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UID:41887-1614961800-1614969000@soundgirls.org
SUMMARY:SoundGirls – Audio Équité Montreal Chapter Launch
DESCRIPTION:We’re launching the Soundgirls – Audio Equite –  Montréal Chapter! \nMarch 5th\,2021 at 16h30 EST/ 4:30 PM EST/ 1:30 PM PST \nThis event is in English” & “Cette activité est présentée en anglais \nRegister Here\nJoin us for an exploration of what diversity is and how to foster it through our everyday practice. \nWe will be joined by Keynote Speaker Dawn Birr from Sennheiser and Ky Brooks will present work that has been done towards promoting a healthier industry. This will be an opportunity to get to know fellow colleagues\, and get the ball rolling for interesting things happening during the year.  We hope that this Chapter will foster more diverse\, inclusive and interesting collaboration in Sound\, create new opportunities for our members\, provide relevant information and programming\, and become a space to visibilize all the great work our community creates. \nLooking forward to meeting and connecting with you! \n  \nKeynote Speaker – Dawn Birr \nDawn Birr began her career in the audio industry in 2000\, joining Sennheiser fresh out of college.  She started as a temporary receptionist and began to learn her way around and through the company.  Shortly afterward she moved into Customer Service and began learning how the customers and company worked.  Thanks to a nurturing company culture and strong role models who encouraged her to learn as much as possible\, Dawn was promoted over the years to Neumann Product Manager\, Professional RF Product Manager\, VP of Sales for U.S. Installed Sound\, Global Commercial Manager for Audio Recording\, Channel Manager for the Americas for Pro Audio\, and most recently to Global Customer and Markets Insights Manager\, Pro Audio.  She completed her MBA in 2005 and is an advisory board member for The Women’s International Music Network and a proud SoundGirl. \n\nDawn Birr a commencé sa carrière dans l’industrie audio en 2000\, rejoignant Sennheiser à la sortie de l’université. Elle a commencé comme réceptionniste temporaire et a commencé à apprendre son chemin à travers et à travers l’entreprise. Peu de temps après\, elle est passée au service client et a commencé à apprendre comment les clients et l’entreprise fonctionnaient. Grâce à une culture d’entreprise stimulante et à des modèles de rôle forts qui l’ont encouragée à apprendre autant que possible\, Dawn a été promue au fil des ans au poste de chef de produit Neumann\, chef de produit professionnel RF\, vice-président des ventes pour le son installé aux États-Unis\, directeur commercial mondial pour l’enregistrement audio \, Channel Manager pour les Amériques pour Pro Audio\, et plus récemment pour Global Customer and Markets Insights Manager\, Pro Audio. Elle a terminé son MBA en 2005 et est membre du conseil consultatif du Women’s International Music Network\, et fière SoundGirl. \nRejoignez-nous pour une exploration de ce qu’est la diversité et comment la favoriser à travers notre pratique quotidienne. \nNous serons accompagnés de la conférencière principale Dawn Birr de Sennheiser et Ky Brooks présentera le travail qui a été fait pour promouvoir une industrie plus saine. Ce sera l’occasion de faire connaissance avec d’autres collègues et de lancer le bal pour des choses intéressantes qui se passent au cours de l’année. Nous espérons que ce chapitre favorisera une collaboration plus diversifiée\, inclusive et intéressante dans Sound\, créera de nouvelles opportunités pour nos membres\, fournira des informations et des programmes pertinents\, et deviendra un espace pour visualiser tout le travail formidable que notre communauté crée. \nAu plaisir de vous rencontrer et de vous connecter!
