Empowering the Next Generation of Women in Audio

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Should You Work For Free?

 

There has been some discussion recently on the topic of should you work for free? I often say to those looking to get into touring that they should try to get on a tour for the experience or ask if they can help someone who is doing the job they want to do. More times than not, when you are in a position of limited knowledge but have lots of enthusiasm to learn, you are not going to get paid for offering your services. In my opinion, and it is only my opinion, there is nothing wrong with offering your time in exchange for knowledge from someone else. You are giving them an extra pair of hands and hopefully making their life a little easier that day, and in return, you are learning. There is an exchange of commodities here, but neither involves money.

We need money to survive of course, and I suggest offering your time for free in the beginning when you are in a position to do so. In my book, Girl on The Road, my strategy is to set yourself up with six months of living expenses for this exact situation. If you really want to learn how to do a job on tour, you need to actually go and do the job. Learning from a book or a course is great and the more knowledge you have going into it, the less overwhelmed you will feel. However, for a job like this (on tour), there is no substitute for going and doing the real thing. Unless you work for a sound company and get sent out on the road, paid, it is unlikely you will be able to tour and get paid from the start. Some people believe you should not do anything for free, it devalues you. I disagree. I believe that you won’t be working or as I see it “learning” for free for long. In this industry, its connections. Once you show competence and a good attitude, it is likely you will get more work and very quickly. Once you can offer your services and know the basics of what you are doing, you will get paid. You don’t need to know everything immediately but you can’t be purely learning and expecting to get paid. If you do, that’s a bonus and a wonderful one at that.

I would say everyone needs to take their own path. If you feel comfortable doing as I said above, then go for it. If you don’t feel comfortable giving your time and not being compensated with money, so be it. Whatever is comfortable for you. It doesn’t mean you won’t get to where you want to be, this is just my experience and advice.

I would invite anyone with questions or comments to reach out to me and we can discuss further!

More on Working for Free

Should You Work For Free? No Pay / Low Pay – Is It Ethical?

Working For Free


 

Try to Make the Best of Every Situation

 

We start 2021 with most crew wondering if they remember how to do their jobs. Isn’t that crazy!? I didn’t work a single show during 2020. I was coming off a Christmas break, as is usual in our industry when COVID hit. And because I live in the USA on a visa, I couldn’t pick up any other job. This meant that if I wanted to keep my life as I know it, I have to buckle up and dip into those savings. There have been sacrifices and most definitely a dwindling of my financial safety net. However, I have made sure over the years to be financially savvy so that if I was ever faced with a situation like this (or simply breaking a wrist and not being able to do my job), that I would be able to survive and not have to completely pivot out of my career and potentially risk everything I’ve worked to get to where I am.

I guess the point of this post is that we never know what is coming ahead so we need to make sure we set ourselves up for success. We are a culture that wants everything now. We find it hard to see the bigger picture. We lack patience. These all apply to trying to break into the industry as well. It can be a long, hard road but with patience, you will get there, whatever “there” is for you personally.

There is light at the end of the tunnel and I am grateful that I am in a position to be able to step back on tour when the machine starts back up again. Remember your greatest tool to being successful is the ability to say yes to an opportunity when it arises. Make sure you position yourself to be able to do that and now is the best time to get set up for that!

Here are some actionable items for you to do right now

Do you have a mentor?

Finding a mentor is one of the greatest things you can do for yourself. And you know what else? It’s free! There are plenty of people who would be happy to mentor you. Find someone doing what you want to do and reach out to them with a polite email or DM asking if they would mind answering some questions or having a chat over zoom.

Do you have a job?

Whilst it may not be necessary or possible for you personally to take a job right now, if you are able and willing, this is a great time to save up money so you can be ready to jump on any opportunity that arises when touring starts again.

Skills

Are you using this time to brush up on your skills and knowledge? There are tons of free resources online to learn the basics of almost anything!

If this starts to feel overwhelming, refer back to the first action point; find a mentor. They will be able to steer you in the right direction when it comes to all aspects of getting on tour or getting a job in the industry. This is especially crucial post-COVID. There is no better time than now to find a mentor as people have a lot of time on their hands!

Whilst 2020 was a bit of a blowout, hopefully, you can turn it to your advantage. Here’s to the roaring 20’s!

Over the coming months, I will touch on a topic I have gone into more detail on in my handbook “Girl On The Road: How to Break into Touring From a Female Perspective”.

As always, anyone can reach out to me to chat about their journey into touring or if you have any other questions: claire@trash-tours.com

 

 

Career Paths in Live Sound & Production

 

Join us for a panel discussion and Q&A featuring women working and succeeding in the world of Live Event Production. The evening will end with a casual mentoring and networking session.

Register Here

Moderator: Karrie Keyes – Executive Director of SoundGirls and Monitor Engineer for Pearl Jam and Eddie Vedder. Karrie has worked in Live Sound for the past 30 years.


Panelists

Amanda Davis – FOH Engineer

Amanda is the FOH Engineer for Janelle Monae, Tegan and Sara, and Ella Mai. She has run sound Carnival Cruises ship, taught music theory and has moved into Production Managing.

