the Maslach Burnout Inventory: An analysis of data from large scale cross-sectional surveys of nurses from eight countries

10 Things to Hate About Sleep Loss

Exercise: 7 benefits of regular physical activity

 

 

On Going Freelance Work

Send your updated resumes to soundgirls@soundgirls.org for referrals for work, gigs, and tours.

Los Angeles Freelance

Work for Rat Sound Systems

Career opportunities Encore Global to apply and/or review all current job opportunities

ORANGE COUNTY – LOS ANGELES
DJE Sound & Lighting is a full-service live event production company based in Foothill Ranch, California. We’re a diverse team with experience in concert production, corporate audiovisual, live theatre, rigging, engineering, and design. We provide audio, lighting, video, staging, and production management services to our many clients throughout California as well as events across the country. We are always looking to add talented people to our team as freelancers, tech interns, and members of our small and growing permanent staff. You can learn more about our work at www.djepro.com. If you’re interested in working with our crew please e-mail your resume to info@djepro.com with the subject line SOUNDGIRLS – LET’S WORK TOGETHER.

Los Angeles Freelance Live Sound Engineers, Monitor Engineers, and Stage Hands, interested in picking up gigs at Warner Brothers new event space (150 ) please send your resumes to soundgirls@soundgirls.org

Salt Audio

All areas of post-production, including but not limited to, RECORDING ENGINEERING, DIALOGUE EDITING, SOUND DESIGN,
AND MIX ENGINEERING. Learn more HERE. Contact: liz@saltaud.io with resume and an introduction

Los Angeles – If you are interested in doing Stage Hand Work and are based near Los Angeles and the surrounding areas. Email us at soundgirls@soundgirls.org with your resume and availability.

Los Angeles – I Am the Phoenix Collective is looking for Audio People – Contact Loanne at loanne@iamthephoenixcollective.com

Los Angeles – Bigger Hammer Stage Hands – Apply Here

Bay Area – San Francisco

Lots of Jobs and they are updated frequently. SoundGirls are encouraged to apply to work with Advanced Systems Group!

Orlando Area 

Beckie Campbell is the owner of B4MediaProduction, a growing production company, supplying anything from a small corporate set-up, medium concert systems. email Beckie at techbex@gmail.com

Minneapolis

Freelancers wanted/ Training opportunities. Allied Productions Mendota Heights, MN

Seeking to add freelancers to our call list and open the door to onsite training and gear demonstrations

Allied Productions is a full-service production house providing audio, lighting, video, and anything else required to perform the highest level of production for entertainment, corporate meetings, virtual meetings, and everything in between. We are based out of Mendota Heights, MN but operate locally, nationally, and internationally.

Freelancer Requirements:

Training:

For inquiries please send resumes/ questions to Tyler Thomas-Audio Department Lead

 tyler@allied.productions

SEATTLE, WA

HIRING FREELANCE AUDIO TECHNICIANS PACIFIC NORTHWEST –

Agility AVL is hiring freelance audio engineers (A1, A2 FOH & MON, Patch) ASAP in anticipation of a busy Spring & Summer season.  Mostly casino ballroom concerts with National Artists, some local/regional festivals, an occasional corporate one-off.  We offer full production services and carry audio, lighting, video, and backline and are based in Fife, WA near Seattle/Tacoma.  Venues are located in Seattle / Tacoma / Portland / Spokane areas.

Also seeking audio trainees to start as shop help and stagehand/audio assist roles.

Send resume to hstamm@agilityavl.com

Europe

Wanted Hands – Stagehand Work

Sheffield, UK Prime Tiger

Our must haves:

– able to respect music gear as if it’s your own
– good time keeping (don’t be late!)
– a positive client facing attitude 
– No racist, homophobes, transphobic, sexist etc.
We want to foster an inclusive and supportive environment for everyone who works with us.

Desirable

– Driving Licence
– Good Attitude
– Good understanding of Allen & Heath Digital
– basic understanding of ChamSys & Resolume (just in case)

If you are interested (and more importantly local – we like to make everyone part of our family) Please e-mail CV to accounts@prime-tiger.com. We can offer both PAYE and self-employed opportunities.