URL:https://soundgirls.org/event/soundgirls-audio-equite-montreal-chapter-launch/
LOCATION:Online via Zoom
CATEGORIES:Education and Training,SoundGirls.org Meetups
ORGANIZER;CN="SoundGirls":MAILTO:soundgirls@soundgirls.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210306T110000
DTEND;TZID=America/Los_Angeles:20210306T120000
DTSTAMP:20260425T003258
CREATED:20210222T152730Z
LAST-MODIFIED:20210222T152730Z
UID:41974-1615028400-1615032000@soundgirls.org
SUMMARY:Ask the Experts – Music Editors for Film & TV
DESCRIPTION:There is a lot of music work that happens behind the scenes in post-production of a film or tv show. Music editors can wear a lot of hats beyond just editing music tracks in a DAW – working with picture editors and directors/filmmakers to find the right musical mood for a scene\, coordinating with music supervisors to find the perfect song\, being a liaison between directors and composers\, attending recording/scoring sessions\, and attending the final mix on the dub stage. \n\n\nBeing a music editor takes having a range of skills from music\, audio/sound\, tv/film\, communication/interpersonal\, and more. How do you get started as a music editor\, and how do you make a career out of it? We will be exploring this and the questions you have for our experts about music editing for film and tv. \nMarch 6\, 2021 at 11 AM PST \nRegister and Post Your Questions\nModerated by April Tucker\nApril Tucker is a re-recording mixer for television and film in Los Angeles. She is a “Jane of all trades” in post-production sound and has worked in every role of the process from music editor to sound supervisor. She is currently writing a textbook for Routledge about career paths in the audio industry\, and the skills needed to survive early in your career. \nPanelists\nJillinda Palmer has a decade of experience as a music editor. Her credits include Deadwood: The Movie\, Crazy Ex-Girlfriend\, and Diary of a Future President (Disney+). Jillinda is also an experienced sound designer and dialog editor\, singer/songwriter and performer. \nJillinda has received one Primetime Emmy Nomination\, one Primetime Emmy Honor\, and 2 Golden Reel Nominations for music editing. Working as a music editor enables Jillinda to apply her fundamental knowledge of music along with her editorial expertise to enhance her clients’ original intent. \n\nPoppy Kavanagh has been operating within the music industry as a musician\, music editor\, DJ\, and audio engineer. Poppy started out working for Ilan Eshkeri and Steve Mclaughlin where she learnt about the art of film music. She then sidestepped to work as an assistant engineer at Mark Knopfler’s British Grove Studios. It was there that she discovered the world of Music Editing. Poppy has worked with a wide range of artists including Ian Brown\, Van Morrison\, The Rolling Stones\, Tim Wheeler\, KT Tunstall\, Ilan Eshkeri and Steve Price. In 2019 Poppy was nominated for a primetime Emmy award for her music editing work on HBO’s Leaving Neverland. \n\n\n\nShari Johanson is a NYC-based music editor who has been working in the film and television industry for nearly 30 years. Most recently she has collaborated with Robin Wright on her Directorial debut film LAND. Some other Directors she has worked with are Cary Fukanaga\, Paul Schrader\, Kevin Smith and Milos Forman. Shari has worked with composers such as R.E.M\, Howard Shore\, Hans Zimmer\, Dave Arnold\, Carter Burwell and most recently Jonathan Zalben on Disney+ ON POINTE\, as well as TIME FOR THREE and Ben Solee on LAND. \nShari won a Motion Picture Sound Editors Golden Reel Award for Best Music Editing for her work on the film HIGH FIDELITY\, and was also nominated for Showtime’s BILLIONS\, as well as for the Netflix limited series MANIAC. \nAdditional credits include the Oscar – and Golden-Globe-winning biopic I\, TONYA; the HBO sensation BAD EDUCATION; the Emmy-winning hit series TRUE DETECTIVE S1; the Netflix original series MARCO POLO; as well as John Tururro’s JESUS ROLLS. Shari is about to embark on the continuation of BILLIONS S5. Full list of credits \n\n\n\nDel Spiva is a multi Emmy-nominated music editor whose credits include The Defiant Ones\, Genius\, and A Quiet Place Part II. His upcoming film credits include Coming 2 America and Top Gun: Maverick. Prior to music editing\, Del worked as an assistant sound editor for films. \n\n\n  \n 
URL:https://soundgirls.org/event/ask-the-experts-music-editors-for-film-tv/
LOCATION:Online via Zoom
ORGANIZER;CN="SoundGirls":MAILTO:soundgirls@soundgirls.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210309T100000
DTEND;TZID=America/Los_Angeles:20210309T120000
DTSTAMP:20260425T003258
CREATED:20210222T152506Z
LAST-MODIFIED:20210222T152506Z
UID:41972-1615284000-1615291200@soundgirls.org
SUMMARY:AES Design Competition – How to create an award winning design webinar