 

 

 


Whitney Olpin – Monitor Engineer & Production Manager

Whitney has been the Monitor Engineer for Melody Gardot, Lauryn Hill, Fitz, and The Tantrums, Sublime with Rome, Marian Hill, X-Ambassadors, and Walk the Moon. She also mixes monitors at the iHeartRadio Theater in Burbank. Whitney is currently the third party production manager for Live Nation clubs and theaters in Los Angeles.


Chris Costello – Tour Manager – Production Manager

Chris is a Production Executive whose past roles include serving as the head of Production for iHeartRadio and Tour Managing the artists, Alicia Keys, Perry Farrell, Deadmau5 and The Strokes. She’s overseen live concert production in over 55 countries as well as consulted on performance space builds for many corporations. Currently, she’s the VP, Production at Warner Music Group in downtown Los Angeles.


Meegan HolmesGlobal Sales 8th Day Sound

Meegan has worked in live sound for over 25 years doing everything from system teching to mixing monitors and FOH. She is now in Global Sales for one of the largest sound system providers in the world, 8th Day Sound – Los Angeles
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Kille Knobel – Lighting Designer

Kille has been the LD for Pearl Jam for over 18 years and has toured with Cher, Bette Midler, Temple of the Dog, Soundgarden, and The Smashing Pumpkins.  When she is not on the road, she works on The Jimmy Kimmel Show
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Claire Murphy – Guitar Tech

Claire has toured as a backline/guitar tech and has recently finished teching with Vance Joy as support to Pink on her stadium tour across Europe. She has also toured with Raveonettes, Therapy, Dum Dum Girls, and The Answer. Claire runs Trash Tours that provide the live music industry storage facilities, crew, splitter vans, and logistical support.


  Kate Lee – Live Sound Engineer

Kate is originally from Taiwan and is now based in Los Angeles.  She has spent the past eight years living, studying, and working in the United States. She graduated from Musician’s Institute Audio Engineering and Live Sound production program in 2012. She currently works for Rat Sound Systems as a shop technician and does freelance live sound engineering during the weekend.


 


 

Shadowing Opportunity w/Guit Tech Claire Murphy

SoundGirls Members who are actively pursuing a career in Guitar teching, Backline or Concert Production are invited to shadow Guitar tech, Claire Murphy. Claire is currently on tour with Vance Joy.

The experience will focus on Guitar teching; setting up “guitar world,” setting up the stage, experiencing line check and soundcheck with the artist. This is open to SoundGirls members ages 18 and over. There is one (1) spot available for each show. Most call times will be at 11.30am (TBD), and members will most likely be invited to stay for the show (TBD). Ideally, applicants will be able to demonstrate some experience in touring or knowledge there of, to gain the most from this opportunity.

Please fill out this application and send a resume to soundgirls@soundgirls.org with Vance Joy in the subject line. If you are selected to attend, information will be emailed to you.

The Only Dude on Tour

1978764_10100302702953475_1618346859_nAndrew Miller lives in Los Angeles, CA, and produces music. He has a project called UUV. He also works in film and televison, as well with as other artists.. Andrew played guitar on the Dum Dum Girl’s first record and now tours as a guitar player with the band.

Andrew recently toured with the Dum Dum Girls and found himself as the only dude on tour. We thought it would be fun to ask him some of the questions women in the industry are often asked. They of course have nothing to do with his actual job or abilities. This piece should not be taken seriously, except to point out how ridiculous these questions are.


What’s it like to be the only dude on a tour bus?

Great. In practical terms, wouldn’t anyone rather share close quarters with women than men? Creepers aside.

Do they expect you to be bus dad?

Ha, I have no idea what that means, so probably not. It’s funny though, I can imagine a bus mom, the nurturer. Actually, Claire was obviously the bus dad.

Do you get all grossed out by the girl talk?

I do girl talk, it’s one of my favorite types of talking. What’s not to love?

Are there lots of guy groupies on the bus after the show?

No. The male groupies need to step up their game though.

Do people ask which one of the band members you are sleeping with?

I don’t think so.

Don’t you want to have kids?

That’s the idea.

How does your wife or girlfriend feel about you working with all these women?

I had a girlfriend when I first joined the band and now I don’t, so I might be the wrong person to ask. Touring is hard on relationships, obviously. But there was never an issue in terms of touring with women.

Do you still get to watch porn on a bus full of women?

Porn is welcomed and well regarded in Dum Dum Girl land. But I don’t feel like a tour van is an ideal place for porn, no?1231387_10202618034362891_475064863_n

Claire Murphy – Back Line Tech

Claire got her start the same way as hundreds of backline techs do, by playing guitar and realizing the band thing just was not going to work out. Claire found it difficult to find people with the same passion and drive that she had and decided to focus on touring as part of the crew. She started out by helping friends bands and making a nuisance of herself when she started to take it seriously and started working at some rehearsal studios. She started to meet people in the industry and learn more about backline equipment.

