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DTSTART;TZID=America/Los_Angeles:20200707T110000
DTEND;TZID=America/Los_Angeles:20200707T130000
DTSTAMP:20260427T023703
CREATED:20200616T130901Z
LAST-MODIFIED:20200616T130901Z
UID:40048-1594119600-1594126800@soundgirls.org
SUMMARY:A Conversation about Sound Editing for the Mix Stage (webinar)
DESCRIPTION:Join Sherry Klein\, Scott Weber and Marla McGuire with Moderator Karol Urban\nFor a discussion of best practices on processing\, editing\, stereo vs 5.1\, communication\, and more for delivering to re-recording mixers on the dub stage \nJuly 7\, 11 am PST \nPlease register here \nWe will also stream this live to our Facebook Page and record it for our YouTube Channel \nAbout our Moderator and Panelists\n\nSherry Klein and Scott Weber are a re-recording mixer team at Smart Post Sound in Burbank\, CA. Shows mixed together include New Amsterdam\, The Passage\, Queen of the South\, and Reverie. \nSherry was one of the first female television mixers in Los Angeles after being a recording engineer at Larrabee Studios in the late 70s. She mixes dialog and music. \nMore about Sherry Klein \nScott is a two-time Emmy award winner (as one of the re-recording mixers on Westworld and Lost) and mixes FX and Foley. \nMarla McGuire is a supervising sound editor who has worked on How To Get Away With Murder\, Scandal\, The Killing\, and Seven Seconds. \nKarol Urban is president of the Cinema Audio Society. Her recent re-recording mixer credits include Grey’s Anatomy\, Single Parents\, Project Blue Book\, and Gentefied. \nMore about Karol Urban
URL:https://soundgirls.org/event/a-conversation-about-sound-editing-for-the-mix-stage-webinar/
LOCATION:Online via Zoom
CATEGORIES:Education and Training,SoundGirls.org Meetups
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200718T120000
DTEND;TZID=America/Los_Angeles:20200718T140000
DTSTAMP:20260427T023703
CREATED:20200710T142306Z
LAST-MODIFIED:20200710T142306Z
UID:40340-1595073600-1595080800@soundgirls.org
SUMMARY:Career Paths in the Vinyl Industry – July 18 Webinar
DESCRIPTION:oin SoundGirls and Women in Vinyl to explore career paths in the Vinyl Industry.\nJuly 18 at 12 PM PST/3 PM EST\nRegister for the webinar\nPanelist Include \nJenn D’Eugenio – Founder\, Women in Vinyl | Chief of Sales\, Furnace (Alexandria\, VA) \nThe sales manager at Furnace Record Pressing\, and vinyl enthusiast for over 20 years\, Jenn is the founder and curator of ‘Women In Vinyl’; and is dedicated to the art and creation of vinyl. Her background spans that of designing textiles for Fortune 500 fashion companies to career advising for one of the top art colleges in the country; however\, Jenn’s passion for vinyl has lead her to a career in helping to manufacture the physical product for bands\, and both major to independent record labels. In launching Women in Vinyl a site\, online community\, and future non-profit she hopes to empower women working in the vinyl industry and to help young women who may be interested in this career path achieve their goals. \n  \nJett Galindo – Mastering Engineer\, The Bakery (Los Angeles\, CA) \nLos Angeles-based mastering engineer and vinyl cutter\, Jett Galindo of The Bakery\, has worked on albums spanning a wide array of genres and artists (Barbra Streisand\, Haley Reinhart\, Weezer\, the La La Land OST\, to name a few). Jett Galindo carries on the legacy left behind by her late mentor\, mastering legend Doug Sax (The Mastering Lab). Recipient of Summa Cum Laude honors and the 2012 Robin Coxe-Yeldham Audio Scholar Award from Berklee College of Music\, Jett Galindo was mentored by luminaries in the music industry including George Massenburg; producer Prince Charles Alexander; recording engineer Susan Rogers (Prince’s Purple Rain); and mastering engineer and AES President-elect\, Jonathan Wyner. Jett kickstarted her post-Berklee engineering career in the world-renowned Avatar Studios in New York (now known as Power Station) as