Empowering the Next Generation of Women in Audio

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Shadowing Opportunity w/ FOH Engineer Sean “Sully” Sullivan

SoundGirls Members who are actively pursuing a career in Live Sound or Concert Production are invited to shadow FOH Engineer Sean “Sully” Sullivan.

Sully has mixed FOH for everyone from Sheryl Crow, Thom Yorke,  Beck, Justin Timberlake, Rihanna & Red Hot Chili Peppers. He is currently mixing Shaina Twain.

The experience will focus on FOH Mixing. This is open to SoundGirls members ages 18 and over. There is one spot available for each show. Call times are TBD and members will most likely be invited to stay for the show (TBD).

Shaina Twain – European Dates

Shaina Twain – Australian and New Zealand Dates

Please fill out this application and send a resume to soundgirls@soundgirls.org with Sully in the subject line. If you are selected to attend, information will be emailed to you.

 

Shadowing Opportunity w/ FOH Engineer Kevin Madigan

SoundGirls Members who are actively pursuing a career in Live Sound or Concert Production are invited to shadow FOH Engineer Kevin Madigan.

The experience will focus on FOH Mixing. This is open to SoundGirls members ages 18 and over. There is one spot available for each show. Call times are TBD and members will most likely be invited to stay for the show (TBD).

Graham Nash

David Crosby

Please fill out this application and send a resume to soundgirls@soundgirls.org with Kevin Madigan in the subject line. If you are selected to attend, information will be emailed to you.

 

The Perfect Moment

In the last couple of weeks, I have had some really good and interesting conversations with sound engineers, musicians, family & friends about waiting for the right moment. It seems that no matter what career path we have taken in life, we seem to have one thing in common.

We think that we one day will feel like we are ready, but the truth is; we never will feel like we are. There always seems to be an excuse to why we should not do something because we do not feel confident enough.

I would never have gotten to where I am today if I was waiting for the perfect moment, that moment when I would feel ready. Even now, I still feel like I am not ready, but I now also know that I probably never will be! Because how else will we learn if we do not challenge ourselves and throw ourselves into the deep end?

I have done FOH sound at so many gigs where I just felt like I was not competent enough. However, I said yes, I went for it because I knew that I otherwise would not learn and get to where I wanted to be, and I wanted it so badly. And in the end, I was competent enough, because otherwise I would not have been offered the job in the first place. I think we all know a little bit more than we give ourselves credit for.

Being confident is a struggle. Especially when you are young. But at some point, you have to start trusting yourself and your abilities, because if you do not trust yourself, well then, who will? The only trust that I carry with me every day is that I know that no matter what happens, I will come up with a solution. It does not matter how, but what does matter is that at the end of the day, I do my job and I make it happen.

Let us start making excuses for why we should do things and not wait for the ‘right’ moment. Take a leap, trust your knowledge and admit your flaws. Know what you need to work on, put yourself out there. Take that chance and make it happen. If you feel insecure, that is OK, we all feel insecure at times. But that does not mean that you do not know what you are doing. That does not mean that you do not have the ability to make something happen. Do not wait around for that perfect moment, just do it.

 

Ser bilingüe no siempre funciona

Por Andrea Arenas / Colaboración Vanessa Montilla

Es posible que hayas hecho varios cursos de idiomas. Sin embargo nada te prepara para trabajar el día a día como ingeniero de sonido, si estás de gira en un país donde se habla un idioma diferente a tu idioma materno. Es probable que por más cursos que hagas, en ninguno te hayan enseñado como le dicen a “peinar los cables”, y así a muchas palabras del argot técnico e inclusive del cotidiano.

Es por eso que he decidido hacer un pequeño glosario de objetos utilizados comúnmente en el audio pero que posiblemente no encontrarás en ningún libro de diseño de sistemas o de técnicas de grabación, y que por lo tanto no estás acostumbrado a utilizar en un idioma diferente al tuyo. Espero les sea útil y que además podamos completarlo entre todos en diferentes idiomas.