U.K. Freelance work for HAVE

HAVEsound is a premier London-based sound design and hire company. We began as a theatre sound hire company, and have now been working for over 15 years in Theatre, conferences, and events. Always providing the highest quality audio services and support both nationally and internationally. We now provide our extensive portfolio of clients with effective sound design and equipment rental solutions as well as also stocking a comprehensive range of video and lighting technology.

New York – Freelance AV Technicians

Operate and maintain the integrated audiovisual equipment in Conference Centers and other meeting rooms. Work collaboratively and proactively with internal and external customers and event planners to facilitate their multimedia needs and ensure service delivery to company standards. Set up, maintain, and operate the Setup, maintain, and operate the integrated and stand-alone DLP projectors displays, sound systems, Audio/video conferencing units, Audio/Video digital recorders, and switchers, wireless microphones, and PC/Mac computers. Jobs are located in NYC.

Fela Davis info@23dbproductions.com

Atlanta, GA

Looking for freelance audio engineers and audio techs in the Atlanta area.

Job Description:

We are looking for local A1, A2, and Patch audio positions with experience using the following gear. Avid, Digico, Whirlwind, Shure, Sennheiser, d&b audiotechnik, and Meyer. Music festival sound experience is preferred and the ability to work and think quickly is a must.

For audio techs, we would like to see a few years of experience working on professional shows. As a tech, you should understand the way a professional show works and be ready to assist in setting up small to large audio systems in both corporate and concert settings. We will gladly train the right people on things you do not yet know, but a core basic understanding is needed.

Submit your resume and cover letter to the following:

Grant Robinson
Audio Lead
Music Matters Production
Grant-@mmp-atl.com

Warner Music Group is to provide unique and nuanced experiences for all levels of college students across the globe. We currently offer student-specific opportunities in our United States and UK offices, as well as remote college marketing representative opportunities across the United States, as part of our Warner Music U program. Please learn more about each program here

Become a Shutterstock music contributor

The rise of online and mobile video, video advertising, and inexpensive and user-friendly video production tools have all increased the demand for production music. And behind every piece of production music is a composer.

Every day, companies, advertising agencies, video editors, and filmmakers need musical content — and many of them turn to us for the perfect soundtrack. If you’re a composer, you can take advantage of this opportunity by contributing your work to PremiumBeat/Shutterstock Music. We are currently seeking composers of original music to make tracks for our popular production library, where your work could end up being featured in films, major TV shows and ad campaigns, and more.

Why should you work with us?
We’re flexible. You can work from anywhere in the world, and we don’t impose deadlines or volume requirements on our artists — so take the time you need to deliver high-quality tracks. Want some time off to work on other projects? Have to go on tour? Want to write under a pseudonym? No problem. We understand your needs.

We treat our contributors with respect, and while you’re working with us, we’ll make sure you know whom to contact if you have questions or need any help with the creative process. We genuinely love working with our artists and watching them develop.

We’re a leading source of revenue for composers. Over the past 10 years, we’ve sold over 1 million licenses to more than 250,000 customers in every country in the world. Some of our top contributors have built successful businesses around our model, and most of composers have been working with us for years.

What we’re looking for
– Music that has “commercial value.” “Commercial value” represents the likelihood that your song will be useful to a creative buyer. Since many songs are licensed for commercial, corporate, marketing, or advertising uses, the more attractive and usable a composition is (for the broadest range of applications), the higher its “commercial value.”
– Top-notch production quality.
– Good structure. Write the songs you want to write, rather than what you think we want. If they work for us, that’s great news. If they don’t, you have a brand new song. Familiarize yourself with production music. The structure is a little different. Hooks hit hard and fast. Avoid slow builds and monotonous composition; instead, aim for rising tone and quick compositional development. Our top-selling songs are predictable yet still authentic.
– Up-to-date sound.

