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Editing Women into Wikipedia Part 3:  Notability

There’s nothing more disheartening than to create a Wikipedia article only to have it instantly flagged for deletion.  Even with hours put into finding sources and carefully formatting every section to fit Wikipedia’s style, there is one major issue that can doom the best of intentions:  Notability.  Let’s say that you want to create an article on your favorite SoundGirls Blogger.  You might be able to find an interview, a picture, and maybe even their IMDb page.  However, it takes more than that to qualify.

Notability

Means a subject that stands out from the crowd.  An event that started a movement, a company that pioneered a technology, a person who did something for the first time, these are all subjects that are deserving of note.  Celebrity status can help a person acquire notability, but it does not guarantee that they are worthy of a Wikipedia article.  In my previous articles, I stressed the importance of reliable sources of information.  By using books, journal articles, and interviews there is added longevity and importance.  A social media star usually misses these in their 15 minutes of fame.

Wikipedia editors often choose topics they care deeply about, however, Wikipedia is not the place to deep dive into a given topic.  Just like their predecessor, the encyclopedia, they are a place to start a research journey.  Every article is there to give a taste of information.  Categories are for a summary of knowledge in a selected field.  By flooding Wikipedia with the mundane, it drains the usefulness of the website.

What guarantees notability?  As mentioned before: reliable sources.  Books, biographies, interviews all contribute to the information contained in a Wikipedia article, but also add to the subject’s notability.  Notable people win awards.  Grammy night is a great time to edit Wikipedia.  Academics, while not famous, can be notable if they publish groundbreaking research or books that influence their fields.  Specifically for the field of Entertainment, notability means having worked on several popular works:  films that get released to theatres and festivals, songs that chart, tv shows on network tv, or streaming platforms.

There is a reason why Wikipedia encourages new editors to edit articles over creating new articles.  Finding a subject that fits the notability requirements can be tricky.  Luckily my user page https://en.wikipedia.org/wiki/User:Lyrelyrebird (as mentioned in my previous Editing Women into Wikipedia articles), as well as Wikiprojects, have lists of suggested subjects to get you started.  Remember to be bold and cite all your sources.  Happy editing!

Editing SoundGirls into Wikipedia

SoundGirls Wikipedia Edit-A-Thon

Mollie Autherson – DiGiCo Tech Specialist

 

Mollie started at DiGiCo on the R&D team during her placement year while attending the University of Surrey. Before finishing the year, she let DiGiCo know that she would love to come back after she finished her degree and she did when they offered her a job in the sales department. At DiGiCo she got an insight into the R&D side of the company that most of the Sales team haven’t had. Things like knowing how the different parts of the console engines work together and how the code that the software department writes works. From knowledge, she can track faults down more easily and have a better idea about which part of the console is causing it. She also understands what’s possible in the console in terms of new features, as well as what sort of system configurations are possible and more importantly why they are or aren’t possible.

Early Life

Music has been a big part of Mollie’s life, she started taking music lessons and learning to play the trumpet when she was eight. She would join different ensembles and spend most of the week in rehearsals and lessons, and she got the opportunity to tour Europe a couple of times and perform at the Royal Albert Hall.  Around the age of 12, Mollie developed a love for metal music and would teach herself how to play the guitar.

Then Mollie got a  MacBook and discovered GarageBand

“I found an app with a picture of a guitar as the logo. I thought it looked cool so I clicked on it. I’m sure that anyone who’s into audio and has used a Mac will know that this was GarageBand. After some playing around on the app I realized that I could use it to record my guitar, add drums and write my own music. I started watching YouTube tutorial videos and trying to learn about what else I could do with the software. It was this insight into audio that led me to study Music Tech in Sixth form as one of my four subjects.”

Mollie would study Maths, Further Maths, Physics, and Music Tech at Sixth form. “As part of the Music Tech course we did work in the studio and I also ran the live sound team for the Sixth form through this. It was during that time when I realized there were careers in audio, including technical ones that could incorporate with Math and Physics that I enjoyed.” She would then enroll at the University of Surrey where she would take the Tonmeister course, which included music and sound recording, and would graduate with a BSc 2.1

Career Start

I got my start with my university placement year which I did at DiGiCo. When I started University, I wanted to work in a recording studio but after doing some recording sessions at Uni, I soon realized that I didn’t enjoy them enough to want to do it as a job. I’d spent far too many nights in the studio at 4 am waiting for bands to be creative when I just wanted to go to bed. I had to start looking at other audio careers and saw a technical placement at DiGiCo. I’d never heard of them but thought that my experience in college doing live sound could make me a suitable candidate for the job. I applied, got the job, and then fell in love with the live audio industry.

How did your early internships or jobs help build a foundation for where you are now?

For my placement year at DiGiCo, I was working in the R&D team. My job was to test the consoles to find software bugs in the software updates or new consoles. As you’d imagine, after a year of using DiGiCo consoles every day, I learnt how to use them inside-out. I also got an insight into the R&D side of the company that most of the Sales team haven’t had. Things like knowing how the different parts of the console engines work together and how the code that the software department writes works. From this, I can track faults down more easily and have a better idea about which part of the console is causing it. I can also understand what’s possible in the console in terms of new features, as well as what sort of system configurations are possible and more importantly why they are or aren’t possible.

What did you learn interning or on your early gigs?

I learnt a lot of technical stuff – things like the difference between SMUX and Hi-Speed MADI, how to set up networks, how to use Dante, etc.

Did you have a mentor or someone that really helped you?

The whole team at DiGiCo was really supportive and willing to help out with any problems or questions I had. The team is like a big family and everyone made sure that I was getting on alright when I joined. They’ve also made sure to introduce me to people and help me start networking.

Career Now

What is a typical day like?

My days vary so much. Some days I’ll be writing technical data sheets for our products or adding technical bits to the website, some days I’ll be showing sound engineers how to use our consoles, or even doing some testing work for R&D. Since coronavirus hit, we’ve really increased the number of videos and webinars that we are creating to make up for the fact that we can’t visit customers or have them come into the demo room. I’ve become heavily involved in making videos so most days over the past few months I’ve been either writing scripts for videos, filming, video editing, or setting up our video kit for webinars.

How do you stay organized and focused?

I find keeping lists very useful. It helps me visualize everything that I have to do and prioritize the things that need doing more urgently.

What do you enjoy the most about your job?

