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  • Home
  • About
    • Event and Festival Staffing Volunteers and Interns
    • About the 2017 Live Sound Camps
      • SoundGirls Sound Camps Registration
    • SoundGirls.org – F.A.Q.s
    • Member Benefits
    • Testimonials
    • Our Sponsors
    • Contact Us
  • News
    • Jobs & Internships
  • Events
  • Blogs
  • Profiles
  • Resources
    • Getting Started
    • Women in the Music Industry
    • Articles
    • Videos
    • Podcast
    • Recommended Reading
    • Related Websites
    • A More Inclusive Industry
  • Sexual Harassment
    • What is Sexual Harassment
    • Sexual Harassment Reforms
    • Freelancer Resources
    • How Men Can Be Allies
    • Self Care for Trauma
    • Reporting Sexual Harassment
    • Resources for Sexual Harassment
  • Merch
    • View Cart
    • Checkout
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Ainjel Emme

Ainjel Emme is a musician, songwriter, and producer. She has spent the past 20 years immersed in the study and practice of record production, shadowing world-class audio engineers, working in professional studios, and making records via her Los Angeles-based production house, Block of Joy.

  • Excellence in Assistance

    Excellence in Assistance
    Learning how to be a great assistant is one of the best ways to put yourself on the path to mastery in commercial music production. As important as it is to know the technical and creative aspects of your craft, it’s equally important to understand how social and interpersonal dynamics function in the studio environment.
  • Women & The Grammy For “Producer of The Year, Classical”

    Women & The Grammy For “Producer of The Year, Classical”
    Some of the most crucial and groundbreaking work has been done by women operating under the Classical umbrella. Seeing that the Recording Academy is pushing #WomenInTheMix and that March is Women’s History Month, the accomplishments of these producers should be loudly celebrated.
  • A GOLDEN AGE

    A GOLDEN AGE
    Women and the Grammy for Best Engineered Album, Non-Classical – Though audio has made many advancements, women’s representation is still playing at a low volume: Out of 415 nominations in this category, only ten women have ever been counted as nominees.
  • The Double Glazed Glass Ceiling

    The Double Glazed Glass Ceiling
    267 individual Grammy nominations have been made since the category’s inception. Several producers have been selected more than once. 7 of these 267 nominations were presented to women. That means less than 3% of those considered for Producer of the Year, Non-Classical has been female.

Empowering the Next Generation of Women in Audio

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