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  • Home
  • About
    • Event and Festival Staffing Volunteers and Interns
    • About the 2017 Live Sound Camps
      • SoundGirls Sound Camps Registration
    • SoundGirls.org – F.A.Q.s
    • Member Benefits
    • Testimonials
    • Our Sponsors
    • Contact Us
  • News
    • Jobs & Internships
  • Events
  • Blogs
  • Profiles
  • Resources
    • Getting Started
    • Women in the Music Industry
    • Articles
    • Videos
    • Podcast
    • Recommended Reading
    • Related Websites
    • A More Inclusive Industry
  • Sexual Harassment
    • What is Sexual Harassment
    • Sexual Harassment Reforms
    • Freelancer Resources
    • How Men Can Be Allies
    • Self Care for Trauma
    • Reporting Sexual Harassment
    • Resources for Sexual Harassment
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Posts tagged Live mixing

Cristina Allen Live Sound Engineer an...

Cristina Allen is a Live Sound Engineer working at the Knitting Factory in Boise, Idaho. She has been working in live sound for over 15 years, and it has been the only job she ever wanted.

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A Brief History of Theatre Sound Cons...

A Brief History of Theatre Sound Consoles with Autograph Sound. A Big Thanks to Peppe Mallozzi for sharing his knowledge with SoundGirls.Org

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Brenda Francis – Founder of Mod...

By: Victoria Boyington

This month, I wanted to highlight some of the amazing women in our area who have a made a career in sound. Modesto Sound, founded by Brenda Francis, is a non-profit organization that empowers youth with job skills related to music production.

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Would You Say That to Your Boss?

In my position, I spend a majority of my time teaching new students how to run the equipment we own. All the artists know they are coming to a college where learning occurs, and a majority of the audience members know this too.  We constantly hear from artists that we have better equipment and are more prepared than the last school they were at, and I pride myself on that achievement. My expectations for a show are no less than what professional production person would produce.

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The Translator

By Heather Holm Often in my job I end up being the middle person. I don’t own the contract with the band, but I have to fulfill the requirements. Sometimes I get a say in what is allowed in the rider, other times I get to deal with cross renting items late in the game […]

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