Cables /


Conectores/Connectors


Audio

 


Electricidad / Electrics


Herramientas / Tools / Gadgets


Artículos de oficina / Office supplies


Acciones / Actions


Instrumentos musicales / Musical instruments


Medidas / Mesurements

1.5m 5 feet
3m 10 feet
7.6m 25 feet
15m 50 feet
30m 100 feet
50m 165 feet
100m 330 feet

Being Bilingual Does Not Always Work

By Andrea Arenas / Collaborated by Vanessa Montilla

It is possible that you have done several language courses. However, nothing prepares you to work day-to-day as a sound engineer, if you are on tour in a country where a language other than your native language is spoken. It is likely that no matter how many courses you do, you have not been taught how to “comb the wires” (slang for ¨Untangle the wires¨ in Spanish), and many words of technical, and even everyday jargon.

That is why I have decided to make a small glossary of objects commonly used in audio but that you may not find in any book of system design or recording techniques, and that therefore you are not accustomed to using in a language other than of yours. I hope it is useful for you and that we can also complete it in different languages.


Cables


Conectores/Connectors


Audio

 


Electricidad / Electrics


Herramientas / Tools / Gadgets


Artículos de oficina / Office supplies


Acciones / Actions


Instrumentos musicales / Musical instruments


Medidas / Mesurements

1.5m 5 feet
3m 10 feet
7.6m 25 feet
15m 50 feet
30m 100 feet
50m 165 feet
100m 330 feet

Shadowing Opportunity w/Guit Tech Claire Murphy

SoundGirls Members who are actively pursuing a career in Guitar teching, Backline or Concert Production are invited to shadow Guitar tech, Claire Murphy. Claire is currently on tour with Vance Joy.

The experience will focus on Guitar teching; setting up “guitar world,” setting up the stage, experiencing line check and soundcheck with the artist. This is open to SoundGirls members ages 18 and over. There is one (1) spot available for each show. Most call times will be at 11.30am (TBD), and members will most likely be invited to stay for the show (TBD). Ideally, applicants will be able to demonstrate some experience in touring or knowledge there of, to gain the most from this opportunity.

Please fill out this application and send a resume to soundgirls@soundgirls.org with Vance Joy in the subject line. If you are selected to attend, information will be emailed to you.

Shadowing Opportunity w/ FOH Engineer Kevin Madigan

SoundGirls Members who are actively pursuing a career in Live Sound or Concert Production are invited to shadow FOH Engineer Kevin Madigan.

The experience will focus on FOH Mixing. This is open to SoundGirls members ages 18 and over. There is one spot available for each show. Call times are TBD and members will most likely be invited to stay for the show (TBD).

Graham Nash

David Crosby

  • Sept. 15 Palace Theatre Manchester, UK

Please fill out this application and send a resume to soundgirls@soundgirls.org with Kevin Madigan in the subject line. If you are selected to attend, information will be emailed to you.

 

Shadowing Opportunity w/ ME Aaron Foye

SoundGirls Members who are actively pursuing a career in Live Sound or Concert Production are invited to shadow Monitor Engineer Aaron Foye. Aaron is currently on tour with Willie Nelson.

The experience will focus on monitor mixing. This is open to SoundGirls members ages 18 and over. There are two spots available for each show. Most call times will be at 11 am (TBD) and members will most likely be invited to stay for the show (TBD).

Please fill out this application and send a resume to soundgirls@soundgirls.org with Willie Nelson in the subject line. If you are selected to attend, information will be emailed to you.

 

Line Check! Experience Sound Check a Grammy Nominated R&B/Pop Artist

SoundGirls are invited to Experience Sound Check with a Grammy Nominated R&B/Pop Artist

Who: Young women between the ages of 18-26 who are actively pursuing a career in Live Sound Audio and/or concert production.

The experience will focus on Live Sound Mixing, Production Management, Professionalism Practices, and Life as a Tour crew member.

Please Apply here and then send a resume to linecheck@earshotagency.com.

Selected Candidates will be scheduled for a Skype Interview.

Deadline is to Apply is June 1st.

Cities available

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