Once you start mixing more than a few shows, you’ll start to find that you have some preferences in how your console is laid out.
Everyone has a particular way of doing things, and it’s all a matter of what works for you. For instance: How you do your input patch will determine where things show up on the surface.
2nd Annual SoundGirls Orlando EXPO – Empowerment is in our tagline for a reason; we can equip these young ladies with the education and confidence necessary to succeed in their career of choice.
There is no shame in walking away. Try not to burn your bridges as you leave. This industry is close-knit and your reputation will precede you. The best revenge is simply living well.
Maya Finlay is a sound engineer that works in live sound, as well as in the studio recording, editing, mixing and producing. Maya works both freelance and for the SFJAZZ Center as well as Dolby Laboratories and recently has started touring with Rosanne Cash as her Monitor Engineer. She has been working in professional audio for the past 11 years.
SoundGirls Members who are actively pursuing a career in Live Sound or Concert Production are invited to shadow FOH Engineer Kevin Madigan.