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DTSTART;TZID=America/Los_Angeles:20210721T110000
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SUMMARY:Overview of Career Opportunities at Clair Global
DESCRIPTION:Clair Global’s history in the live events and permanent installation industries influences a culture of incredibly hard-working professionals ready to solve the next impossible problem. \n\nClair strives to exceed expectations through integrity\, innovation\, attention to detail\, and unyielding customer service worldwide. Extraordinary employees are our differentiator. Our employees’ creativity\, talents\, problem-solving skills and commitment to service set us apart. You don’t join the Clair team to just work\, you join the Clair team to realize your life’s work. Every event\, every product\, every promise has our team imprint on it. Put simply\, we care. \n\n\n\n\n\n\n\n\n\nJoin us for a webinar on the Career Opportunities at Clair Global and the skills needed.. This is your opportunity to get your questions answered about working at Clair Global with Dave Lester and moderated by Michelle Sabolchick Pettinato. Women leaders at Clair Global will be joining us. \nJuly 21 at 11 AM PDT – Register and Post Questions Here\nModerated Michelle Sabolchick Pettinato\nMichelle Sabolchick Pettinato began working in live sound in the late 1980s and has spent most of the past 30 years as a full time touring FOH Engineer for major label artists including Elvis Costello\, Gwen Stefani\, Janet Jackson\, Goo Goo Dolls\, Melissa Etheridge\, Jewel\, Kesha\, Styx\, Mr Big and many more.   Michelle has extensive experience mixing in venues of all shapes and sizes\, from clubs to stadiums\, as well as major music festivals from Download to Coachella.  She has also supervised and mixed live performances on a wide variety of television from SNL to the Grammys. \nMichelle is co-founder of Soundgirls\, a Full Sail University Hall of Fame inductee\, and creator of MixingMusicLive.com where she teaches an intro to live sound and mixing.  She is an active mentor and coach to those seeking a career in Live Sound and Music Production and is frequently sought out as a panelist and guest speaker for industry conferences and universities. \nDave Lester – Director Education & Safety Clair Global \n\n\n\n\nDave recruits and hires new employees and develops and manages educational material/content for Clair Global’s formal training program reflecting current audio technology trends\, company proprietary equipment\, general audio knowledge requirements\, and safety.  Dave educates new hires employees to raise their skill set and knowledge to meet company and client expectations. \n\n\n\n\n 
URL:https://soundgirls.org/event/overview-of-career-opportunities-at-clair-global/
LOCATION:Online via Zoom
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DTSTART;TZID=America/Los_Angeles:20210726T110000
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DTSTAMP:20260424T185416
CREATED:20210708T230455Z
LAST-MODIFIED:20210716T140445Z
UID:43579-1627297200-1627304400@soundgirls.org
SUMMARY:Ask the Experts – Film & TV Sound Supervisor
DESCRIPTION:What does a Supervising Sound Editor (Film and TV) do?\nAfter filming has wrapped\, sound effects have been added\, the music recorded or licensed\, and all cuts and changes have been approved\, a movie enters the production stage called picture lock. That’s when the supervising sound editor begins the painstaking process of fashioning a final soundtrack from a film’s many sonic components. These include production sound (the dialogue and ambient noises captured during shooting)\, foley (reproduced sounds)\, ADR (automated dialogue replacement)\, walla (crowd noises)\, sound effects\, and music. \nWhile supervising sound editors may do a certain amount of editing themselves\, their primary job is to oversee the work of a full team of dialogue editors\, sound effects editors\, and music editors\, ensuring that post-production sound stays on schedule. \nOnce the effects and dialogue are pristine and perfectly situated within the film\, the supervising sound editor stitches them together with the composer’s score and the music supervisor’s song selections\, creating a complete sound experience to accompany the moving picture. The work is done using a DAW (digital audio workstation)\, which stores all the sounds in separate files and allows the editor to synchronize each one with particular frames in the film. When the sound editor’s job is finished\, the completed soundtrack is sent off to a re-recording mixer to be balanced and mastered\, a process for which the supervising sound editor is likely to be present. \nJoin us for a webinar with Katy Wood\, Onnalee Blank\, Marla McGuire\, and Lauren Stephens on July 26 at 11 AM PDT\nRegister and Post Questions Here\nModerated By Katie Pagacz\nKatie is a sound student\, recently getting into the realm of audio post-production for film and television at Sheridan College in Oakville\, Ontario.  