DESCRIPTION:The AES student design competition is an opportunity for you to showcase your hardware design abilities to the wider audio community. But what makes a prize-winning design? Does it have to be complicated\, unique\, contain software\, neural networks\, or other esoteric components? \nThe purpose of this session is to present some ideas about what makes a design prize-worthy and answer some of your questions about it. \nWe will focus on an audio design that won a national design (UK) for its student inventor\, along with a couple of other AES competition-winning ideas. Jamie Angus-Whiteoak will take the prize-winning design and break it down to show what it was about this design that made it “The best example of concurrent engineering that the judges had seen!” \nFrom this\, you will learn the basic principles behind design\, and see what really matters for a prize-winning one. Surprisingly it might be simpler than you might have thought! \nMarch 9 at 10 AM PST\n\n6:00 PM to 7:00 PM (England)\n1:00 PM to 2:00 PM (Eastern)\n12:00 PM to 1:00 PM (Central)\n\n11:00 AM to 12:00 PM (Mountain)\n\n10:00 AM to 11:00 AM (Pacific)\n\nRegister and Post Your Questions Here\nModerated by Leslie Gaston-Bird\nLeslie Gaston-Bird\nLeslie Gaston-Bird (AMPS\, M.P.S.E.) is the author of the book “Women in Audio”\, part of the AES Presents series and published by Focal Press (Routledge). She is a voting member of the Recording Academy (The Grammys®). Currently\, she is a freelance re-recording mixer and sound editor and owner of Mix Messiah Productions specializing in 5.1 mixing. Prior to that\, she was a tenured Associate Professor of Recording Arts at the University of Colorado Denver (2005-2018) where she also served as Chair of the Department of Music and Entertainment Industry Studies. She led groups of Recording Arts students in study abroad courses in England\, Germany\, and Italy which included participation in AES Conventions. Leslie has done research on audio for planetariums\, multichannel audio on Blu-Ray\, and a comparison of multichannel codecs that was published in the AES Journal (Gaston\, L. and Sanders\, R. (2008)\, “Evaluation of HE-AAC\, AC-3\, and E-AC-3 Codecs”\, Journal of the Audio Engineering Society of America\, 56(3)). \nPresenter\nJamie Angus-Whiteoak: Was a Professor of Audio Technology at Salford University. Her interest in audio was crystallized at age 11 when she visited the WOR studios in NYC on a school trip in 1967. After this\, she was hooked and spent much of her free time studying audio\, radio\, synthesizers\, and loudspeakers\, and even managed to build some! \nDuring secondary education in Scotland\, she learned about valve (tube) circuits and repaired radios and televisions\, as well as building loudspeakers from recovered components. Then at 17\, she attended the University of Lethbridge in Alberta Canada. There\, in addition to her studies in physics\, music\, computing\, drama\, philosophy\, and English composition\, she repaired their VCS3 synthesizer\, and so obtained coveted access to the electronic music lab. She was also able to design her first proper loudspeakers and had a quadraphonic system in her 7’5” cube bedroom. \nShe studied electronics at the University of Kent (UK) doing her BSc and Ph.D. there from 1974 to 1980. During her undergraduate days\, she designed and built a variety of audio circuits\, added acoustic treatment to the student’s radio station’s studios\, and designed and built an electronic piano. She also developed and built a complete AM stereo modulation system for her final year project. During her Ph.D. study\, she became interested in A/D conversion\, and worked on a sigma-delta approach\, but had to give it up to concentrate on her Thesis topic of designing a general-purpose Digital Signal Processor with flexible arithmetic for finite field transforms. After her PhD she joined Standard Telecommunications Laboratories\, which invented optical fibres and PCM. There she worked on integrated optics\, speech coding\, speech synthesis\, and recognition in the early 80s\, and invented a novel 32kBits speech coding method. She has been active in audio and acoustic research since then. \nShe was appointed as the BT Lecturer at the University of York in 1983\, to develop the first integrated master’s (Meng) in Electronic and Communication Engineering in conjunction with British Telecom. She then co-created the UK’s first Music Technology course in 1986 when it was considered a “silly idea”!   At York\, she developed courses on electronic product design and co-authored a book on it. She also created and supervised many design-orientated final year projects\, and several of her students won national design awards for their work. \nShe is the inventor of; modulated\, wideband and absorbing diffusers\, direct processing of Super Audio CD signals\, and one of the first 4-channel digital tape recorders. She has done work on signal processing\, analogue circuits\, and numerous other audio technology topics. \nShe has taught analogue circuit design\, communications systems\, computer architecture\, microprogramming and logic design\, design for testability and reliability\, audio and video signal processing\, digital signal processing\, psychoacoustics\, sound reproduction\, electroacoustics\, loudspeaker and microphone design\,  studio design\, and audio\, speech\, and video coding. She has co-written two textbooks and has authored\, or co-authored over 200 journal and conference papers and 4 patents. She is currently investigating environmentally friendly audio technology. \nShe has been active in the AES for 30 years and has been the paper’s co-chair for conventions as well as a judge for the student project and Matlab competitions. \nShe has been awarded an AES fellowship\, the IOA Peter Barnet Memorial Award\, and the AES Silver Medal Award\, for her contributions to audio and acoustics. \nFor relaxation she likes playing drums and dancing\, but not at the same time.