I get the chance to meet all sorts of people and travel but without having to live on the road for weeks at a time. There’s also plenty of variation in my work to keep things interesting and I’m constantly learning new things. I also enjoy getting to see our consoles being used out and about. Going to gigs has been a hobby of mine since I was young, and I love going to see my favorite bands and seeing them use our stuff.

What do you like least?

Spending days on end editing videos can get a bit tedious. I enjoy doing it but I don’t like being sat at my desk for too long!

What is your favorite day off activity?

Either spending the day playing guitar or working on a guitar-building project.

What are your long-term goals?

I’d like to stay in the audio industry and continue meeting people and making lifelong friends.

What if any obstacles or barriers have you faced?

On a few occasions when talking to people at trade shows and exhibitions etc., I’ve felt like they’ve underestimated my technical knowledge because I’m a young woman. The audio industry has always been male-dominated but there are still very few women on the technical manufacturing side.

How have you dealt with them?

Just smile and prove them wrong!

Advice you have for other women and young women who wish to enter the field?

It’s said all the time, but it’s true that the only stupid questions are the ones that don’t get asked. If you’re unsure, just ask. It’s better to ask a question and get something right than to not ask and get something wrong.

I’d also recommend keeping a little notepad with you. When you learn something new and interesting/useful, write it down. That way, it solidifies it in your head but also means that you can look back on it in the future if you need a refresh. I’m forever referring back to my notepad and even getting requests from other people to have a look at it.

Must have skills?

You’ve got to be good at listening in this industry. Whether it’s listening to your mix in order to make it better or listening to other people. When I’m showing people how to use our consoles, I think the most important thing is to listen to them. Find out what they already know, what they don’t know, find out what sort of things they want to do with the console so that you can focus on features that will benefit them. There is no ‘one size fits all’ when it comes to console demos and training.

Favorite gear?

I guess I have to pick a DiGiCo console here! My favorite is the Quantum338. It’s a gorgeous-looking console, the screens are big and bright, and it has all of the great features that come with the Quantum consoles. I’m a big fan of the SD12 but miss the Mustard Processing and Spice Rack when I’m using it. The DMI-KLANG is also a personal favorite when I’m using a console like the Quantum338 or the SD12. So much power on a tiny card. After having heard the immersive mixing from a musician’s point of view, I understand why people don’t want to go back to stereo after having used it.

More on Mollie

Events and Training

Find All Upcoming SoundGirls Events Here

AES – The Equity Learning SeriesAES is committed to addressing the issues of equity, diversity and inclusion in order to support the interests and pursuits of audio engineers of all identities.

The Equity Learning Series provides AES members with the chance to learn about important issues facing underrepresented communities, especially in the world of audio engineering, in an inclusive, group setting. AES is committed to addressing these issues in order to support the interests and pursuits of audio engineers of all identities. Facilitating learning, open discussion and understanding of the issues through this series is one way we seek to do this work..

AES members receive a 30% Discount on Women in Audio through AES’s agreement with Focal Press/Routledge.

Nonmembers can receive a 20% discount at womeninaudio.com using the discount code FLY21 (which will give the user 20% off of any title on Routledge.com until 12/31/2021). Register Here

Beats by Girlz Louder Than Ever!

Join our virtual celebration & annual fundraising party! 

FRIDAY, DECEMBER 3 www.beatsbygirlz.org/wav

Music Production for Women

What to consider to get the best recordings

With Olga FitzRoy December 9th

EPIC Conference

Travel with us on January 10, 2022.

24 Hours & 50 Sessions starting at USD 60 Only. Early bird tickets 10% off!!

Straight to Eventbrite for tickets. Click the button below to register!

More information here: www.globalepicevent.com

The 2022 Live Production Summit

Conference for live events & entertainment production professionals will return to the luxurious JW Marriott Tucson Starr Pass Resort & Spa in Tucson, AZ. January 13-15th.

Event Safety Alliance Summit

A hybrid in-person and virtual three-day event that will take place March 22 – 24th on the campus of Rock Lititz in Lititz, PA, sponsored by Take1 Insurance and Intact Specialty Insurance. (Go here for more information and to register.)

Allen & Heath Launches Mini Masterclass Series

Wednesdays, 9:00 a.m. PST

Make sure to check out the free ‘Mini Masterclass’ sessions offered by Allen & Heath.  Two tracks are currently running. Feel free to pick and choose any or all of the sessions that grab your interest. Installation Inspiration features veteran engineer and design consultant Samantha Potter. Monitor Mix Mastery is presented by the go-to monitor engineer and production manager Mike Bangs. See you in class! https://americanmusicandsound.com/allen-heath-mini-masterclasses

Insights in Sound

Fridays

Join host Daniel Liston Keller for a series of in-depth and irreverent conversations with people behind the scenes, behind the technology, and behind the music. From musicians and producers to touring pros, sound designers, inventors, and more. Previous episodes, including Pablo Wheeler, Jeri Palumbo, Harmoni Kelley, and Michael Beinhorn here: https://youtube.com/playlist?list=PLELP8j3P2xz8tzRSqycOMtxrUWMvNzvvA

Nobody Likes Networking

For anyone who is looking for new work during these challenging times, Mike Dias — the Executive Director of IEMITO, the In-Ear Monitor Trade Organization — has a new monthly column in Pro Sound News focusing on networking skills. Now more than ever we need to be able to lean on second and third-tier relationships for opportunities. And if that sentence makes you uncomfortable — you’re not alone. No one likes making small talk and asking for favors. No one is a natural-born networker. But it is a skill that anyone can learn. If you want more concrete steps than what’s available in the Pro Sound News article, Mike has published many of his past networking talks and notes from his upcoming book at his Nobody Likes Networking site for free.

DiGiCo

Exclusive online DiGiCo Workshops: YOU choose the subject! We are running several online Clinic Workshops where you get to decide what we talk about! Each session is a private one-on-one workshop with a member of the DiGiCo team. So, book now and tell us what you want to know!