the recording engineer for producer Jerry Barnes. As Barnes’ engineer\, Jett engineered for veteran artists such as legendary singer-songwriter Roberta Flack\, Nile Rodgers\, Bashiri among others. \n  \nBrittany Benton – Record Store Owner + DJ\, Brittany’s Record Shop (Cleveland\, OH) \nProducer and DJ as DJ Red-I as well as the owner of Brittany’s Record Shop; Brittany is an independent record store owner specializing in hip-hop\, reggae and soul out of Cleveland\, Ohio. \n  \n  \nAmanda McCabe – Former Archivist\, The Association for Recorded Sound Collections | Metadata\, Strategy & Tactics\, Universal Music Group (Seattle\, WA) \nAmanda is a record junkie\, music history archivist who continues to find new ways of contributing to the music industry’s changing landscape. Her work’s core mission is always focused on connecting fans with more music and getting artists paid. She is the Archives Committee Chair & Video Editor for the Association For Recorded Sound Collections (ARSC) and recently joined Universal Music Group’s Strategy & Tactics Team to focus on new products. \n  \nLenise Bent – Producer & Recording Engineer (Los Angeles\, CA) \nLenise is a groundbreaking recording engineer\, known for her work on many iconic records including “Aja” by Steely Dan\, “Breakfast in America” by Supertramp and “Tusk” by Fleetwood Mac.  She was also the first woman to receive a platinum album for engineering on Blondie’s AutoAmerican. Since then\, Lenise has moved into post-production audio\, beginning with the entire Disney cartoon catalog\, eventually specializing in recording and editing Foley. She has also traveled the world for Dreamworks supervising and producing the foreign dialogue and vocals for “Shrek\,” “Spirit: Stallion of the Cimarron” and “Shrek 2”. This rekindled her love of recording music\, and she is now engineering and producing up and coming musicians as well as seasoned artists. Currently\, one of her projects\, a blues/rock band called the Primal Kings\, is all-analog\, recording and mixing to tape and cutting vinyl. \nRobyn Raymond – Lacquer Cutter\, Red Spade Records | former QA Engineer\, Precision Record Pressing (Ontario\, Canada) \nOwner of Ontario based Red Spade Records\, Robyn is the only female record cutter in Canada.  She cuts short-run\, lathe cut records on a desktop Vinyl Recorder T-560\, apprentices on a VMS70 and formerly worked in the QA department at a Precision Record Pressing. \n 
URL:https://soundgirls.org/event/career-paths-in-the-vinyl-industry-july-18-webinar/
LOCATION:Online via Zoom
CATEGORIES:Education and Training,SoundGirls.org Meetups
ORGANIZER;CN="Jett Galindo":MAILTO:soundgirls@soundgirls.org
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200720T160000
DTEND;TZID=America/Los_Angeles:20200720T180000
DTSTAMP:20260427T023703
CREATED:20200619T150317Z
LAST-MODIFIED:20200619T150317Z
UID:40080-1595260800-1595268000@soundgirls.org
SUMMARY:Once You Have the Gig – What Makes You Stand Out
DESCRIPTION:Once You Have the Gig Round 2 \nHow to stand out once you get the gig\, how to get promoted\, etiquette for freelancers\, how scheduling works. \n\nIf you missed our first webinar “What Makes You Stand Out” you can view it here \n\n\n\n \n\n\n\n\n\nModerated by April Tucker\, a Los Angeles-based re-recording mixer and sound editor who works in television\, film\, and new media. She holds both a Master’s Degree and a Bachelor’s Degree in Music/Sound Recording. April enjoys doing educational outreach such as writing for industry blogs\, giving lectures and presentations. www.proaudiogirl.com \nPanelists:  \nTina Morris\, Studio Manager\, The Village Studios (Los Angeles) \nCatherine Vericolli\, Owner/Manager/Engineer\, Fivethirteen (Tempe\, Arizona) \nMeegan Holmes\, Global Sales\, 8th Day Sound (Los Angeles) \n\nJuly 20\n4-6 PM PST\nRegister Here\n\nThis webinar is limited to 100 people. It will also be live on Facebook and it will be recorded and posted on the SoundGirls website.