She has been working professionally and full time for five years and has learned how to tour manage. While she enjoys the challenges of tour management, she says,  “there’s nothing like being a backline tech in the wings with the band two feet from you and the pressure of the gig”. In her short time working she has been fortunate to work with some great bands, including The Raveonettes, Therapy, and The Answer.

Dum Dum Girls Tour

Dum Dum Girls Tour

She recently spent a few months in the states with the Dum Dum Girls; it ended up being an all-women crew and band, with the exception of guitar player Andrew Miller. Claire says they had the best time touring together. Dana Wachs was the FOH Engineer.

Was this a conscious decision on the part of the Dum Dum Girls to hire all women?

As far as “I’m aware, it just happened. They’ve had a male crew in the past, so it wasn’t a conscious decision, just whoever was right at that time. As you know, a lot to do with a successful tour comes down to touring with the right group of people, regardless of sex. I think it just happened that way. Personally, I’m always keen to work with bands that have women members, as they are still the minority, and it usually makes for a fun dynamic on the road. I tend to gravitate towards those bands and maybe end up socializing with them more, which as you know can lead to more work.

Dum Dum Girls Tour

Dum Dum Girls Tour

Did you find it different from touring with an all-guy crew? If so in what ways?

I think I felt like we were a gang, and it felt like going on tour with a group of friends, but that could simply be down to the people and personalities versus everyone being female. I think it was somewhat easier looking after everyone. As tour managers, we were all the same age, and all have our lives centered around music, so it was one big family. It was easily one of the best tours I’ve done. I’d love to say that was down to it being 99% female.

I bet some heads turned seeing an all-women crew and band.  Is there a particular moment that stands out?

Oh definitely.. and people commented. Which I loved! because I’m totally pro-women doing anything a man can do in a male-dominated industry. I suppose they just don’t expect everyone, band, and crew, to be female. I do remember Andrew saying he felt a little odd that he wasn’t doing any lifting/unloading the van, etc., and women were doing it instead.

tour, dum dum girls

Why did you choose to become a backline tech over another position?

I’m not sure I “chose” it as such, it was a natural thing to do. I’ve always been a huge fan of live shows and spent a lot of my youth going to concerts. I would see these guys (I don’t think I ever saw one girl!) doing the changeover, and I knew I wanted to do that. Helping to bring the show to the stage has a huge satisfaction because I know how important it is to see a band live, and how exciting it is. I have now moved into tour management as well, just because it brings its different challenges, but I will always have a soft spot for being a backline tech.

Do you have a specialty?
I’m all about the guitars. I’m taking drum lessons right now, but I stay away from drums if possible. Don’t ask me why, I think it’s the way my brain is wired.

There are very few women doing backline, have you found much resistance from artists to hire you because you were a woman?  How have you handled it?

I’ve found it to be an advantage. At least I have never come across open discrimination due to my gender. A lot of bands like the fact they have a woman on tour with them, it calms the testosterone. Sometimes you get comments about how rare it is, or “do I need a hand with lifting that darling!?”, But that’s often from my crew.  I’ve never felt intimidated or out of place, but that might just be because I’m a tomboy as well so I can hold my own with the guys.

Why do you think there is a lack of female backline techs?
I guess most backline techs play the guitar or have an interest in guitars/backlines. There are fewer girls playing guitar than guys so I guess it stands that fewer girls would be interested in doing the job. Saying that I think a lot more girls are playing guitar, drums, etc. these days. Hopefully, there will be an increase over the next few years of women wanting to tech. A case can be made that girls and women are not aware that these are jobs available to them. If they never see any women doing it. I can count the number of female backline techs I’ve seen on one hand, which is a sad thing, but with more exposure hopefully, that will change. It is quite a physical job, but that should not put anyone off because I know big guys who are useless at lifting gear, as it’s all in the technique, not your size!!

What is in your suitcase?

Very little! I try to pack light. Black jeans, black hoodie, various black/grey tee shirts, protection racket wash bag. Hair dryer and straighteners. Tea bags (I am British!), almond butter, Tabasco, a thermos for taking coffee from breakfast (frugal!), and obviously lots of underwear.

What can’t you live without on the road?

A good cup of coffee and a dose of sushi once a week!

What is your favorite part of the job?

Strangely, probably the last song of the show and packing down, because that’s when you can relax and know the show has happened, and everything (hopefully) has gone OK.

What do you like least?

There isn’t much I don’t like about the job, I do like my job! I’m not an early riser, however, so probably early morning lobby calls.

What is your favorite day off activity?

Go-karting or a spa/swimming.

What are three of the most important lessons you’ve learned?

Be nice, don’t be afraid to ask questions, never think you know it all!

amps

Finally, what are you currently working on?

I’ve just finished the Raveonettes’ last album tour campaign and a tour with a band called Starset who were supporting In This Moment. I’m constantly busy running my company Trash Tours; we do splitter van rental and storage, which fills the gaps when not touring. I’m very much looking forward to heading out on the Social Distortion tour with the support band Jessica Hernandez & The Delta’s. That should be a lot of fun.

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