Book here: http://bit.ly/digicoclinics

Mixing Music Live

Concert Sound Engineer and SoundGirls Co-Founder Michelle Sabolchick-Pettinato shares her knowledge and experience from 30 years in the industry. Offering two online courses: Mixing Music Live and intro to live sound and mixing and LISTEN! a guide to EQ and Critical Listening. A discount is available to members of SoundGirls. Both courses include great info and lessons via her blog and newsletter. https://www.mixingmusiclive.com

HARMAN Live Workshop Series

HARMAN is thrilled to invite leading Front of House Engineers, Lighting Designers, Technicians and other knowledge experts in the industry to share workshops of their secret methods, tips and tricks.

https://pro.harman.com/lp/learning-sessions

SSL Live Sound Training Program

For the ultimate immersive learning experience, SSL offers its Live Certified training — a six-hour intensive online video course led by Live Product Specialist and live sound veteran Fernando Guzeman. Currently, SSL is offering certified training courses in both English and Spanish during June.

https://www.solidstatelogic.com/ssllivetraining

The Production Academy

Hosts weekly webinars The Pandemic Sessions.

https://www.theproductionacademy.com/pandemic-sessions

Post-New York Alliance – Post Break

You can watch past episodes here A weekly series produced by the PNYA Education Committee explores post-production in New York State. Each week, a different topic will be discussed with a variety of professionals. https://www.postnewyork.org/blogpost/1859636/Post-Break

Color of Music Collective

Hosts free virtual panels on a weekly basis that amplify People of Color and LGBTQ voices in the music industry. You can sign up for their newsletter to see when the next panel is.: https://www.colorofmusiccollective.com

Omni Sound Project

Dedicated to being the most accessible point of entry to the music and audio industries. We strive to provide affordable opportunities for learning to under-represented communities as well as spotlight the talents of female and non-gender-conforming audio professionals. All genders are invited to attend our online educational events. Find all events and to register at https://www.omnisoundproject.com/

Part of the Main

Has launched a series of affordable theatre training workshops from QLab and Lighting Programming into Theatre Marketing and PR. They are offering 20 funded bursary spaces to Black artists. Learn more bit.ly/partofthegrid

Intro to SoundGrid Studio: Online Webinars

Join us for personal small-group webinars about the new Waves SoundGrid Studio for real-time audio processing in the studio. Get a personal overview of how SoundGrid Studio can benefit you for:

These are limited-availability sessions with Waves Studio Specialist Ryan Monette, who will provide answers to any questions you might have.

https://www.waves.com/events/soundgrid-studio-online-2020?utm_source

Andrew Scheps Talks To Awesome People

There are a lot of awesome people in the world, and they all have amazing stories to tell. Getting them to tell their stories on camera is not only fun and educational for all of us, but it helps document some of the absolutely incredible things that have happened in the brief history of recorded music. Join Andrew and his guests for a deep dive into what makes them, and the people around them, tick..

Every Monday 2:30 PM EST, 6:30 PM GMT.

https://www.puremix.net/live/andrew-talks-to-awesome-people.html

I’m with The Crew

A very personal look at human nature and the adaptability required to get through this unprecedented time. Shining a light on the importance of understanding and managing the holistic-self in order to find the strength to take action.

Hosted by Misty Roberts & Jim Digby, Produced by Shelby Carol Cude, guided by mental health professionals Taryn Longo and Dave Sherman with weekly special guests, this live-webinar provides an opportunity to gain greater insight and control over how we respond to these times and manifest the resilience to survive and start again when that time comes.

The webinar takes place at 11:00 a.m. PDT every Friday.

https://showmakersymposium.com/im-with-the-crew

Robert Scovill – The Lab

An online, interactive session focused on pro audio called “The Lab”. This 90-minute session is a completely open forum with much of the topic matter being driven by attendees. Robert has a complete console, recorders and small networked PA system set up in an attempt to address and investigate most challenges. Admittedly the focus is geared more toward console, processing and mixing out of practicality as much as anything. Attendees are encouraged to share their screen and their challenges regardless of console type.

First three Mondays of every month. 1:30 p.m.

It is first come first served with a room limit of 300.

Sign up at https://www.robertscovill.com/ under News and Events.

Pooch & Rabold on YouTube

Pooch and Rabold have over 50 years of experience between them as Front of House live sound engineers.   They work for artists like Bruno Mars, Justin Bieber, Kenny Chesney, Iron Maiden, Jay-Z, Alicia Keys, Linkin Park, Motley Crue, Guns N Roses, Widespread Panic, and many others.  They have traveled the earth looking for the best steakhouses in all but a handful of countries.   Rabold and Pooch share all of their knowledge in this very informal series of videos where you get to be a “fly on the wall,” while two of the most respected live sound engineers talk freely about audio.

https://www.youtube.com/channel/UCjx5xSFzwXd43XL4cZDeCag

Robert Scovill – The Back Lounge

An online social group called “The Back Lounge”. Here industry people of all types; production people, i.e. road managers, production managers, backline, audio and lighting pros, company owners and personnel, HOW staff etc. all gather to discuss the state and future of the industry and share guidance and resources on financial assistance strategies and any other topic that suits the discussion.

First three Fridays of every month. 4:20 p.m. PDT

This is first come first served with a room limit of 300.

https://www.robertscovill.com/

Sennheiser Academy Online Webinars

Sennheiser is pleased to announce a series of webinars for our customers and partners. Join us online in the coming weeks to learn about a wide range of topics, from RF and microphone basics to roundtable discussions with sound engineers, as well as a chance to put your questions to our application engineering team.

https://en-us.sennheiser.com/webinars

Updates & Resources

For COVID-19 updates and resources, check out the NAMM. In addition, NAMM is offering a variety of webinars and sessions to help understand alternatives and tips to coping with this new dynamic.

https://www.namm.org/covid-19

Club Cubase

Join Club Cubase Google livestreams every Tuesday and Friday, as Greg Ondo answers all of your questions.

https://www.facebook.com/47279836044/posts/10157291784976045/?d=n

Show Makers Symposium

The Show Makers Symposium is a place for us to gather, learn and give back. During these uncertain times, we will shine as much light as possible toward the end of the tunnel and provide as many resources as available for growth and mental resilience.

https://showmakersymposium.com/#missionstatement

Event Safety Alliance

The Event Safety Alliance® (ESA) is dedicated to promoting “life safety first” throughout all phases of event production and execution. We strive to eliminate the knowledge barrier that often contributes to unsafe conditions and behaviors through the promotion and teaching of good practices and the development of training and planning resources.

https://www.eventsafetyalliance.org/

Learn with Dave Rat

Learn new tips for pro audio engineers and sound techs on Dave Rat’s YouTube Channel. Dave mixed FOH sound for Red Hot Chili Peppers for 27 years, Rage Against the Machine, Blink 182, Soundgarden, Foo Fighters, The Offspring, and more. When he was 18 years old, he co-founded Rat Sound Systems which is the primary sound vendor for Coachella and provides world-class audio sound systems for numerous touring artists including Pearl Jam, Jack Johnson, Pixies, Alt J.. In addition to being president of Rat Sound, Dave has designed speaker systems including the EAW MicroWedge series and Rat SuperSub. The SoundTools.com division of Rat Sound is actively manufacturing and distributing his product designs.

