Empowering the Next Generation of Women in Audio

Join Us

Vanessa Mering – Marketing Manager at HARMAN Professional

I pick up my phone and dial the west-coast number listed for Vanessa Mering. It rings a few times, and I am welcomed by a cheerful greeting. Vanessa and I share a few pleasantries as we talk a few details about everything we’ll get to discuss. I adjust my rudimentary phone-recorder that is carefully balancing on a large conference table. The small room I’m in has cables and papers thrown about with a small cleared area where my laptop cautiously sits. I set levels and begin recording our conversation.

To introduce her, Vanessa Mering is a marketing strategist with 15 years of experience at leading audio technology companies. Over the course of her career, she has played a key role in launching a variety of industry-shaping innovations—from democratizing music creation at M-Audio/Avid, to defining the future of live sound with HARMAN. In her current position as Marketing Manager at HARMAN Professional, Vanessa spends her days introducing new products and planning campaigns for ten world-class brands including JBL, AKG, and Soundcraft. Passionate about seeing other women succeed in the industry, Vanessa is also the leader of the HARMAN Women’s Network chapter in Northridge, California. In this role, she’s dedicated to supporting the professional and personal growth of women at HARMAN, as well as attracting new talent to the company. In her free time, she’s active in other groups dedicated to building community and expanding professional opportunities for women.

HPro Installs: JBL and other HARMAN brands installed in houses of worship, sports stadiums, and other prominent venues

“I know I sent you about 900 questions…” we both chuckled. “…but we’ll play it by ear.”

What was your first job in the audio industry?

“So, funnily enough, my first job in audio was a random temp job at Alesis while I was studying at UCLA. I was helping support administration within HR during a summer break. I do, however, remember distinctly sitting across the wall from the marketing department and hearing how much fun they were having. I got to witness them being creative and collaborative, and that was my first time thinking that marketing seemed like an awesome profession.”

I respond, “It’s actually kind of hilarious how you end up in these random positions that can change your life. You have an entire career in audio technology because of a fun group of individuals on another side of a wall at some temp job one time.”

“It is so interesting,” Vanessa says. As we both get further into the conversation, you can begin to hear the relaxation in our voices. “I admire people who have a specific vision for their career from an early age, but that just wasn’t me. All I knew was that I loved writing and being around creative people, so I let my curiosity and interests guide me. It was a total coincidence that I came right back to the audio industry by landing my first full-time job at M-Audio a couple of years later! But I quickly fell in love with the creativity of my coworkers and our customers. I’m so grateful to that team for supporting me as I discovered my passion and started building my career.”

I’ve read about some of your work with the HARMAN Women’s Network Northridge Chapter. Can you tell me more about the organization and your lead in it?

Absolutely! HARMAN has campuses all around the world, and each campus has its own Women’s Network leader. So there’s a lot of autonomy in the role. I can drive initiatives that are exciting for this campus, and at the same time learn from what other women are doing on other campuses. I’ve brought in a couple of guest speakers to help with personal and professional development. I’ve focused on a lot of soft skills, like having a mindfulness meditation instructor come in.

“Ooohh!” I interject.

“She talked about the brain science behind mindfulness and how it can reduce stress and increase cognitive function, and all kinds of other health benefits. One of my favorite things I learned is that practicing mindfulness enables you to appreciate music even more. I’ve gotten to grow so much from this initiative, and have really enjoyed the opportunity to connect with women across different divisions, departments, and campuses. And men too! It’s awesome to bring everyone together to drive change.”

Tell me about your early days at M-Audio when recording really started to change.

I came into M-Audio at a really exciting time when high-quality recording gear could finally be produced at an affordable price point, and that was changing how music was being made. It was all about mobility. You could be on the road, be on the tour bus, be in a hotel room, be in your bedroom studio, and make really good quality music. So, it democratized the whole process. You didn’t have to have this massive budget to be heard. It was a really fun, exciting time to start in the industry and that’s a lot of what I fell in love with. We were enabling people to express themselves without a huge budget.

I was curious, other than democratizing music-making, were there any other projects that were super memorable for you? Projects that really stick out in your mind.

Vanessa chuckles a bit before listing off a myriad of amazing projects she’s been a part of, but one in particular stuck out…

There was a time when I transitioned from running the M-Audio content marketing team to acting as marketing program manager for several different brands at Avid. The Eleven Rack guitar recording and signal-processing system was the first launch that I did in my new role. This is where I was looking at the entire marketing plan and program and putting it together from top to bottom, overseeing a whole launch. The experience was really gratifying for me on a lot of levels. Professionally, I got to stretch into a more significant leadership position than ever before, and collaborate with a ton of different teammates to make everything happen. And personally, I’ve always loved guitar-driven music, so getting to reach guitarists was really fun for me.