Our requirements
We don’t ask for much (other than great tracks!), but we do need a few things:
– Exclusivity. All the tracks you submit should be exclusive to PremiumBeat/Shutterstock Music. In other words, you cannot submit a song that has already appeared elsewhere, and once we acquire the track, you would not be able to release it elsewhere.
– Original music. Only send original music. You must own and control 100% of the copyrights for the songs you submit, in both the composition and master recording.
– No samples or soundalikes. Avoid soundalikes and uncleared samples. If you decide to use samples, make sure those come from pre-cleared sample libraries.

How to apply
You can apply at this link: https://www.shutterstock.com/music/new_artist_form
Just fill out the form, and please upload up to 5 examples of your work so we can get a sense of how your work would fit with our library. In the “How did you hear about us?” section please mention you heard about us via SoundGirls!

Hope to hear from you!

– The Shutterstock Music/PremiumBeat team

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

October Feature Profile

First to Record Elvis – Marion Keisker

The Blogs

A Year of Saying No

JoJo Worthington – Independent Producer and Composer

Quick Guide on Invoicing

A Guide to Supporting Women in Sound


SoundGirls News

Chance to Win Mix with the Masters with Tom Lord-Alge

Hearing Health Seminar

Analog/Tape Recording Workshop w/Lenise Bent

Sexual Harassment Seminar

https://soundgirls.org/namm-2019-badges-for-soundgirls-members-2/

NAMM Mentoring Session 2019

She Rocks at NAMM Ticket Orders

SoundGirls and SoundGym

Shadowing/Mentoring/Internship Opportunities

Shadow Beth O’Leary ME Tech on Kylie Minogue

Shadowing Opportunity w/ FOH Engineer Sean “Sully” Sullivan

Shadowing Opportunity w/ ME Aaron Foye

https://soundgirls.org/soundgirls-mentoring/

 


Round Up From the Internet

Leslie Ann Jones inducted into NAMM TEC Hall of Fame

The acclaimed producer and engineer Leslie Ann Jones will be honoured in Anaheim, California, on January 26, 2019

 

 

The AES Diversity and Inclusion Committee strives to ensure diversity in the AES worldwide and the audio industry as a whole by improving accessibility, welcoming diverse genres, embracing emergent audio fields and research, and radiating inclusiveness to all races, gender and gender identities, physical abilities, ages, and nationalities. AES Diversity and Inclusion Resources

 


SoundGirls Resources

Directory of Women in Professional Audio and Production

This directory provides a listing of women in disciplines industry-wide for networking and hiring. It’s free – add your name, upload your resume, and share with your colleagues across the industry.

SoundGirls – Gaston-Bird Travel Fund

Letter for Trades and Manufacturers


Women-Owned Businesses

SoundGirls Scholarships 2021 Now Open

Events

Sexual Harassment

https://soundgirls.org/about-us/soundgirls-chapters/

Jobs and Internships

Women in the Professional Audio

Member Benefits

Shadow Beth O’Leary ME Tech on Kylie Minogue

SoundGirls Members who are actively pursuing a career in Live Sound or Concert Production are invited to shadow monitor system tech Beth O’Leary on Kylie Minogue.

Beth O’Leary is a freelance live sound engineer and tech-based in Sheffield, England. Over the last ten years, she has done everything from pushing boxes in tiny clubs to touring arenas and spends a lot of her life in muddy fields working on most of the major festivals in the UK. She has a particular passion for flying PA, the black magic that is RF, travel, and good coffee. 

Read Beth’s Blog

The experience will focus on the monitor system set up and Beth’s responsibilities. This is open to SoundGirls members ages 18 and over. There is one spot available for each show. Call times are TBD. Unfortunately, members will not be able to stay for the show (unless you have a ticket).