URL:https://soundgirls.org/event/aes-design-competition-how-to-create-an-award-winning-design-webinar/
LOCATION:Online via Zoom
ORGANIZER;CN="SoundGirls":MAILTO:soundgirls@soundgirls.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210316T110000
DTEND;TZID=America/Los_Angeles:20210316T130000
DTSTAMP:20260425T003258
CREATED:20210213T013534Z
LAST-MODIFIED:20210213T013534Z
UID:41818-1615892400-1615899600@soundgirls.org
SUMMARY:“Ask the Experts” Recording In-The-Box versus Out-Of-The-Box
DESCRIPTION:“Ask the Experts” Recording\n\nIn-The-Box versus Out-Of-The-Box\nJoin us for a webinar on recording and the pros and cons of mixing in the box or out of the box. This webinar will focus on both ways of recording and discuss the pros and cons of each. This is not a debate on what sounds better or is better. \nThis is your chance to get your questions answered by Jess Fenton\, Vira Byramji\, Jasmine Chen\, Lenise Bent\, and Christal Jerez \nMarch 16 at 11 am PST/2 pm EST \nRegister Here and Post Your Questions\nModerated By Jess Fenton\n\nJess Fenton is a Producer/Audio/Mix Engineer based out of Brooklyn\, NY specializing in music and podcast productions.  She is the creator of Proof In Music\, a video series showcasing women working in music production who deserve to be seen but are often overlooked. PROOFINMUSIC.COM  \n\n  \nPanelists\nVira Byramji is an audio engineer specializing in studio recording and mixing. Vira’s entrance into the industry was through the legendary Electric Lady Studios in Greenwich Village\, where she was the assistant manager and a staff engineer. There she worked with major labels and high-profile clients such as Patti Smith\, U2\, Lana Del Rey\, Sara Bareilles and HBO to name a few. As an engineer and assistant studio manager\, Vira gained a range of experience from the back end of the music business to the creative and technical workings of running sessions. Ultimately\, these two full-time roles drove her to pursue opportunities as a freelance engineer. After leaving Electric Lady\, she began working with LA-based producer Jonathan Wilson. With him\, she traveled to Haiti and there worked with Jackson Browne\, to LA for Father John Misty’s Pure Comedy album\, and engineered remote sessions for Roger Waters and Lucius at the start of their world tour. She has also kept herself busy in New York with local artists like Maya Hawke\, Emma Caymares\, producer/songwriter Jesse Harris\, producer Thomas Bartlett and Tamar-Kali (composer of Mud Bound and Come Sunday soundtracks). https://www.virabyramji.com/ \nJasmine Chen is a GRAMMY-nominated audio engineer and vocal producer based in Los Angeles\, CA. After graduating from the University of Texas at Austin\, she moved back to Los Angeles and began interning at Forecast Recordings while working at IO Music Academy as their Partnerships & Studio Manager. During that time\, she also freelanced as a production sound mixer & boom operator on film sets and helped sound design products for music software and studio furniture company\, Output. From IO Music Academy\, Jasmine was brought in as an intern for Heavy Duty Studios\, where she honed her skills as a recording engineer and now holds the position as their house engineer and studio manager. Jasmine has worked on projects for Allie X\, Berhana\, Cass McCombs\, Clairo\, Conan Gray\, Dove Cameron\, HAIM\, Jarina DeMarco\, Johan Lenox\, Jonah Mutono\, Kaleena Zanders\, Kelly Clarkson\, Killy\, Love Mansuy\, Madame Gandhi\, Snoop Dogg\, Steve Jablonsky (film scores)\, and more. Jasmine on SOUNDCLOUD \nLenise Bent is one of the first women audio engineers & honed her skills on many iconic records including “Aja” by Steely Dan and “Breakfast in America” by Supertramp. She is the first woman engineer to receive a platinum album for Blondie’s “AutoAmerican” album which includes “The Tide is High” and the very first hit rap song with music\, “Rapture”. \nLenise is also a post-production audio professional\, specializing in recording and editing foley sound effects for many films and animated series and has traveled the world for Dreamworks supervising the foreign dialogue recording and producing the vocals for such\nanimated features as “Shrek”\, “Spirit: Stallion of the Cimmaron” and “Shrek 2”. She also archives and repairs audio\, instructs and consults for singer/songwriters. \nLenise is a long-standing member of the Audio Engineering Society\, the Producers & Engineers Wing of the Recording Academy and a voting member of NARAS. She is also a proud member SoundGirls\, Women’s Audio Mission (WAM)\, Women in Music\, the prestigious Hollywood Sapphire Group\, The Blues Foundation\, IASA (International Association of Sound Archivists) and ARSC (Assoc. of Recorded Sound Collectors). Though mostly working in digital recording formats\, Lenise recently produced and engineered an all-analog recording with blues/rock/Indy band Primal Kings\, recording to 2” tape\, mixing to 1⁄2” and cut to vinyl from tape\, all analog and completely out of the box.