Are you a musician? Do you play any instruments or anything?

“A few years after that project, during my time working at Line 6, I finally picked up a guitar. It was really cool, they had free guitar lessons on campus, so I would get to jam with my coworkers once a week. It gave me a much deeper appreciation for my customers’ and colleagues’ dedication and skill… it wasn’t easy for me! But I’m so glad I got a chance to learn.”

If you had a few pieces of advice for your younger self or young women in the field, what would they be?

“I often see women, myself sometimes included, hesitating or apologizing for asking questions. It’s important to put yourself out there, ask questions without apology, and get the information that is going to help you grow. Earlier in my career, I felt a lot of pressure to know all the answers or figure everything out on my own. Having the freedom and confidence to reach out is important. It builds community and team. And connecting with others is what makes life a lot more fun, so go for it!”

We thank each other for the time and conversation, some 40 minutes deep into discussions. We share a few more laughs, thank each other again, and hang up. I take a few minutes to simply digest everything we’ve gotten to chat about. I walk away realizing just how far-reaching audio technology goes. Before this interview, I never considered a marketing management position, but now it seems so obvious. There are a lot of ways to take part in music and audio. Never think you’re stuck in a certain position. There are women out there blazing trails and helping make monumental differences in this industry. And, It’s so great to hear that HARMAN and Line 6 are trying to not only be inclusive for women and personal and professional growth, but they also offer ways to connect to customers even more.

 

 

The 8 Free Plugins You Need To Be Using

You may be surprised at the level of quality you can find in free VST plugins. However, there are so many to choose from it can be difficult to find the diamonds in the rough. Luckily, I’ve done a lot of the research for you.

I’ve hand-picked some of the most popular VST plugins you can use for each stage of your production. I’ve mainly focused on mixing and mastering plugins because I’ve found this is where most of the quality is.

While you probably won’t need every plugin on the list, it will likely be beneficial for you to pick and choose one or two plugins to try out during your next mixdown. Most of these plugins will be compatible with both Mac and Windows operating systems.

If you have any other free plugin recommendations, please feel free to leave them in the comment section below! Let’s get started with one of the most popular compressor plugins.


OTT – Compressor

The OTT compressor is a re-creation of the popular multiband compressor that comes stock with Ableton Live. It’s incredibly popular with electronic music producers but can easily give some life to other genres.

The main part of the sound from the OTT is derived from the upward compression (which is difficult to accomplish with a regular compressor.) Essentially, you are providing gain to quiet parts of the track. This usually comes in the form of high-end frequencies that otherwise wouldn’t be heard. A great free option for every genre.


Neutrino – Spectral Shaping

The neutrino is an interesting new plugin from iZotope. This plugin is designed to add a polished sound to your final mix. By adding neutrino to different tracks in your mix, you can reveal subtle details that were previously unheard.

The plugin is incredibly easy to use and won’t drastically change the overall sound. Rather, it will subtly enhance your mix to clear up any mud or minor mixing issues.

You get 4 settings to choose from

The neutrino is a sneak peek of what is offered in iZotope’s Neutron 2. Check it out in action here:


Span – Spectrum analysis

Span is a free spectral analysis plugin that is essential for EQing during your mixdown.  It was derived from Voxengo GlissEQ dynamic parametric equalizer and reproduces the spectrum analysis function. Great for using in conjunction with your parametric EQ.

It’s classified as a “fast Fourier transform” (just a complicated math term) spectrum analysis. The man attraction of Span is the ability to monitor two channels, or channel groups, at once. You are also able to customize the “mode” feature to have your analysis settings stored for future use.


Tynell N6 – Synth

The Tynell N6 is the only free synth I’ve included on this list. If you’re familiar with the Roland Juno, this synth will be right up your alley. Initially conceived as a hardware synth, the creator decided to release it as a free software synth once he realized the cost of producing actual hardware.

It comes with plenty of presets for you to play around with.
It features

Another great addition to your digital synth library. Hear it in action here:


Dimension Expander – Expander

The dimension expander from Xfer Records is used to give your track a little more size in the mix. It works by splitting the audio signal into four sections. It flips two of the sections, adds some delay, and re-combines them with the original signals.