Kylie Minogue – November European Dates

9th: La Seine Musicale, Paris, France
10th: Samsung Hall, Zurich, Switzerland
12th: Gran Teatro Geox, Padua, Italy
13th: Zenith, Die Kulturhalle, Munich, Germany
14th: Gasometer, Vienna, Austria
18th: Jahrhunderthalle, Frankfurt, Germany
19th: Tempodrome, Berlin, Germany
20th: Palladium, Cologne, Germany
22nd: AFAS Live, Amsterdam, The Netherlands
23rd: Royal Danish Theatre, Copenhagen, Denmark
24th: Mehr! Theatre Am Grossmarkt, Hamburg, Germany.

Please fill out this application and send a resume to soundgirls@soundgirls.org with Beth in the subject line. If you are selected to attend, information will be emailed to you.

 

A Year of Saying No

At the end of 2017, I made a career decision: I no longer wanted to do theatre sound design jobs that were creatively unfulfilling.

For years I’ve been working theatre and opera sound design jobs around other sound work because the work that came my way was often last-minute and frequently not well-paid. I regularly felt worn out from over-working. I had also noticed that by filling up my schedule, to feel like I was still part of the industry, I was limiting my opportunities to apply for better-paid, more creative jobs. I wanted to move up the career ladder. To do this, I needed to make a change.

So I made a list of what I wanted from a theatre or opera sound design job and set this as my criteria for accepting an offer. It was a pretty straight-forward list: decent fee, exciting script/concept, opportunities for creative sound design and not just a “dog bark, doorbell” show, within timescales that fit with my schedule and ideally something that would mean a step up (not across or down) the career ladder.

I knew this would cut out a lot of the smaller-scale work that came my way, particularly with regards to the fee, but as I had other means of generating income, I knew this wouldn’t be too difficult. The challenge would be fighting against the urge to take creatively unfulfilling jobs that wouldn’t add anything to my CV so I could still “feel” like a theatre sound designer. But I’d made my list, and I believed that creating space in my schedule would open me up to the kind of opportunities I wanted.

The result? I haven’t had a theatre or opera sound design job this year so far.

At the start of this year, I felt pretty confident with my choice. A couple of sound design opportunities came along that I wasn’t able to do because of scheduling conflicts, but neither of them provided much creative stimulus, and I didn’t feel conflicted about turning them down. Then along came a job I really wanted to do, with a great script and intriguing concept. The interview went well – but they needed more availability than they had initially indicated, and I didn’t get it.

I didn’t know it at the time, but this set a precedent for the rest of the year. Every so often an opportunity came up that excited me, the interview with the director would go well, and ultimately I wouldn’t get it because of a specific requirement. One director eventually decided that they wanted someone who could compose and arrange as well as sound design, which counted me out. Another revealed in the interview that they wanted the sound designer to be present during all rehearsals, which were outside of London, but didn’t have any budget to get me there. In between, there were jobs that I turned down because they didn’t meet my criteria.

So what have I learned? Despite what motivational memes might lead us to believe, sometimes taking a leap of faith doesn’t have the hoped-for result. At least, not in the short term. Having a solid backup plan is also a good idea. If I hadn’t had other workstreams that I could rely on for income, I wouldn’t have been able to say no to many of these opportunities.

And while I say I didn’t get quite the result I wanted, I have got a different result. Not having theatre sound work freed me up to work on audio drama and audiobook sound design, and building a portfolio in this area has led to unexpected opportunities. I am currently designing and mixing three audio dramas and a series of audiobooks for well-known production companies, and it’s an area of sound design work that I very much enjoy.

I’m passionate about theatre sound design, and it’s been demoralising not to be able to get the work I think I should be getting after I’ve made room for those opportunities. It’s made me seriously doubt my skills and ability. Despite this, I am going to continue with saying no to work that doesn’t fulfill my criteria. Because as much as I’ve hated not doing sound design for theatre, I hated being ground down by unfulfilling, low-paid sound design jobs even more.

JoJo Worthington – Independent Producer and Composer

In a field that remains heavily dominated by men, JoJo Worthington is setting out to demolish the glass ceiling for women in the music industry. She is an independent producer and composer from Kitchener-Waterloo, Canada who has won numerous awards for her exceptional work. Her vocalizations reminisce of Kate Bush, her ingenuity with looping techniques remind one of the omnipresent Canadian force of Owen Pallet, and her refreshing take on the ukulele is pushing this experimental-folk musician to create some of the most forward-thinking music of her generation.