https://www.youtube.com/user/www73171/featured

Wireless Side Chats

Lectrosonics has produced the new video series Wireless Side Chats, hosted by VP of Sales and Marketing Karl Winkler. Episode 1 explores the history of early wireless, episode 2 shows how to solve the seven most common wireless mic problems, episode 3 is an in-depth clinic about Lectrosonic wireless designer software, and episode 4 further explores best practices when using wireless.

https://www.youtube.com/playlist?list=PLwnOnolFSN5K2-2QZOwzVq-0ZFYgoPXDH

eMotion LV1 WEBINARS

Join Waves on our special eMotion LV1 Online Webinars series with one of Waves’ top live sound specialists as your guide. The seminars will be conducted as intimate sessions for small groups, involving an overview of eMotion LV1 mixer with a chance for you to ask questions after being given an overview of the layout and main functions and advantages of this product. Check the website for upcoming dates.

https://www.waves.com/events/lv1-online-webinars

Richard Furch – #mixtipwednesday

Now in the third year,  #mixtipwednesday aims to offer quick tips to get you out of the creative ruts and keep you inspired making records and improving your craft. Also, an Instagram Live event, every Wednesday at 6:00 p.m. PDT, mixer Richard Furch (@richardfurchmix) answers your questions and engages the listeners with insights into the craft and business of record mixing.

QSC@Home

QSC@Home is a comprehensive online launch point dedicated to users’ success across a vast range of solutions and applications. Through its “Connect, Learn and Experience” architecture, QSC@Home visitors are treated to unique collection of online training, tutorials, certification, webinars, entertainment and live online support from company experts, all of which is constantly curated and updated. QSC@Home is a valuable tool for everyone from systems contractors, integrators, A/V IT technicians, A/V consultants, musicians, artists, djs, live sound engineers, recording pros, HOW musical directors, cinema technicians, cinema dealers and end-users at all levels of expertise

https://www.qsc.com/qsc-at-home/

Conversations with Sound Artists

The Dolby Institute and the SoundWorks Collection Podcast, now in its 6th season, is putting the spotlight on episodic content, featuring in-depth conversations with the sound artists behind some of the best broadcast and streaming shows. Join the talented artists behind the shows The Mandalorian, Westworld, Mindhunter, Ozark, Locke & Key, and Unorthodox for in-depth discussions about the creative sound choices for these shows.

Learn more:  https://dolbylabs.co/33NNrgw

Wrong End of the Snake

Tuesdays at 2:00 PM EST

Front of House Live Sound Engineer Ken “Pooch” Van Druten, and Monitor Live Sound Engineer Kevin “Tater” McCarthy, team up to host a webinar exploring the sometimes irrational, always spirited relationships between the music industry tribe. Join us each week as Pooch and Tater reflect on decades of highs and lows, professional tips and tricks, and a special industry guest.

https://us02web.zoom.us/webinar/register/WN_R2_ZRFobS3Og41Ax9JeQqQ?

ADAM Academy

An informative video series on the company’s YouTube channel which provides all viewers from entry-level audio students to skilled working professionals with valuable information, tips and tools that they can use to get the best performance from their loudspeaker monitor systems. Recent video topics include: How to Calibrate a Subwoofer; Studio Monitor Placement; Proper Monitor Maintenance & Cleaning; Mixing Rap and Hip Hop Master Class by Brooklyn-based hip hop producer and engineer Paul Womack; Audio Post; How to Mix Acoustic Sessions; How to Mix Live Sessions for Video featuring engineer Eric Bastinelli;  How to Tune Drums; How to Mic Drums; Drum Editing in Pro Tools; Tips for Becoming a Successful Freelance Musician presented by Grammy-nominated bassist Jonathan Maron.

https://www.youtube.com/playlist?list=PLGSZx_3dmWXqXo1-k5GqJtEmU9Uy4Sfye

New Lurssen Mastering YouTube Channel

On this channel with weekly updates, Lurssen Mastering engineers, Gavin Lurssen and Reuben Cohen get you closer to their audio engineering world and share useful tips and insights into the art of mastering.

Lurssen Mastering is a world-renowned multi-Grammy award-winning mastering studio. They have mastered many gold and platinum records and have received several industry awards. In addition to the Grammys earned and proudly displayed by Lurssen Mastering, numerous songs worked on by the team have been nominated for Oscars over the years and several have won this prestigious award.

https://www.youtube.com/channel/UCuSlopV23zOqLzuKpeLKSIQ

 

Not a Solo Project

Whether you work in theatre, concerts, studio, or podcasting, it’s unlikely that you are a team of one.  All of these disciplines tend to be very collaborative, and often our teammates are scattered around the city, state, country, or even the world, making thorough communication extremely important.  Sometimes an email chain or group text just doesn’t cut it, so when you need to beef up your communication style, consider one of these communication platforms (in no particular order).

Slack

Ok, I said no particular order, but this one is my favorite.  Maybe it’s because this is the one I use the most.  The user interface is great, and it can be used via web, mobile, or PC.  It integrates well with other apps like Google Calendar, Drive, and Zoom, making productivity an all-time high!  File sharing and adding attachments is straightforward and easy, and the notification system allows for deciding which kind of notifications you would like to receive, or receive none at all during Do Not Disturb mode.  You can assign different channels or threads, so everyone doesn’t have to be involved in every conversation if that is not the end goal.  You can also @ mention specific people if you need to specifically draw someone’s attention to a particular subject.  The search function is quite robust and handy, and best of all (cause I’m a sucker for emojis) customizable reactions make this team app super fun!! Two enthusiastic thumbs up from me!

Teams

If you are a heavy Office 365 user, you might love this additional integration into Microsoft land.  Teams is all about productivity and increased focus on work, and the very professional/business look of the interface really supports this idea.  If you’re into a little more of a fun chat environment, you can still add reactions, gifs, and emojis at will. This software is pretty user-friendly and is entirely cloud-based, so your teammates can access info anywhere.  Teams have channels like Slack but also integrate Tabs within the channels as another layer of organization.  The default tabs are Posts (storage of every chat within a channel), Files (storage of shared docs within the channel), and Wiki (a smart text editor for editing, drafting, and chatting).  You can also add and customize additional tabs.  Teams also features outside app integration like Dropbox and Google Drive and also allows for video and audio calls without leaving a chat.  It’s been reported that there are maybe too many similar tools, but maybe that’s better than not having enough?