She’s heading into her final year of the Honours Bachelor of Film and Television program. \nWhile Katie has gone through dozens of phases and considered many career paths—singer/songwriter\, tattoo artist\, pastry chef\, makeup artist\, comedian\, anesthesiologist\, and so much more!—she is delighted to have been bitten by the audio bug and is determined to follow this whole thing through to the end\, hoping to someday be a Supervising Sound Editor on feature films. \nA few assignments during her third year of studies had led Katie to interview several women working professionally in audio.  These conversations were so valuable and inspiring to her and they just happened to coincide with the SoundGirls Podcast’s search for new hosts.  Katie daydreamed about landing the gig for weeks and is convinced she manifested this reality.  Being able to continue the trend of speaking with folks working professionally in audio—and now getting to actually share the wealth in these conversations with people through the podcast—is such a worthwhile endeavor.  She feels really blessed and excited to be a part of the SoundGirls community! \nKaty Wood\nKaty Wood is a freelance sound supervisor and sound editor originally from New  Zealand. Her career in sound for film and television has spanned more than 20  years and four countries. She has worked extensively in the United States\, New \nZealand\, Australia\, and the United Kingdom. Katy has covered all aspects of sound production and post-production on projects ranging from large feature films\, such as The Lord of the Rings trilogy\, American Sniper\, Ant-Man and the Wasp\, Just  Mercy\, and Birds Of Prey to compelling documentaries like Disarm\, Girl Rising and No Dress Code Required. She has a Masters Degree in Film and Television  Specializing in Sound from the Australian Film Television and Radio School. In addition\, Katy has taught courses on sound post-production in Australia\, Mexico\,  the US\, and Chile. \nOnnalee Blank\, CAS – Re-Recording Mixer\, Warners Brothers\nOnnalee was a ballet dancer before getting into audio. Since then\, Onnalee has won several Emmys and Cinema Audio Society (CAS) awards for her work as dialog and music mixer on Game of Thrones. The Underground Railroad’s Joi McMillon\, Onnalee Blank Featured in THR’s ‘Behind the Screen’ Episode \n\n  \n  \nMarla McGuire\nMarla  has worked as a sound editor and supervising sound editor for over 20 years in television and film and has worked on over 70 feature and episodic titles. As such she has seen the many changes the industry has gone through. From 24- track tape to the various digital workstations battling to become the industry standard\, she’s experienced the evolution to where we are today with pro-tools. She started her career working as part of the production sound team on TV movies. This has proven to be invaluable to her career in post sound. \nShe has recently served as the supervising sound editor for the long-running series Scandal and How to  Get Away with Murder\, as well as the highly acclaimed Showtime limited series Your Honor. Marla has been nominated for two Primetime Emmys for her work on Dead by Sunset and See Jane Run\, as well as three MPSE Golden Reel Awards for Jean-Claude  Van Johnson\, Prep & Landing\, and Commander in  Chief.  \n  \nLauren Stephens\nLauren was the supervising sound editor on Carnival Row. A multiple Emmy-nominee for sound editing on Daredevil\, she has also received several Golden Reel Award nominations from her peers. Aside from Daredevil\, she’s well known for her work on Punisher\, The Bourne Identity\, Gladiator and For Love of the Game.
URL:https://soundgirls.org/event/ask-the-experts-film-tv-sound-supervisor/
LOCATION:Online via Zoom
ORGANIZER;CN="SoundGirls":MAILTO:soundgirls@soundgirls.org
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