Her works include the co-produced, co-arranged project, \\ (or Two Lines) and the album Honey Suite by The Lifers, which was recently nominated for New/Emerging Artist by Canadian Folk Music Awards and has toured throughout Canada promoting her own music. JoJo shared with SoundGirls a little about her musical journey from childhood, her love affair with the ukulele, and gave advice to women wanting a career in this industry.

Listen to JoJo Worthington at https://jojoworthington.bandcamp.com/

How did you get your start in music?

I performed in many musicals from age 8 to 15; then I began writing songs. Once I was told that I wasn’t horrible, I began playing live!

I also played a variety of instruments growing up…violin, harp, clarinet, piano, guitar…I still play a bit of these instruments, but in high school, I landed on the ukulele. That and my voice have been my main instruments ever since.

What do you like best about touring?

Traveling! Meeting new people and seeing old friends.

What do you like least about touring?

Nothing!

What is your favorite day off activity?

Hiking!

What is your educational or training background?

I graduated from Capernwray Bible School in 2013; then I graduated from the Music Industry Arts program at Fanshawe College in 2015.

What are your long-term goals?

To be able to financially sustain my career over my entire lifetime…reaching a Billboard spot would be pretty cool too!

What is your favorite gear?

Currently, it’s the Critti & Guitari Organelle.

What, if any, obstacles or barriers have you faced?

An ongoing obstacle is people who do not take the ukulele seriously. My mission is to show people that it is a versatile instrument that isn’t just “cute.”

How have you dealt with them?

Through experimentation in my music.

Can you share any advice for other women and young women who wish to enter the field?

This industry is dominated by men. In my experience, I’ve learned that a woman must know her instrument, equipment, trade, etc., ten times better than any man in order to be taken seriously. So know your stuff. Be a perfectionist. Get it done how you want it to be done. Be able to do everything!

 

Chance to Win Mix with the Masters with Tom Lord-Alge

SoundGirls this a chance to win a spot at Mix with the Masters with Tom Lord-Alge. This is a week-long seminar valued approximately at $4,500 and includes lectures and workshops, accommodation within the mansion, catering (breakfast, lunch, dinner) the fitness room, swimming pool and shuttles from Avignon to the studio.

You must have an advanced understanding of audio and work as producer/mixer/engineers to attend Mix with the Masters.

You are responsible for Travel to France. If you have won before you cannot enter.

The upcoming session will take place November 10 -16, 2018

You can purchase a raffle ticket for $10 (you can purchase more than one to increase your chances)

We will draw a winner on October 30th, and the winner will be notified on October 31st.

You will also be entered to win a second raffle to win a 25% discount off Mix with Masters with Tom Lord-Alge.


Tom Lord-Alge

Three-time Grammy Winner Tom Lord-Alge’s (TLA) extensive list of multi-platinum/gold landmark albums + singles include:

Blink 182’s ‘Enema of The State’, Pink’s‘Funhouse’ and ‘I’m Not Dead’, Steve Winwood’s ‘Back In The High Life’, The Rolling Stone’s ‘Bridges To Babylon’, Fallout Boy’s ‘Infinity on High’, Weezer’s ‘Maladroit’, and Sarah McLachlan’s ‘Mirrorball’ just to name a few. He’s also mixed albums/singles for indie darlings Taking Back Sunday, All Time Low, Sleeping with Siren’s, New Found Glory and Ash Koley. Tom’s world-class ‘Spank Studio’ in South Beach is built around a massive SSL 4064 G+ console. Recent mixes include The Interrupters/Epitaph, Lil Peep + Cailyn Sundry/First Access, Hard rock superstars One Ok Rock


Program

The process of greatness fostering greatness has long been recognized and is the reason why master classes are organized. The Mix With The Master’s seminars is part of this tradition, offering an exchange of in-depth first-hand studio experience and knowledge that is unparalleled and not available anywhere else. Each seminar is conducted by one of the world’s top music mixers and producers, ready to share their professional secrets with a select group of a maximum of 14 carefully-screened, professional-level participants, who come from all over the world.