The end result will have an enhanced width and increased stereo presence. It works really well on lead sounds you want to make pop. Hear it in action in the video below:

 


 

TAL Reverb-II – Reverb

One of the most popular free reverbs currently on the market. The TAL reverb is a lush reverb with a fast buildup time. It’s based on the successful TAL-Reverb 1 and works really well with atmospheric sounds. It’s a great addition if you are still using your stock reverb plugins.

It comes with simple subtractive EQ knobs so you can surgically place the reverb within your mix. Features include:

Here it is in action:


Triple EQ – EQ

One of the best free EQs available: the Blue Cat Triple EQ. The Triple EQ is a 3 band semi-parametric equalizer that can be controlled as a single filter. It allows you to create customizable shapes in addition to including a low shelf filter, a high shelf filter, and a boost/cut filter.

It has a wide gain range of  +/-40 dB per band and bandwidth of  .01 to 5 Octave. All three filters are linked. This means when you change the bandwidth, the three filters are adjusted accordingly.

A great option for anyone looking to upgrade their stock EQ.

Here’s a video showing the features:


LoudMax – Limiter

The LoudMax limiter is one of the simplest limiters available. It was designed to retain the original character of the audio even at high compression levels. It’s incredibly simple to use with only two sliders: one for the output, and one for the threshold.

If you’re looking for something to increase the overall volume of your master, this is it.

How does it compare to the popular Ozone mastering plugin? Check out the comparison below:


That wraps it for the best free plugins on the market. These plugins should give you a few more options to play with during the mixing process. As I mentioned before, if you have any other suggestions that may be useful for you fellow readers, please leave them in the comment section below.

I hope you’ve found at least one plugin to add to your suite!


About the author: Glen Parry has been involved with music for over 15 years. He’s done everything the hard way so you don’t have to. You can find more advice and buying guides, such as a review of the best electronic drum sets, over at AudioMastered.com

Orlando – Live Sound Workshop

SoundGirls Presents Live Sound Workshop

Come learn about some basic live sound techniques. Workshop will be led by Beckie Campbell of B4 Media Production


Then join us for a SoundGirls Social after the workshop at Hamburger Mary’s at 110 W Church St, Orlando, FL 32801. 5:30 pm to ?????

Monitor System Prep Internship

SoundGirls can apply to intern assisting with monitor system prep with Karrie Keyes

You will be assisting in prep of the stage and monitor system for PJ. Be prepared to work hard and get dirty.

If you are interested in interning please send an email to soundgirls@soungirls.org

Please include a brief reason of why you are interested and days you can work.

.

Video – Recording Intern

SoundGirls is seeking a person or team to come film and record a workshop we are holding on Jan. 3rd at Junior High in Los Angeles. The format is a moderated discussion workshop on how to juggle Tour Managing and Sound Engineering. We would like to have it edited down to one hour or two one hour format for use for our members.

This is a great opportunity for someone who needs work experience and finished work for their portfolio. You will be able to use the finished product in your portfolio. Payment will be in the form of the finished product, a letter of recommendation upon completion, and you will be fed.

Please apply by Dec. 20th

Send your interest to soundgirls@soundgirls.org

GIRLSCHOOL 2018

 GIRLSCHOOL is a Celebration of Women Challenging the Status Quo.

 

A few years ago Anna Bullbrook, (Airborne Toxic Event and The Bulls) volunteered at the Los Angeles Girls Rock Camp and had a “ mind-bending experience of seeing women use rock’n’roll to encourage young girls to take risks, grow, and be more themselves in a really utopic, positive, and very thoughtful all-female environment. The experience changed my brain. The relief of connecting to a community of positive and pro-active musical women hit me like a wave”. Once Anna got a taste of what she calls “Utopia” she knew she had to do something to keep that feeling of community alive and continue to grow it, and so she started GIRLSCHOOL (This is why SoundGirls was founded).

GIRLSCHOOL is a music festival that celebrates women-identified-fronted bands and women artists. After spending a decade as a “sideman” in the alternative rock world, where you don’t see a lot of other women around—onstage or on your crew—I started to miss and crave the camaraderie of women. I mean, growing up in classical land, I saw women players everywhere and had a million girlfriends who also played instruments. It wasn’t this segregated thing.

With GIRLSCHOOL 2017 Anna did create a weekend of “Utopia.”

With a production crew of all-women sound engineers, production designers, and lighting designers GIRLSCHOOL 2017 Festival featured; Chelsea Wolfe, The Bird and the Bee, Francisca Valenzuela (acoustic), Deap Vally, The Regrettes, Rituals of Mine, Summer Twins, Vox, Luna Shadows, KONA, Boyfriend, Pearl Charles, The Wild Reeds, Winter, Liphemra, Trace, Caroline Smith, Kid Wave, Starcrawler, Soto Voce, and DJ sets from Tamaryn, Mereki’s Club House, Bleached, Honey Power, Val Fleury, Linafornia, and Play Like A Girl.