\nTo know more about Lenise Bent go to her website at www.lenisebent.com \n\nSoundGirls Feature Profile Lenise Bent\nSoundGirls Living History Project Lenise Bent Part 1\nSoundGirls Living History Project Lenise Bent Part 2\n\nChristal Jerez is an audio engineer with experience recording\, mixing and mastering music. After studying audio production at American University for her undergrad and New York University for her graduate studies\, she started working professionally at Platinum Sound Recording Studios in NYC. After 4 years\, she moved on to work as Alex Tumay’s mix assistant at Do What Sounds Good Studios in Chelsea where she was able to work on records for PARTYNEXTDOOR\, dvsn\, Gunna\, and more. Christal is currently working out of Los Angeles. www.christalssoniclab.com/ \n 
URL:https://soundgirls.org/event/ask-the-experts-recording-in-the-box-versus-out-of-the-box/
LOCATION:Online via Zoom
ORGANIZER;CN="SoundGirls":MAILTO:soundgirls@soundgirls.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210324T190000
DTEND;TZID=America/New_York:20210324T210000
DTSTAMP:20260425T003258
CREATED:20210318T152303Z
LAST-MODIFIED:20210318T152303Z
UID:42253-1616612400-1616619600@soundgirls.org
SUMMARY:Philadelphia SoundGirls Chapter Virtual Meeting
DESCRIPTION:If you are in the Philadelphia area\, we invite you to come and meet with us on March 24th at 7pm EST on Zoom. \nBarbara Adams is inviting you to a scheduled Zoom meeting. \nTopic: Philly Soundgirls Bi-Weekly Meetings\nTime: Mar 24\, 2021 07:00 PM Eastern Time (US and Canada) \nMar 24\, 2021 07:00 PM \nJoin Zoom Meeting\nhttps://us04web.zoom.us/j/74283477685… \nMeeting ID: 742 8347 7685\nPasscode: soundgirls
URL:https://soundgirls.org/event/philadelphia-soundgirls-chapter-virtual-meeting/
LOCATION:Online via Zoom
CATEGORIES:SoundGirls.org Meetups
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210330T150000
DTEND;TZID=America/Los_Angeles:20210330T170000
DTSTAMP:20260425T003258
CREATED:20210212T165015Z
LAST-MODIFIED:20210212T165015Z
UID:41799-1617116400-1617123600@soundgirls.org
SUMMARY:Ask the Experts – How to Produce a Podcast
DESCRIPTION:Ask the Experts – How to Produce a Podcast\n\nThere’s a lot that goes into making a great podcast beyond pressing record and rambling for a while before hitting the upload button. From strategy and pre-production\, how to record a podcast\, and editing\, through to distribution\, our Ask the Experts webinar has you covered. \n\nWe’re going to talk about choosing a name and artwork\, planning your topics\, getting the most out of your guests\, creating a narrative and cleaning up the sound in the editing and post-production stages\, how and where to host and distribute your podcast\, and a lot more. \n\nThis is your opportunity to have your questions answered by Fela Davis\, Larry Millburn\, Beckie Campbell\, and Chris Leonard. \nTuesday\, March 30th at 6 PM EST / 3 PM PST \nRegister Here and Post Your Questions\nModerated by Laura Clapp Davidson\nLaura Clapp Davidson heads up the retail market development team for Shure. She brings passion and knowledge of gear that comes from over 15 years in the MI industry. When she isn’t talking about music equipment\, she’s singing or playing through it as a professional singer/songwriter. Laura lives in her hometown of Guilford\, CT with her two daughters\, two dogs\, two rabbits\, and one very patient husband. \nPanelists\nFela Davis\nFela is a graduate of Full Sail University with 20 years of experience in audio engineering and inducted into the University’s Hall of Fame in 2020. Her mixing experience at front of the house position includes Ron Carter\, Brian Blade\, Jose Feliciano\, Meshell Ndegeocello\, Bilal\, and almost a decade with 6-time Grammy Award winner Christian McBride\, mixing sold-out shows across