Consoles to Surfaces
By: Karrie Keyes
Mixing Consoles have come a long way, and we are apt to be mixing on a surface now. Here is a look back at the Clair Brothers Console.
Enter to win an XLR Sniffer/Sender from Sound Tools!
SoundGirls.Org would like to put an introduction video together about live sound production and the Sound Girls that make it happen. The video will be used on our website and for educational outreach. (more…)
By: Karrie Keyes
Mixing Consoles have come a long way, and we are apt to be mixing on a surface now. Here is a look back at the Clair Brothers Console.
Kim Gordon: Women aren’t allowed to be kick-ass, I refused to play the game
LP Creating Music on her Terms
Use What You Have: An Interview With Kim Gordon
This is My Thing: An Interview With Kathleen Hanna
Patti Smith: by Thurston Moore
Punk has a Problem with Women. Why?
What You Might Not Know about Shelia E.
Carol Kaye is Paul McCartney’s Favorite Bass Player, He Just Doesn’t Know it was her.
Jackie Green – VP of R&D/Engineering at Audio Technica
Where Are All the Women Producers? Here Are Five Famous Ones
Why are Female Record Producers So Rare
Renaissance Gal: Lisa Brownlee – Superstar Tour Manager
Where are All the Women Record Producers
The Five Percent: Profiles on Women in Audio
Catherine Marks: Happy Accidents
Be Unstoppable: The Attitude and Skills Required to Find Success as a Touring Sound Engineer
Behind The Glass: An Interview with Producer/Engineer Trina Shoemaker
Meet Jane Tattersal: Sound Supervisor for Penny Dreadful
Meet Paula Fairfield Sound Designer on Game of Thrones
Sounds Like Success: Sudhish Kamath
Front and Center: Women’s Audio Mission Founder, Terri Winston
Reflections on Production Sound, in the Company of Jan McLaughlin
Lucy Johnstone – Sound Editor for Top Gear
The Woman Behind The Oscar-Nominated Sound Of ‘Unbroken’
A top recruiter on what anyone can see after 30 seconds with your resume
How to set yourself apart from the competition and get the gig
Career Quitter: I’ve Quit More Jobs Than I Care to Remember
Company Man or Freelance Gypsy?
Why You Should Sometimes Work for Free
A Plan vs. an Attitude: How Dr. Webber Changed My Approach to My Career
Power Struggles: Work and Physicality
Stevie Nicks Talks About Being A Woman in the Industry
It’s a Man World? Darryn De La Soul on Being a Sound Engineer
About Women in Audio, AES Style, and Losing (or finding) Your Voice
The Blame Game: Why We Need to Stop Blaming Women for Gender Equality
Our World Needs Empowered Women
Debunking the Women’s Studies Myth
This is what Tech’s Ugly Gender Problem Looks Like
Booth Babes: How Casual Sexism Hurts the AV Industry
The Celluloid Ceiling: Behind the Scenes Employment of Women on the Top 250 Films of 2014
More Women Worked Behind the Scenes on Movies in 1998 Than Do Today
The Ping-Pong Theory of Tech Sexism: A true (illustrated) story
5 Speaking Habits That Weaken Women’s Leadership
The History of The English Brass Bands
Wellington International Ukulele Orchestra at the Edinburgh Fringe Festival
At The Cradle of Country Music, A Monument You Can Hear As Well As See
Champion Sound! When Huddersfield Ruled the British Reggae Scene
Venues – Gigs
Vivid Live 2014 at the Sydney Opera House
The Hollywood Bowl’s Magician’s of Sound
Working Coachella and Surviving Festival Season: How Two Monitor Engineers Approach Festival Season
Coachella Music and Arts Festival: Two Companies that Did!
Rat Sound Answers Your Questions about Coachella
Behind the Scenes with M83 at the Hollywood Bowl
The 50th Anniversary of the March on Washington for Jobs and Freedom
Sound Wisdom
Back to Basics: Gain Structure
Gain Staging in your DAW Software
Gain Structuring with Plug-Ins
Mixing Sound: Great Sound is just an Opinion
Alternative & Effective Approaches to Sound Check
Making the Leap: Becoming and Independent Mix Engineer
Steps to a Successful Pre-Production Process
Keeping the Gig: Opportunities to Excel While Earning Artist Trust
Making your Pre-Show more than a Playlist
Techniques for System and Wedge EQ
Realizing Efficiencies in Monitorland
Moving Air: Inside Subwoofer Design and Configuration
What’s the Difference: Polarity vs. Phase
Details, Details: Setting up Snake Channel 24
Avoiding Intermod: The Importance of Wireless Frequency Coordination
I’m Going to Fix it ‘Til the End.
The Ear Training Guide for Audio Producers
Mastering Q&A with Jett Galindo
Interview with Doug Sax of The Mastering Lab
Back to Basics: Gain Structure
Gain Staging in your DAW Software
Gain Structuring with Plug-Ins
Intro to Sound Design for Theatre
Details, Details: Setting up Snake Channel 24
True Lies and Digital Audio: Time for a Quick Trip Down the Disinformation Superhighway
What’s the Difference: Polarity vs. Phase
Dave Rat: Perception and Failed Illusions
The Conundrum Of “Ears Versus Education”
What The Hell Do Sound Mixers Do?
What Are The Basics Of Mixing? Theory & Practice