The festival also included afternoon panels discussions and workshops with; Ruidosa, SoundGirls, Music for Pictures (Alicen Schneider, NBCUniversal), Own Your Own Voice (Kiran Gandhi), Women in Media (Andrea Domanick, Noisey), Women in Music (Jasmine Lywen-Dill, GIRLSCHOOL Co-Founder/WBR), Queer & Trans* Women Discussion on Sexualization and Media (Dannielle Owens-Reid), Radical Aliveness (Jennifer Huang), Ableton Controllerism (Laura “Alluxe” Escudé), Intersectional Feminism in Music (Mukta Mohan, MTV/KXLU), and Rock’n’Roll Camp for Girls LA.

Anna has big plans for GIRLSCHOOL in 2018 with plans to bring the festival to other cities (stay tuned) and providing year-round programming. SoundGirls had such a great time being involved with GIRLSCHOOL last year, and we are eagerly looking forward to 2018. Check out last year’s scene report.

Vancouver – Internship – Broadcast

Feburary 9 – 12, 2018

Unpaid Audio Internship for a live telethon broadcast. You will be working under SoundGirl Alexis Douglas. Deadline to apply Dec. 22, 2018.

Please send an email to soundgirls@soundgirls.org

Please include:

Finding the Gems – Grace Banks

photo credit: Artemis Evlogimenou

Grace Banks is an independent studio engineer based in London, UK.  She has worn many hats in the field including recording engineer, mix engineer, musician, producer, and composer.  She is a multi-instrumentalist and has toured as a session musician in many bands.  She plays keys, guitar, electric bass, percussion, and sings.  She has also worked for the music label, Nonclassical, and Help Musicians UK, a charity that researches musicians’ needs, gives grants, and organizes competitions.

Banks grew up with a musical ear.  She started studying classical piano at the age of four, classical violin at the age of ten, and taught herself guitar.  She studied music theory through grade 8, too.

When I was a kid, I would make my dad play the piano so that I could record it on my tape machine, or I would get my toddler brother to perform into the mic.  I was fascinated by music and by capturing performance.

As she grew older, Grace would record guitar and vocal harmonies on a four-track tape recorder.  She began to perform at seventeen and was offered a place to study music production at eighteen.  Although she had the passion to succeed and her mentors recognized her gift, the adults in her life steered her away from pursuing a career in music. And like many aspiring musicians, Grace was encouraged to try a different field.  Grace began to work at an engineering firm having won a place to study Civil Engineering at university.

I figured, if I didn’t make music I would always feel envious of those who did.  And I couldn’t justify not trying, at least.

So, a month before Grace was supposed to begin university, she persuaded the music department to offer her a place.  She concentrated on composition, orchestration, and theory and graduated with first-class honours.

From Musician to Audio Engineer

She wanted to pursue studio work or a Masters’s in Composition after graduation but was unable to afford the education.  So she moved to London where she thought there might be more opportunities.

I wrote to recording studios but got zero responses.  I played gigs but, while the gigs I had done outside of London paid half a week’s rent, the ones in London wouldn’t give a free drink, let alone a fee.  I busked on the underground until, one day, a man stole my money.  I did a plethora of bitty jobs, before finding an office-based nine-to-five.

While working in an office by day, Grace was seeking out and studying with mentors in the evenings.

At gigs, I would head to the sound desk and ask to shadow the engineer.  A couple of them agreed, and I am indebted to them for their patience and encouragement.  At this stage, I was too terrified to touch the desk – so I would just watch and offer endless bar runs in the hope that they would invite me back. A year or so later, I got hired to tour as an instrumentalist.  I would hover behind the sound engineer and pester him with questions.  On my return, I set up a residency, booking singer-songwriters for a small basement bar – partly because I wanted a ‘safe’ place to get my hands on a PA and try mixing.

Then, one day in a rehearsal studio, a member of staff saw that Grace knew how to setup and troubleshoot audio gear and offered her a job. After a few months at the studio, Grace moved house and heard rumors about a recording studio on the same street.  She sent a curriculum vitae (C.V), otherwise known as a resume, and coincidentally, the studio was looking to hire staff.  The recording studio was interested in her background in classical music mainly, her ability to read scores and experience as a multi-instrumentalist – had stood out and impressed them.  However, her primary asset was proximity to the studio, which meant she could (and did) come in at five minutes’ notice and lock up at any hour of the night.