Asia\, Europe\, Canada\, and America. \nCurrently\, I co-own One of One Productions Studio and a writer for Pro Sound News and Podcast Pro Newsletter. With many of her studio clients needing home audio setup\, we began selling one and two-person audio kits. One of One Audio Kits includes Focusrite interfaces\, Lewitt Microphone\, Wireworld Cable\, AKG or CAD headphones\, and a waterproof travel case! Check out One of One Audio Kits and more audio related gear at our One of One Shopify store! \nLarry Millburn\nLarry Milburn\, Producer: Award-winning filmmaker Larry Milburn has been involved as a producer/editor on several behind-the-scenes EPK’s and DVD documentary projects for both film and commercial production studios as well as advertising agencies such as FOX\, Columbia Pictures\, BBDO Detroit\, RSA\, and BMW. \nIt was with great pleasure that he was asked to co-produce the film SWEET BLUES: A FILM ABOUT MIKE BLOOMFIELD\, directed by Bob Sarles and part of the 2014 Sony Legacy Boxed set FROM HIS HEAD TO HIS HEART TO HIS HANDS. As a cousin of Michael Bloomfield’s\, this film helps to keep the memory of such a gifted guitar player relevant and alive. Along with film\, music plays a large part of Larry’s life\, and when he finds the opportunity to marry the two he takes full advantage. Since 2016\, Larry has been the host of the podcast ROADIE FREE RADIO\, a weekly series on which he interviews the men and women behind the scenes of the music and film business. He has also produced podcasts for wide range of his commercial clients. \nBeckie Campbell\nBeckie Campbell is a FOH\, Mon Engineer\, and Owner of B4Media Production. As a twenty-year veteran of the music business\, Beckie has had the honor to help mentor and train teams for several theaters\, live events\, and houses of worship. All while touring as a FOH Engineer for major acts and still working local hometown gigs. Beckie has had the pleasure to work with major acts such as Indigo Girls\, Altman Betts Band\, The Commodores\, Nicole Nordaman\, Firehouse\, Colt Ford\, Ace Freely\, Julian Marley\, Gary Pucket and Union Gap\, just to name a few. She has also mixed at the New Orleans Jazz Festival\, 30A Songwriters Festival\, and does the live and on-air mixes for the City of Orlando Christmas Tree and 4th of July Live Shows. Early in her career\, she was a Technical Director/FOH Engineer for two Mega Churches in Florida. \nDuring the pandemic\,Beckie has continued to find work including Producing and Training at HOW\, doing installs for streaming\, online training\, and is one of the hosts of the SoundGirls Podcast and the Orlando SoundGirls Chapter head. \nChris Leonard\nChris Leonard has been in the professional live audio world for almost two decades\, following in the footsteps of his father. As a monitor engineer with Maryland Sound International\, he toured with artists like Tears for Fears\, Don Henley\, Disturbed\,\nJosh Groban\, Anthony Hamilton and more. \nChris is currently Director of Audio at IMS Technology Services\, where he has spent the last ten years overseeing and managing all aspects of audio for the Event Staging Division of the company. IMS is a full-scale production company providing audio\, video\, and lighting for special events\, conferences\, and conventions nationwide. A highlight while at IMS includes designing and mixing for the Philadelphia Eagles Super Bowl victory parade\, with an estimated 800\,000 + audience and the largest outdoor event in Philadelphia’s history. He has also worked on the last four Presidential Inaugurations. \nChris is a co-host on the Signal To Noise Podcast presented by ProSoundWeb. The podcast has over 70 episodes and has been downloaded over 100\,000 times. The show features conversations with people from all corners of the live sound industry\, from FOH and monitor engineers\, tour managers\, Broadway sound designers\, broadcast mixers\, and more. Chris’s current project\, “How We Got Loud” begins with this podcast focusing on the stories of the people\, technology\, and passion that built the history of live sound\, with many plans to grow and expand beyond the podcast in years to come. \n  \n 
URL:https://soundgirls.org/event/ask-the-experts-how-to-produce-a-podcast/
LOCATION:Online via Zoom
CATEGORIES:Education and Training
ORGANIZER;CN="SoundGirls":MAILTO:soundgirls@soundgirls.org
END:VEVENT
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