URL:https://soundgirls.org/event/once-you-have-the-gig-what-makes-you-stand-out/
LOCATION:Online via Zoom
CATEGORIES:Education and Training,SoundGirls.org Meetups
ORGANIZER;CN="April Tucker":MAILTO:soundgirls@soundgirls.org
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200723T110000
DTEND;TZID=America/Los_Angeles:20200723T130000
DTSTAMP:20260427T023703
CREATED:20200719T134005Z
LAST-MODIFIED:20200719T134005Z
UID:40372-1595502000-1595509200@soundgirls.org
SUMMARY:El sonido y sus profesiones aplicadas - July 23
DESCRIPTION:El sonido y sus profesiones aplicadas: \nConoce desde la experiencia de profesionales de que tratan algunas especialidades en mundo del audio. \nEste jueves 23 de julio\, tendremos la tercera sesión de esta serie de charlas: Sonido en Estudios de grabación\, estaremos conversando con las profesionales: \nNilda Vechiatti\,  se dedica a la Investigación\, docencia y asesoramiento en temas de Ingeniería Acústica. Egresada de la facultad de ingeniería de la Universidad Nacional de la Plata en Ing. De telecomunicaciones con especialización en Acústica\, ha realizado numerosos proyectos de investigación en el área y es la actual Presidenta de la Federación Iberoamericana de Acústica y Presidenta de la Asociación de Acústicos Argentinos. \nFlorencia Saravia: Desde el 1994 en el mercado de audio brasilero\, Florencia comenzó su carrera en Río de Janeiro. Fue una de las pioneras en edición digital en Brasil. Dió clases de ProTools y Grabación en IATEC\, en el Curso de Producción Fonográfica en Río Música y en el curso de Producción Fonográfica en la Universidad Estácio de Sá. Tiene varios artículos publicados en la prensa especializada nacional. Trabajó como segunda ingeniera de mastering en Classic Master\, de 2005 a 2009. Trabaja en sonido en vivo para Gal Costa\, Chico César\, Luiza Possi\, Filipe Catto y para varios artistas independientes. Fue ingeniera responsable del proyecto “Escuta como Minas”\, de Spotify Brasil\, en 2019. \nSalomé Limón\, Productora e ingeniera de sonido\, presidenta de PIAudio (Asociación Iberoamericana de Productoras e Ingenieras de Audio) y miembro activo de la Grammy Academy\, la Latin Grammy Academy y del CPI (Circulo de Productores e Ingenieros) de los Latin Grammy. \nComenzó su carrera en el Madrid en 2004. Su primer proyecto fue el disco de Andrés Calamaro “ El cantante”. También ha trabajado con artistas de la talla de Paco de Lucía\, Anoushka Shankar\, Chick Corea\, John Legend\, Vampire Weekend\, Enrique y Estrella Morente\, entre otros muchos. \nGanadora de 4 Latin Grammys y nominada como mejor ingeniero de sonido 5 años consecutivos por la Academia de los Latin Grammy. \nA día de hoy Salomé continúa su carrera como productora\, ingeniera y compositora a la vez que colabora como ponente y profesora compartiendo sus conocimientos a través de diversas charlas y masterclass en Berklee College of Music\, Maxsine School en China\, IE University\, Fest Portugal\, etc. \nRegístrate en\nDía: 23 julio \nHora: \n\n12:00pm(GMT-6)🇨🇷🇳🇮🇬🇹🇭🇳🇸🇻\n1:00pm(GMT-5)🇨🇴🇪🇨🇲🇽🇵🇦🇵🇪\n2:00pm(GMT-4)🇧🇴🇨🇱🇨🇺🇵🇾🇵🇷🇩🇴🇻🇪\n3:00pm(GMT-3)🇺🇾🇦🇷🇧🇷\n8:00pm (GMT+2)🇪🇸\n11:00am (GMT-7)🇺🇸\n\nCarolina Anton\, es Ingeniera de Sonido – Sistemas/FOH y Mon. con más de quince años de experiencia\, ha colaborado con artistas y producciones distinguidos en más de veinte tours a nivel nacional e internacional; Ha mezclado para artistas como Kool & The Gang\, Gloria Gaynor\, Natalia Lafourcade\, Mon Laferte y León Larregui\, ademas trabaja para compañías como 2hands production services y Eight Day Sound. Actualmente se encuentra realizando mezclas en formatos de sonido inmersivo. \nCarolina es cofundadora de la empresa 3BH\, que desarrolla proyectos de integración tecnológica para estudios de post-producción y música en México y Latinoamérica y a partir del 2016 comenzó a representar a la organización Soundgirls.org en México\, apoyando a las mujeres a profesionalizarse en la industria del espectáculo. \nAndrea Arenas\, graduada en Ingeniería electrónica\, con estudios de música y percusionista\, es ingeniero de sonido con 14 años de experiencia. Trabaja para Cirque du Soleil en el show Totem y cuenta con experiencia en sonido en vivo\, grabación y producción musical en estudios\, también grabación y producción musical de orquestas sinfónicas de El Sistema. Su experiencia profesional va desde trabajos en producciones discográficas de la Deutsche Grammophon con Gustavo Dudamel\, como también soporte técnico de consolas Digico y otras reconocidas marcas en Hermes Music para bandas como Maná\, Vicente Fernández\, Ricky Martin; ha participado como voluntaria de audio para soundgirls en eventos como el She Rocks Awards\, Girlschool y preparación de gira de Pearl Jam.  Ha sido técnico de sonido en varios shows del Cirque du Soleil. (At sea\, Luzia\, Amaluna y Totem)
URL:https://soundgirls.org/event/el-sonido-y-sus-profesiones-aplicadas-july-23/
LOCATION:Online via Zoom
CATEGORIES:Education and Training,SoundGirls.org Meetups
ORGANIZER;CN="Carolina Anton":MAILTO:soundgirls@soundgirls.org
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