Table of Contents
- Introduction to Concert Production
- Concert Production Jobs
- Typical Day Sheet
- Production Tips
- How to Coil Cable
- Soldering
- Common Terminology
- People Skills
- GroundBreaker –
- The First of the 5% Kathy Sander
- Education and Career Development
- What Type of Education Should I Pursue
- But Do I Really Need to Go to School?
- How to Get Started in Live Sound
- How to Set Yourself Apart From the Competition
- Tips on Writing Your Resume
- It’s Time to Get that Job
- The Next Generation –
- Mudhoney Inspires Career in Sound – Christina Moon
- A Brief History of Concert Sound
- Shea Stadium
- Clair & Watkins
- Amplifiers
- Loudspeakers
- Brief History of Consoles
- Monitors
- Line Arrays
- GroundBreaker –
- Claudia Englehart – Attention to Detail
- Different Jobs in Audio
- FOH Engineer
- Monitor Engineer
- Sound Technician
- Recording Engineer
- Audio for Theater
- Mastering Engineer
- Broadcast Engineer
- Post Production
- The Next Generation –
- Fleetwood Mac Tours with the Next Generation of Women in Audio
- Meg Temprio & Hope Stumeke
- Basic Audio
- Basic Audio Terminology
- Signal Flow
- Microphone Basics
- Microphone Impedance
- Microphone Frequency Response
- Stage Wiring Basics
- GroundBreaker –
- SkyWalker Studios – Leslie Ann Jones –
- Mixing Consoles
- Analog & Digital Mixing Consoles
- Which Console to Choose
- How a Mixing Console Works
- The Next Generation –
- Attitude is Everything, Amanda Davis
- Digital Signal Processing
- How DSP Works
- Types of Audio Signal Processors
- Common Types of DSP
- Equalization
- Types of EQ
- Compressors/Limiters
- Noise Gates
- Audio Effects
- GroundBreaker –
- A Walk in the Park Magali Couturier
- Monitors
- Wedges
- IEMS
- Mixing Monitors
- Monitor Basics
- Ringing out Monitors
- FOH
- System Testing
- Building a Mix
- Next Generation –
- Mr. SoundLady – Rachel Ryan
- What You Need to Know – Resources
- Tips From the Pros