One factor that contributes to the enormous success of the seminars is that all tutors support the general MWTM ethos, which is about the love of music, music technology and wanting to help others. Participants also are in part selected on displaying similar, positive attitudes. The fact that the seminars last a full week is another major contributory factor because it offers tutors the time and space to go into real depth, and the participants the opportunity to spend a prolonged time watching a master at his peak, and to ask any question they can think of.

The tutors share exclusive, insider-information on any subject: detailed technical knowledge, how to run sessions, how to handle artists, how to manage a career, the right attitude, how to remain successful, and more. The tutors also assess the work of the participants, by listening to their mixes and mixing recording sessions that they bring, and providing extensive feedback to each participant on where they are at, and how they can get to where they want to be. This is invaluable and offers participants wanting to become world-class professionals in their own right a unique advantage.

Another primary factor in making the MWTM seminars exceptional is that they take place at La Fabrique, a large, comfortable, high-end recording studio located in a picturesque historic building, surrounded by huge, lush grounds, and set in the south-east for France in one of the world’s most beautiful environments. The secluded and idyllic location offers the participants and tutors a lot of space to relax and recharge, far away from the hustle and bustle of daily life and the all-demanding intensity of their regular professional environments.

Because the courses are residential, the participants and tutor work, eat, socialize, and sleep in the same environment. While tutors, and participants, will at times opt to retire to their private quarters, there is ample opportunity for social interaction outside of the studio environment. Participants interact extensively with each other and the tutor, making it easier to assimilate the intangible qualities necessary to be successful at the highest level—presence, focus, social skills, intelligence, creativity, the right attitude, and so on.

In short, for seven days participants can experience mixing with a master in both senses of the phrase, mixing and interacting with them. Get more information about Studio La Fabrique

 

 

Intern with Sennheiser at NAMM 2019

Sennheiser & Neumann are seeking one member of SoundGirls to intern with the company during the 2019 NAMM show. Interns will need to be available from January 23 – January 27, 2019.

Dates and Times

Responsibilities

Anaheim Convention Center North

Payment will be a pair of Sennheiser headphones and microphone HD280Pro and e835. You will also receive a letter of recommendation upon successful close of the show.

You’re also welcome to join Sennheiser for dinner each evening and attend The She Rocks Awards on January 25th.

Please send a cover letter of why you would like to intern and a resume to soundgirls@soundgirls.org

 

She Rocks at NAMM Ticket Orders

SoundGirls will be supporting and attending the She Rocks Awards.  We have secured tables so we can sit together. Tickets are $85 for the evening and include dinner. The awards show is truly inspiring and a great evening. Get an amazing table seat, dinner and a special gift bag.  You’ll have a great view!

The She Rocks Awards pays tribute to women who display leadership and stand out within the music and audio industry, and is a premier event during the NAMM Show, bringing together industry professionals, music icons, artists, fans and the media. Past honorees of the She Rocks Awards include Melissa Etheridge, Pat Benatar, The B-52s, Colbie Caillat, Sheila E, Chaka Khan, Ronnie Spector, Orianthi, The Bangles, and many more, plus a collection of role models from all walks of the music and audio industries.

The 2019 She Rocks Awards will take place on Friday, January 25, 2019 at the House of Blues Anaheim at 7:30 p.m. This high-energy evening includes live music, awards and speeches, celebrity appearances, a fabulous silent auction, amazing gift bags and so much more! Tickets are now on sale, available in four tiers that include dinner and more. This event is open to the public; a NAMM Show badge is not required to attend the She Rocks Awards. 

2019 SHE ROCKS AWARDS!
Friday, January 25, 2019
The House of Blues Anaheim, Anaheim CA
6:30pm – 10:00pm

Register Here

SoundGirls will invoice you.

More info  at She Rocks Awards

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