Google Hangout Chats

I know there are many Google tool users, so if that’s you, this is your platform!  Of course, the most attractive part of this is the total integration with all of the Google apps like Gmail and Google Drive, but I must let you know that it’s not so easy to integrate with Office 365, so if that’s important to you, maybe stick with Teams.  This platform requires no installation and it’s free, so setup is a breeze.    Messaging in Google Hangout Chats is easy and efficient, and you can add a layer of organization to your chats by using Rooms.  Screensharing and file sharing are available, although file-sharing can be a little clunky.  Like most of the other apps, audio and video calls, as well as instant messaging, are available.  Video resolution could be better, but hey, it’s free. This is a pretty basic app, but free and easy to use are really top features, especially if you’re just getting into collaboration platforms for the first time.

If these communication platforms don’t live up to your expectations, I implore you to jump down the internet rabbit hole where many, MANY more options exist, but my advice is to give these three a shot first so that you know what you do and do not need in your everyday team communication.

 

 

 

Stay Passionate

 Resources to Get Started with a Life-Long Practice of Professional Development

Do you remember your first audio project?  Do you remember how excited (or scared) you were about it?  For the vast majority of folks working in audio production, we fell into this industry out of passion.  It’s a labor of love; long hours and thankless sessions can happen, but we are there to answer the call because we know that we can make things sound the very best we possibly can make them sound.

That initial spark of emotion when we start out drives us all to be better engineers and artists; You have got to keep that spark! In an industry that is always evolving, it is crucial to keep learning, figuring out what is next on the horizon. Our field is really exciting, and actually digging into the various resources available can keep you pumped about your job.

Over the years I have gathered a ton of resources. This is by no means an exhaustive list, but it can get you started on your own professional development journey.

Organizations

Joining an organization not only provides a curated array of resources but is also a way into a community. One of the best ways to learn is from others in your field. Most of the organizations below have membership fees (though some are free), and there are student and early career options available.

SoundGirls 

Obviously! Becoming a member is free. https://soundgirls.org/membership/ 

WAM (Women’s Audio Mission)

Based on San Fransisco, the Women’s Audio Mission holds classes for marginalized genders in audio. Some are in person, and they have remote options as well. They also provide career counseling and work experience.
https://womensaudiomission.org/get-involved/become-a-member/

OmniSound Project

OmniSound Project provides a ton of courses. I took their “Approaching a Mix” intensive a few months ago. They have fantastic workshops as well, and they also do 1:1 lessons. Membership is free to people who belong to marginalized genders.
https://www.omnisoundproject.com/membership.html

TSDCA (Theatrical Sound Designers and Composers Association)

The TSDCA was founded as a response when the Tonys removed Sound Design as a category in 2014. Although the Tonys have since reinstated the awards for Sound Design, the TSCDA continues to be a resource for those working in theatrical sound design, composing, and audio engineering.

https://tsdca.org/application/

AES (Audio Engineering Society)

The Audio Engineering Society is the largest community of audio experts and was created by the industry, for the industry, to inspire and educate the technology and practice of audio. Becoming a member gives you access to 20,000+ of research papers and discounts on their conferences — a must for keeping up with industry technology and standards!
https://aes2.org/aes-membership-overview/

MPSE (Motion Picture Sound Editors)

The premier organization for sound editing professionals. It is dedicated to educating the public as well as the entertainment industry about the artistic merit of sound editing.

https://www.mpse.org/join-us

GANG (Game Audio Network Guild)  

An organization for those working in-game audio. https://www.audiogang.org/why-join/

TEA (Themed Entertainment Association) 

A place for professionals working in and students of themed entertainment to connect. Think theme parks, exhibits, immersive theater, experiential pop-ups.
https://www.teaconnect.org/Members/Join-TEA/index.cfm

Conferences

SoundGirls 

SoundGirls will be hosting their first virtual conference on December 4th and 5th, 2021. There will be a wide array of panels that cover all the different fields of audio.
https://soundgirls.org/event/soundgirls-virtual-conference/

AES (Audio Engineering Society)

I am always blown away by the wide range of panels at AES conferences. I will say that there is often a lot of panels that cover the music industry.
https://aes2.org/events-calendar/aes-fall-online-2021/

NAB (National Association of Broadcasters)

A must if you work in Radio, Television, Streaming, Sports, or Podcasts.
https://nabshow.com/2022/

GameSoundCon

Takes place every year in Los Angeles. It is a great way to learn about Game Audio, see some products at vendors’ tables and meet people working in the field.
https://www.gamesoundcon.com/

GDC  (Game Developer’s Conference)

If you want to work in games, try meeting non-audio people. Those are the folks that will hire you! GDC takes place every year in San Fransisco.
https://gdconf.com/

SIGGRAPH (Special Interest Group on Computer Graphics and Interactive Techniques)

A conference about computer graphics and interactive techniques. From what i have heard, there are often VR projects being presented.  https://www.siggraph.org/

LDI (Lighting Design International)

LDI is a lighting convention, but they usually have a small section with audio vendors and demo speaker systems. Besides, it is good to meet folks working in other parts of the industry.  https://www.ldishow.com/

NAMM (National Association of Music Merchants)

NAMM is a great place to start for anyone working in any part of audio, however, it is geared mostly towards the music industry. Held every year in Anaheim, CA. https://www.namm.org/

CES (Consumer Electronics Show)

A great way to learn and get updated on consumer technology trends and the interests of our audiences. https://www.ces.tech/

ComicCon

Another option is to meet people working in other fields, that could potentially hire you. And, it is essential to consume media and have an understanding of storytelling so that you can best support them with sound. No links here because there is one in most major U.S. cities. (The OG ComicCon is held annually in San Diego.) Look for the one closest to you!