Having begun applying for studio runner positions at 21, Grace finally got her foot in the door at 28.

The Challenges of a Studio Engineer

People starting out in studios are often expected to work for free

One of the studios I first applied to wanted someone who could be available, unpaid, seven days a week – in London, especially, that is not an option for some.  This kind of expectation precludes many from entry into this career

While dealing with these financial challenges, Grace often forfeited stability, relationships, comfort, and safety and she learnt to live on a shoestring budget.

I was homeless for a while – mostly couch-surfing with friends; government benefits tided me over.  There can be a lot of shame attached to benefits, but they are essential for social mobility and are the unofficial arts grants.

When I eventually got work at a recording studio, the pay was about half of the living wage; also, the work was piecemeal, and there were no contracts.  I found part-time, flexible jobs that I could fit around the studio.  Needless to say, I had almost no social life for a couple of years.

Grace took responsibility for her education, writing regular ‘study’ periods into her diary, using books, YouTube tutorials, online articles, and real-life mentors.  She made a list of skills she wanted to prioritize, such as drum-teching, guitar-teching, and mixing, with a sub-list of people who could help her improve each of them.  Once she figured out her game plan, she would introduce herself to those on the list and ask if she could shadow them.

Love for the Job

Grace has experienced both the touring artist and the studio engineering lifestyle and said that she loves both.  With touring, she enjoys the sense of camaraderie, the excitement of seeing new places and not knowing what’s going to happen from day to day.  On the technical side, she enjoys logical thinking and the goal-based nature of the work.  Unpredictability can be exciting, too; she could be called to Manchester one week, Portugal the week after.  She also loves how she is continuously learning.

Every session I do and everyone I work with teaches me something.

Best of all, she loves working with amazing artists and having the opportunity to capture their performances so that the magic can be witnessed by others.

It feels like finding a beautiful gem and holding it up to the light.

Gear

I have just acquired a MoogerFooger 12-stage phaser which I am really excited about. The UA 6176 is my home workhorse.  I have been doing a series of vocal mic shoot-outs with a friend who is also an engineer, which has been fun.  Also, the Roland RE-501 Chorus Echo: it’s another world, and you can get lost in it.

A Freelancer’s Survival Guide

In order to survive as a freelancer, Grace attends networking, technological, and industry events.  She has also built good relationships with studios that give her regular work. Additionally, Grace pursues engineering along with other jobs.  She still works as a session guitarist, which helps her recording work in many ways:

such as meeting musicians who might want a studio or engineer down the line, and improving my understanding of what musicians go through under pressure, how they communicate, and so on.

We asked Grace for tips for those SoundGirls and SoundWomen who wish to enter the field:

Grace’s long-term goals include more writing for and with other artists.

More on Grace SoundGirls Spotlight Series

Find More Profiles on The Five Percent

Profiles of Women in Audio


Profile By: Michelle Naziri (“Miche”) is a Liberal Arts-Engineering Studies student at California Polytechnic State University, concentrating in Electrical Engineering and Sound Design. Over the summer Michelle worked as an intern for VUE Audiotechnik under VP Operations and SoundGirl, Sara Elliott. As an intern, she got to help with prototype experiments, reverse engineer speakers, fix amplifiers, and help assemble and test loudspeakers and subs for the Kendrick Lamar, DAMN tour. Most recently, Michelle received an internship with RagHouse Radio as an audio technician for SoundGirl April Duran for her show on Authentic Culture Network in Sunset Gower Studios. RagHouse Radio, empowering women in music, sports, and entertainment.

In the future, Michelle hopes to continue working in radio, speaker production, and live mix for bands at concerts and festivals.

Missed this Week’s Top Stories? Read our Quick Round-up!

It’s easy to miss the SoundGirls news and blogs, so we have put together a round-up of the blogs, articles, and news from the past week. You can keep up to date and read more at SoundGirls.org

November Feature Profile

 

When Music and Science Collide – Darcy Proper

NAMM Internships

Intern with Sennheiser at NAMM 2018

https://soundgirls.org/namm-internship-stealth-sonics/

SoundGirls News

SoundGirls Colorado Chapter Launch

Monitor Mixing Workshop

https://soundgirls.org/holiday/

She Rocks at NAMM Ticket Orders

SoundGirls NAMM Events

SoundGirls UK Chapter Winter Party

SoundGirls FOH Workshop – Los Angeles

Letter to Pro Audio Community

SoundGirls Resources

Member Benefits

Sexual Harassment

Lending Library

Events

X