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Film and TV location Sound

The Production Sound Mixer controls recording levels, equalization settings, track assignments, media formatting and oversees the creative and technical operation of the Production Sound Crew while bringing the Director’s story to life. Being the department head, the mixer has the responsibility of interacting with the producers, editors and other department heads on the production to achieve the goals of the director and deliver the highest quality of the spoken word from the actors. The job of the Production Sound Department is separate from Post Production Sound in that it is concentrated in the area of live filming while the cameras are rolling, and actors are performing.

The Microphone Boom Operator is responsible for the critical task of microphone placement. The Boom Operator uses the “boom pole” or “fish pole” with a microphone mounted on the end. These can extend upwards of 15’ to swing over the camera, lights and actors on set. When space permits, the “Fisher Boom”, is used. This is a special piece of equipment that gives the Boom Operator a more precise control over the orientation of the microphone, and a greater range of movement. When circumstances limit the use of either of the booms, wireless microphones are used, mounted to the actor’s body or clothing.

The Utility Sound Technician provides a variety of much-needed assist skills to the Production Sound Mixer and the Microphone Boom Operator, including the operation of an additional boom pole when needed, assisting during the placement of microphone “plants” (which are hidden microphones that are strategically placed on the set in order to capture dialogue from the actors,) placing radio microphones on actors while hiding the radio transmitters under their wardrobe, additional occasional recording, additional playback, assisting with on-set wireless communications, providing other departments with listening devices, keeping inventory, ordering necessary additional equipment, quieting noisy props, footsteps, crickets and other tasks that help the Production Sound Crew work quickly and avoid delays in production.

 

Courtesy of Peggy Names.

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Managing Wireless Audio for TV

I work in a niche of audio that only exists in in the TV business, but involves technology many of you will find familiar. My job is setting up, coordinating and running the wireless equipment and communications for live TV shows. It’s one of those odd jobs that’s highly specific but covers a lot of ground. So I thought in this first entry, I’d give a quick overview of what I do. (more…)

RF – Wireless

Rechargeable Batteries for Wireless

Why Coaxial Cable Goes Bad

Diminishing Returns: At a Certain Point, Using Coax Is Insane

Five Wireless Microphone Mistakes That Are as Common as They Are Avoidable

What Is Antenna Distribution?

The Myth of Half-wave Diversity Antenna Placement

Understanding the Difference, and Debunking the Myths, Between Active and Passive Antennas

What is ERP?

When it Comes to RF, Distance Plays Tricks with the Mind

Defining Interference

Hunting Down Interference

Common Sources of Interference

How to Take Control of Your Wireless Microphones

Common wireless system mistakes that can lead to intermodulation products that cause RF interference

 

 

DIY SoundGirl

 

Before I get started with some more technical blogging, I thought I’d give you a bit of background info on myself.  I’m a 25-year-old woman from Ottawa, now living in Toronto. I’ve always had a passion for music – as a young teen, I’d go to as many hardcore shows as I could. I started to learn bass, and when I was 15, was asked to join my first band, Centertown Insurgents. Coming of age in Ottawa’s punk scene instilled a very strong DIY (Do It Yourself) ethic in me; from recording my own albums to booking my own shows, I’ve always wanted to be involved in the music industry. (more…)

Volunteer at Girls Rock Camp

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SoundGirls.Org has been invited by Kevin Kent of High-Desert-Music and Beckie Gebhardt and Mona Tavakoli of Ladies Rock Camp and Rock Camp for Girls LA to run sound for their performance day.  The event is scheduled to take place May 24, 2015.

The main objective of Girls Rock Camp LA is the empowerment of women through music. Kevin and his partner Gordon absolutely love working with Rock Camp LA and are usually the only guys on site during the camp. Since women are involved in all facets of production for live music events, Kevin thought it would be a great opportunity for the campers to see some awesome SoungGirls in action.