Indiecade

Held annually in Los Angeles, Indiecade is THE gathering for independent game developers. There are board games and LARPs too! https://www.indiecade.com/
On the video game note: also check out Meetups, Global Game Jam, and search for hackathons in your area. Hackathons typically take place over a weekend, and the goal is to build a game. Global Game Jam is pretty much an epic hackathon that takes place annually in multiple cities at the same time. It is a great way to practice sound design while meeting other people. Search for a chapter near you: https://globalgamejam.org/

Blogs 

SoundGirls
So many topics! https://soundgirls.org/contributors/

A Sound Effect 

A wealth of resources about how sound has been made for many different movies, games, shows, and attractions, as well as a place to buy a lot of sound effects.

https://www.asoundeffect.com/

iZotope

A great resource to learn about iZotope products, as well as mixing tips.

https://www.izotope.com/en/learn.html

Pro Tools Expert 

A blog for Pro Tools users. https://www.pro-tools-expert.com/

TheaterArtLife

Blogs about all of the departments in theatre. https://www.theatreartlife.com/

April Tucker’s Blog (Post Production Sound)

April Tucker’s awesome log about post-production. Send along the blogs for filmmakers to your director and editor friends too! https://apriltucker.com/blog/

Podcasts

Available wherever you listen to podcasts.

SoundGirls 

Interviews with kick*** women in audio.

A Sound Effect

A wide variety of topics from how sounds were made for certain films, television shows and games, to hot tips about working in audio (like protecting your ears).

Twenty Thousand Hertz

A podcast about how everyday sounds were made, from washing machines to UI sounds to car sounds. And so much more.

Sound Business

Akash Thakkar’s podcast where he interviews people making a killer living in music and sound.

Tonebenders 

One of my favorites. Interviews with people working in post-production and game audio and how they tackled sound design for certain projects.

Courses 

LinkedIn Learning

I could list what courses are good— but this list would be 20 pages long. Just look up what you want to learn and LinkedIn Learning probably has it. (Hot tip: Many public libraries have a LinkedIn Learning account.)

OmniSound Project

As mentioned before, OmniSound Project holds intensives, workshops, and 1:1s for a wide array of topics and they have a very welcoming community. The website is linked about, but I highly recommend following them on Instagram to keep up to date with their class offerings: https://www.instagram.com/omnisoundproject/?hl=en

The Production Academy

Offers courses in wireless audio, mixing fundamentals, show power, and stage.

https://www.theproductionacademy.com/courses

Sound Design Live 

Courses about all things regarding live sound, from system optimization to mixing to RF coordination. https://school.sounddesignlive.com/

Ear Training

SoundGym https://www.soundgym.co/

iZotope Pro Audio Essentials https://pae.izotope.com/

Forums 

Production Expert
Saved me many times. https://premium.production-expert.com/

Reddit
Too many options to link. Whatever part of audio you work in, there is a Reddit Forum for it.

Facebook
Same deal as Reddit — if you have an interest in a specific realm of audio, there is a Facebook group for it. Also search for local chapters. (i.e., LA Sound Mixers.) Start with the SoundGirls and Hey Audio Student Facebook groups.

Certifications

WWISE

Middleware for game audio. (How you get audio into a game engine.) Common at AAA studios.

https://www.audiokinetic.com/products/wwise/

DANTE
Live sound networking protocol, with three different levels. Levels 1 and 2 are great even just to begin to learn IT technology.

https://www.audinate.com/learning/training-certification/dante-certification-program

QSYS

Show control software for installations, attractions, and even places like airports, restaurants, and conference rooms. It can do a LOT. Note that it is only for Windows.
https://training.qsc.com/

Shure’s RF Certification Course 

Master RF coordination so you have the knowledge to handle any wireless microphone situation that comes your way with this three-course certification: https://www.shure.com/en-US/support/shure-audio-institute/certification/rf-certification

Wrapping up

I hope this list is motivating! Beyond staying on top of the technology and process, constant professional development can motivate you and make you an awesome person to work with — because you will feel excited and intellectually stimulated! It is worth the investment of time and money to keep the spark ignited and to stay on top of your game.

To Freelance or Not to Freelance

I see this question come up so many times that I decided to dedicate my final blog of 2021 to it. I will preface that I still don’t have the answer to this question, but I’ve now done both freelance and full-time jobs. I hope that sharing my experiences with you, will help you make informed decisions and what is best for you and yours.

 

 

I’ve been going back and forth about this question for the better part of a decade. Before I had kids. Before I was officially married.

I wrote this email to a music producer who I looked up to in 2012.

I needed to get a woman’s perspective on careers, and kids, etc because I’m panicking a little bit about the future. The past few months have actually been pretty good for me in terms of freelance, at the end of the month, I always make rent, bills, etc.  My issue is that every once in a while I will have a panic attack about what comes next and the fact that I can’t save, and that I can’t start paying my loans, and saving for kids, retirement, etc.  I know that as a female all that stuff starts to creep up, but at the moment I have some decisions to make and am trying to weigh my options.   I’ve been interviewing for a job that isn’t exactly the one I wanted, but it’s a foot in the door, and hoping to move up.  It moves away from audio work- and more sales and marketing, but at least it’s within an audio company.  It’s full-time and benefits, which with the hours, it would still allow me to work on most of the side-projects I do.  I know this would mean moving away from all the things I’ve worked so hard for, and studied, and spent so much time on.  But it’s stable, and I feel like right now I need that, but I’m still kind of freaking out because I don’t know if it means I’m giving up on everything else I’ve tried doing.  

From your point of view, having worked in the industry and having kids, can you shed some light?

If you’ve ever felt like me in that email, then continue to read on. I’ll backtrack here and tell you how I got to the point of writing that email. I WAS EXHAUSTED. Freelancing is great in that it provides flexibility – being your own boss. Making your own schedule. Deciding what projects you want to work on.

The issues come up in that you find yourself saying YES to everything because you don’t know when the next job is going to come. And if you say NO now or too many times, are these people going to call you for the gig next time? What if you say NO and next month there’s no gigs coming and you could’ve used the overworking last month? Burnout is a real and huge problem when freelancing.

Other problems, keeping track of your finances, your expenses, 1099s, what you can write off at tax time… the list goes on and on. But needless to say, when I wrote that email, I was dead. I was done. I wanted none of that life anymore.

 

Grace Row is a music producer in NYC. She worked at Sony Classical in its heyday before it shut down, and became the audio producer for the Metropolitan Opera. She also has 2 kids and has made her way through this insane city. She was the recipient of the above email. And every once in a while, I find myself coming back to that email because it was some of the best advice I’ve received in life.

So I’m going to share her advice with you and break it down as I give you a look at how things turned out with the decisions I’ve made thus far.

You can take the job and decide that it isn’t for you in a year.  What stability does is make your priorities clear, and once the kids come, they do become your priority.

I did take that job, and honestly, I think I lasted less than 6 months. I was miserable. I did enjoy getting a stable paycheck, but it was the job itself that I couldn’t get behind. (It also didn’t help that the job was poorly compensated). I missed engineering too much, and at the time, we didn’t have kids so no big. I tried. ALSO, big LOL thinking that with a 40-hour workweek, I would have energy or time to do side projects. By taking a stable job, the whole point was to stop the burnout – no more “extra” projects.

I went back to freelancing for another 2 years before I got my foot in the door as a freelancer for NPR which led to a freelance gig at Bloomberg. By 2015, we were now talking about kids. And the question about getting a full-time, stable job came up again. Not to mention my accountant that year asked me something that still sticks with me. “You’re losing money in this field, why are you still doing it?” Welp… Loving your job is important, but that’s a topic for another day. Back to Bloomberg and the full-time job that landed in my lap, another not ideal scenario because it was Hong Kong hours, Sun-Thurs, but a job nonetheless.

And so I found myself coming back to Grace’s email.

If stability is what you crave, then there is nothing wrong with exploring achieving that right now.  You might have peace of mind to discover other passions you didn’t know you possessed.

Peace of mind is such, such, I repeat such a huge deal. If you are constantly stressed about money, rent, and life, it is so hard to be creative. Maybe some people thrive off of that, but I personally can’t. I can’t even read a good book when I’m anxious. When I took the Bloomberg gig, it was the first time I was making decent money and had zero stress about paying bills. It was like a huge weight was lifted. I didn’t have to track finances. It was the first year my taxes were SUPER easy. Wow, just one W2! WHAT IS THIS LIFE?!?!

But, that job came with its serious issues and setbacks, and the stress didn’t help us trying to get pregnant. I stuck through it for a year and some change until I finally called it quits and then landed the engineering job at Latino USA which was with NPR at the time. Finally, this job was a breath of fresh air. Comfortable hours, worthwhile and meaningful work, nice people, stable pay – and yup, I got pregnant fairly quickly. Mat leave, benefits, give me all of it. I now realized how important and meaningful stability was for me. STABILITY > FREELANCE.

I wasn’t looking to leave that job, but the Spotify EQL gig was an opportunity I couldn’t say no to. I had now been working full-time for four years and while going back to freelance was scary, I had to take a chance. I would be stable for 6-months during the residency, but afterward, my husband and I decided I would give freelance a shot for another 6-months to see how it went. It’s been 2 years since EQL ended, and I guess it’s been going ok. I’ve learned to be better about my financial records. I have a lot of excels to track my expenses. At the end of the year, I tally it all up to give to my accountant.

But freelancing with kids can be a blessing and a curse. On one hand, you have the flexibility to do things at the drop of a hat, pick-ups, drop-offs, doctor’s appointments, etc. On the other, you’re back to saying yes to a lot and you may miss stuff. I got called for a gig on my son’s 2nd birthday. At the time, I convinced myself that he would go to bed and wouldn’t remember anyway, but I would remember. Plus long hours mean a lot of missed bedtimes. And that often has a way of sneaking back up on me.

What I always say about women balancing their work and family is that it’s very rare to have it all concurrently, but likely you’ll have it all at various points in your life.  I had a great run at Sony with producing and the life and money it brought us, but once the kids were in school, the traveling and guilt of not being with my family really took their toll.

Guilt. Mom guilt sucks. It has its way of making you feel horrible, yet it’s the guilt you impose on yourself – no one else gives you that guilt trip. It’s hard, and it definitely changes things. No matter how much you tell yourself you’re being too hard on yourself, that pressure is very difficult to manage. Can you find ways to cope and get past the guilt? Yes, of course. It also may not be a huge deal for some parents. But, will I personally miss another birthday? Unless it’s the biggest and most important gig on the planet, then I probably won’t accept. Because like it says above, “you’ll have it all at various points in your life.” No reason to make things harder when there may be another opportunity later.

 

Now that I now have two kids to support (with my spouse), the topic is once again on the table. Do you know how expensive daycare is? It’s insane. And while we have one year before our oldest hits public school, we are in the meantime paying for two kids’ childcare.

I was fortunate during the pandemic to become part-time staff back with Futuro Media (home to Latino USA where I was before). Part-time stability has been a great hybrid for me personally. I know I’m getting X amount a month, but I have dedicated hours a week to take on other projects that I wouldn’t be able to do if I was full-time at one place. Some months I bring in a lot of extra, some months it’s not as much. I’m also lucky that my partner has a full-time job.

In the end, part of the reason freelancing is always so appealing is it lets you explore and work in lots of different areas. But as I’ve mentioned several times in this post – stability is important. I always joke that podcasting pays for my music habit. And I love podcasting. I love sound design. I love producing. But the stability that comes from those checks let me have the brain space to take on other projects. So should you take a full-time job or keep freelancing? It kind of depends on what kind of lifestyle you want to lead. Nothing in life is super permanent (except death) so you can always try things out; see how it goes. Like my guru said when I was still figuring things out.

This is the time to explore other opportunities.  You’ll meet great people – that’s important too.  You can always come back to freelancing – You’ll know if it isn’t right

 

Using Localization Cues in Immersive Mixing

Whether you’re mixing for film in 5.1 surround or Dolby Atmos, it’s important to consider a key element of human auditory perception: localization. Localization is the process by which we identify the source of a sound. We may not realize it, but each time we sit down to watch a movie or TV show, our brains are keeping track of where the sound elements are coming from or headed towards, like spaceships flying overhead, or an army of horses charging in the distance. It is part of the mixer’s role to blend the auditory environment of a show so that listeners can accurately process the location of sounds without distraction or confusion. Here are some psycho-acoustical cues to consider when mixing spatial audio.

ILDs and ITDs, What’s The Difference?

Because we primarily listen binaurally or, with two ears, much of localization comes from interaural level and time differences. Interaural level differences depend on the variations in sound pressure from the source to each ear, while interaural time differences occur when a sound source does not arrive at each ear at the same time. These are subtle differences, but the size and shape of our heads impacts how these cues differ between high and low frequencies. Higher frequencies with shorter wavelengths can move around our heads to reach our ears, causing differences in sound pressure levels between each ear, and allowing us to determine the source’s location. However, lower frequencies with larger wavelengths are not impacted by our heads in the same way, so we depend on interaural time differences to locate low frequencies instead. Although levels and panning are great tools for replicating our perception of high frequencies in space, mixers can take advantage of these cues with mixing low end too, which we usually experience as engulfing the space around us. A simple adjustment to a low-end element with a short 15-40 millisecond delay can make a subtle change to that element’s location, and offer more space for simultaneous elements like dialogue.