High Desert Music will be providing a  24′ x 16′ covered stage with a small lighting set-up and their Mackie Line Array. Kevin would like volunteers to assist with set-up, strike, and, of course, have SoundGirls completely run FOH and mix monitors for the bands. The date is May 24th – with load in starting at 11 am and bands around 6- 8 pm. Load out will start  around 9 pm. (Los Angeles)

This would be a great experience for our members that need hands-on mixing experience and at the same will be a positive role model for young girls and women.

Please contact Karrie at soundgirls.org@gmail.com if you are interested in volunteering for this event.

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More about Girls Rock Camp

Why just girls?

There are many music summer camps and programs available to both boys and girls. We think that’s awesome, and we choose to offer something different. A girl-only environment helps us accomplish our goals of providing female role models for girls, encouraging teamwork among girls, and breaking down gender stereotypes.

At rock camp, everyone is expected to be themselves and express their gender however they want to. No one is expected to fit into a gender stereotype. We value diversity and free expression. The camp week is a unique and transformative experience, meant to take participants out of their everyday norm.

Can men volunteer?

It is our mission to provide girls with as many radically awesome female role models as possible. We prefer placing women in volunteer positions that involve direct instruction, mentorship, and leadership. Some volunteer positions are open to any gender, and we encourage men to apply for those positions. We appreciate all of our amazing volunteers!

Do the girls have to like rock n’ roll music to participate in this camp?

No. The term “rock n’ roll” is meant as an ethos, not literal musical style. Girls who come to camp, as well as our instructors, are into all genres of music. We expose girls to a variety of styles, and we encourage them to be creative.

The Good Gigs

There are days in this business that are really dreadful.  Days where nothing goes right. They can be full of technical problems and circumstances that make for the most trying of times where things are incredibly difficult. When you’re terribly exhausted, nothing wants to work, people and equipment don’t want to cooperate, or things just go so wrong that you start to wonder if you really know what you’re doing.  Days when you wonder why you chose this crazy life instead of something normal like a desk job so you could sleep in your own bed every night? (more…)

Lift – The Musical

 

I recently worked on a production of Lift a musical set in and around the lift of Covent Garden underground station. It was directed by Paul Baker at the Ivy Arts Centre in Guildford originally being produced at Soho Theatre in London. (more…)

Challenging Internalized Sexism

 

Addressing sexism within our industry and throughout our lives is a complex one, but one we should explore and understand. It requires understanding how it affects our lives, and I think a good place to start is how we process it and deal with it. How much of it is ingrained into us, without ever realizing it? (more…)

Recording Engineers

Recording Engineers record, edit, and mix sound. They should be well versed in recording technology, from analog tape to digital multitrack recording programs like Ableton or ProTools. The Recording Engineer is often also the producer, overseeing both artistic and technical elements of the recording session.

Recording Engineers often start as interns in a studio before moving on to become Assistant Engineers and finally becoming Engineers.

Assistant Engineers have the important job of physically setting up the recording studio before a recording session takes place. This responsibility is not to be taken lightly. Studio recording time is very expensive, and no time should be wasted with the setup.

Assistant Engineer will work to make sure the necessary instruments and equipment are available, where they will be placed, and will make sure all the equipment is set up and working. In addition, they will usually wire all the microphones.They are responsible for maintaining the equipment during a session. They usually maintain the tape library. During the session, the assistant engineer works with the recording engineer.

Experience & Skills

Technical knowledge and skills are essential

Good People Skills: A good engineer is somebody who is easy to get along with and a team player. A recording engineer should be relaxed, intuitive, and have strong initiative,

Attention to detail

Time management – Time is Money and studio time is expensive.

Getting Started

To get that first engineering job, it’s all about attention to detail. Your cover letter might be more important than your resume. Make sure it’s grammatically correct, and nothing is misspelled. This shows that you pay attention to details.  You will have to willing to work your way up, start as intern and work your way up. Always be available and positive. A studio needs to know if they can trust you once they get to know you they might offer you a paid position.

 

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