Here is a visualization of how high and low frequencies are impacted by the head.

Here is a visualization of how high and low frequencies are impacted by the head.

Flying High

While a lot of auditory perception occurs inside the ear and brain, the outer ear has its own way of affecting our ability to locate sounds. For humans and many animals, the pinna defines the ridges of the human ear that are visible to the eye. Although pinnae are shaped differently for each individual, the function remains the same: it acts as a high-pass filter that tells the listener how high a sound is above them. When mixing sound elements in an immersive environment to seem like they are above the head, emphasizing any frequencies above 8000 Hz with an EQ or high-shelf can more accurately emulate how we experience elevation in the real world. Making these adjustments along with panning the elevation can make a bird really feel like it’s chirping above us in a scene.

See how the pinna acts as a “filter” for high frequencies arriving laterally versus elevated.

See how the pinna acts as a “filter” for high frequencies arriving laterally versus elevated.

The Cone of Confusion

A psycho-acoustical limitation to avoid occurs at the “cone of confusion,” an imaginary cone causing two sound sources that are equidistant to both ears to become more difficult to locate. In a mix, it is important to consider this when two sounds might be coming from different locations at the same time and distance. While it’s an easy mistake to make, there are a handful of steps to overcome the cone of confusion and designate one sound element as being farther away, including a simple change in level, using a low-pass filter to dull more present frequencies in one sound, or adjusting the pre-delay to differ between the two sounds.

This demonstrates where problems can occur when locating two equidistant sound sources.

This demonstrates where problems can occur when locating two equidistant sound sources.

With these considerations, mixers can maintain the integrity of our auditory perception and make a film’s sound feel even more immersive.

Written by Zanne Hanna
Office Manager, Boom Box Post

This blog originally was published on Boom Box Post

Where Did All This Work Come From?

Work has ramped up the last couple of months and everyone I have ever worked with is calling me. I can have three different people asking me about the same day at one time. Meanwhile, the bar at the venue hasn’t got enough staff and the kitchen is missing a head chef. Where is everyone? The politicians in the UK are hoping that we now will start to see the positive effects of Brexit. They think: less immigration from Europe equals better paid UK citizens. Wrong! There are reports all over the nation on missing staff in different sectors, there’s talk of food shortages in the near future and now there’s an energy crisis in all of Europe! Crazy effects of the messy world we live in. Don’t get me started on shipping! I bought a guitar for my fiancé in April from my friend at Gretch and we are STILL waiting!

I know of musicians that have left the UK to make it easier to tour Europe, I know of technicians that have left too and I know people who during the pandemic were forced to sell their equipment and work in another sector. No wonder why there are missing people. Not only because of Brexit but also because of the pandemic. My colleague, who also is a guitarist, is working in rehearsal studios, at our venue and is now also touring. I am working at four different venues and recording podcasts. My close friend became the head sound engineer at a big hotel in London during 2020 and is really struggling to find and keep technicians. They keep getting offered even better jobs!

We are all working harder than we have before. I have 24 gigs in October with very little downtime. I had to move some stuff around and get some deps in for the lower-paid jobs, which is a great way to pay it forward! I love that I can help others to get more work.  A guy who went to the same college as me in Sweden found me on Facebook and asked me about work. BUT, that was last year and I told him he’s crazy to come over when there’s lockdowns and NO work and NOTHING is open! He did it anyway, and when we opened back up, I saw his feed on Instagram and asked him where he was. Back in Sweden, he answered! I kinda wish he’d come back now and give me a hand, or that we could switch lives and I could live in the countryside and run with my dog on fields instead.

Like now, for example, I am sitting here, at the last minute, writing this piece when really I should already be in bed. I had a nine-piece on my little stage tonight and a fight broke out in the audience. I was shocked. I have never witnessed something so violent. So basically, a tough and strange gig.

I think my lesson here is, rest when you can because you never know when there will be staff shortages and you have to work harder than you have ever done before.

A Sense of Community

 

A couple of weekends ago I was at the Ohana Music Festival here in Southern California with Sleater-Kinney. First, being able to wake up in my own bed, have breakfast, drive to the gig and be back home in bed not long after 10 pm was truly amazing! However, the thing that I’ve been reminiscing on most was the number of people I ran into that I knew. This used to happen back in the UK but once I moved to LA, I was almost starting from scratch. Of course, this is not the first time this has happened but after such a long time away from touring, it really meant more.

When we tour, we are away from our friends and family for potentially really long periods. The people you tour with and the people you meet can become really good friends. You can also lose touch with your old non-touring friends. Instead of being sad about this, I think of it as just something that happens through life. An evolution. And anyway, it’s really just the same as your friends back home, except that when your non-touring friends go to the pub to meet up, we are maybe doing it at a festival in Germany!

It can be difficult missing all those weddings and events your friends have, but you have to look at it as how wonderful it is to be able to have friends all around the world and meet up with them in random places. Let’s keep the positive spin on things, it’s difficult enough out there!

For me, the rest of the year will be focused on family and life at home. I’ve been at home a lot, I know, but I think 2022 will be crazy busy, so I am enjoying what is left of 2021 whilst we iron out all the COVID kinks. It’s going to be great to get back out there and hit the road running (in my case it’s usually literally!)

A nod to those I spent some time with at Ohana:

Karrie “our fearless leader” Keyes, no explanation necessary, with Pearl Jam

Greg Bogart whom I met on the P!nk tour who was with the all-star band (phew, that was a lot of rockstars on one stage!)

Lauren Sego festival LD whom I toured with on Tegan and Sara, the hardest working crew member I know

Kate Lee system tech for Rat Sound Systems, shadowed me for the day during a Vance Joy show in LA, so much enthusiasm, positive attitude, and amazing work ethic

If the goal in life is to surround yourself with the people you want to be like, this is an A+ list.

Also, note I’ve included a photo of myself and my buddy Rachel Ryan who is a badass sound engineer. This is not from Ohana but from Sao Paulo, Brazil. I did not take a single photo at Ohana, I was too busy enjoying the day, but this also shows how awesome this industry is; to be able to run into friends in Brazil! Ironically we were meant to be working together the previous weekend at Ohana. One day we will work together Rachel!!

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