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DTSTART;TZID=America/Los_Angeles:20200912T120000
DTEND;TZID=America/Los_Angeles:20200912T140000
DTSTAMP:20260403T134545
CREATED:20200819T145325Z
LAST-MODIFIED:20200819T145325Z
UID:40729-1599912000-1599919200@soundgirls.org
SUMMARY:Reimagining our Industry – Webinar
DESCRIPTION:Reimagining our Industry – Webinar\n\nThanks to COVID-19 we are all now unwilling participants in a seismic experiment that is shaking the foundations of society\, technology\, economics\, healthcare and our Industry. SoundGirls and ProSoundWeb are pondering how we might reimagine our industry. \nAs we move from survival to adjustment\, from chaos to catalyst\, the next normal (or abnormal) is being shaped right now. \nCOVID-19 and protests happening throughout the world have unmasked our current systems  – the fragility of business and society\, the consequences of urbanization and globalization\, and our dependence on technology and healthcare. Activities in which consumers are likely to change behavior most are in travel\, shopping\, socializing\, and live events. \nWe are faced with a choice to rebuild the world as it was or to realize the possibilities before us. Join a panel of industry veterans in a conversation about shaping the future of the pro audio industry. \nSept. 12 at 12:00 PM PST\nRegister Here\nModerator\n Samantha Potter is an audio engineer and an editor for ProSoundWeb with a passion for writing and educating. Additionally\, she serves as the “Install Empress” for Allen & Heath USA\, helping to merge the live sound solutions we all love into the commercial and install space.\nGrowing up as a musician\, Samantha found her way to live sound by way of the studio\, proving that bassists make the best sound engineers. The host of Church Sound Podcast and a co-director and leader instructor for Church Sound University\, Samantha can often be found teaching\, writing\, and hosting discussions on various live-sound topics. \n\nPanelist Include\nAlesia Hendley is an Audiovisual professional that found her passion at a young age as a sound engineer within her Father’s church. Now you can find her making connections within AV\, Digital Signage and IT\, along with executing creative ventures. As a young professional she’s finding ways to bring AV technologies\, and creative visions together in the effort to leave her mark by making an impact. \n  \n  \nJeri Palumbo has been a broadcast audio mixer and specialist for the past 27 years in Sports and Entertainment. Prior to her work in broadcast\, she spent years as a trained musician and arranger on the music side of the business before going into post-production and eventually live broadcast. With a current focus on live remote broadcast events\, Jeri’s work has included the NFL\, NBA\, MLB\, NHL\, NASCAR\, Super Bowl\, World Series\, Stanley Cups\, the Oscars and more. Entertainment shows have included The Tonight Show with Jay Leno\, Conan O’Brien and American Idol to name a few. She also won a Telly Award for mixing the live bluegrass show “Songs of the Mountains.”Jeri has worn the hats of broadcast engineer/mixer\, field audio\, RF tech and communications and most recently broadcast A1 mixer for gaming eSports in immersive surround 5.1. Jeri served on the RF Coordination committee for the NFL\, NBA All-Stars and serves in the same capacity for the Rose Bowl every year. Jeri also worked on the NFL’s Enhanced Audio team (sounds from the field) on its debut roll-out. \n  \nBill Reeves has been working in the concert production industry for over 40 years. Starting out on the lighting crew. He graduated to LD/Production Manager within a couple of years and has been working exclusively as a Production/Tour Manager for better than 30 years. Highlights Luther Vandross (14 years)\, Prince (3 tours including Purple Rain)\, Stevie Wonder\, Anita Baker\, Maxwell\, D’Angelo\, Anthony Hamilton (14 years up to present). \nBill is also the co-founder along with Lance Jackson of Roadies of Color United. \n  \nCarlos Mosquera\, born in Venezuela\, has been passionate about music from a young age. Through Venezuela’s National System of Youth and Children’s Orchestras and Choirs called “El Sistema\,” a music education program that reaches 400\,000 children\, Carlos received his Bachelor in Music. After playing with Symphonic Orchestras and ensembles around the world\, he then graduated with a B.A. in Sound Technology from the Liverpool Institute for Performing Arts (LIPA) in the U.K. After graduating\, \nCarlos has become immersed in music and sound technologies. He has been a Recording/Mixing Engineer for organizations like the L.A. Philharmonic\, The Colburn School of Music in Los Angeles\, The Herb Albert School of Music at UCLA\, and L-ISA Applications Engineer and developer for L-Acoustics’ new immersive audio technology. As an L-ISA Engineer\, he has worked on numerous major shows such as Lorde\, Lady Gaga\, Childish Gambino\, Alt-J\, LA Philharmonic\, Deadmau5\, Aerosmith\, Bon Iver\, Sleeping Beauty Dreams\, Cages\, among others. \nOn his own time\, he developed a positional app for the visually impaired called “Guiding Sounds”\, using inaudible impulses reproduced by speakers. It’s an accessible\, scalable\, and cost-efficient solution that allows blind individuals to access real-time information of their location\, enabling them to find exactly where they are\, and how to interact with the world in a whole new way\, no internet required. Carlos’s passion for music\, sound\, mixing\, and coding extends beyond his professional career \nSIDNEY WILSON 40+ years in the professional audio industry\, Sidney’s experience includes a multitude of positions from touring as a front of house engineer\, monitor engineer and systems engineer. He also has had stints in the nuclear power industry\, MRI (Super Conducting Magnets) industry\, working on Particle Accelerators at Lawrence Berkeley Laboratory and teaching audio electronics. In addition\, he has experience in design and building of recording studios. He decided to spread his wings into commercial real estate sales and analysis of 200+ apartment complexes\, including real estate development projects and single tenant net lease properties nationwide. \nHowever\, his heart is in Audio and the last 10 years have been focused on high‐end professional digital console rentals\, sales and service as Operations Manager at Hi‐Tech Audio\, Inc.\, and starting a small company (Erevu Group) specializing in noise measurement\, analysis\, and solutions for large outdoor concerts and events.
URL:https://soundgirls.org/event/reimagining-our-industry-webinar/
LOCATION:Online via Zoom
CATEGORIES:Education and Training,SoundGirls.org Meetups
ORGANIZER;CN="SoundGirls":MAILTO:soundgirls@soundgirls.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200908
DTEND;VALUE=DATE:20200910
DTSTAMP:20260403T134545
CREATED:20200128T025329Z
LAST-MODIFIED:20200128T025329Z
UID:37218-1599523200-1599695999@soundgirls.org
SUMMARY:Adamson Advanced Certification (2 Day) Paris\, France
DESCRIPTION:Adamson will be holding a 2 Day Advanced Certification course in partnership with DV2 in Paris\, September 8th & 9th. \nAdvanced Certification is designed to expand the knowledge needed to properly design\, deploy and control large and/or complex Adamson loudspeaker system\, focusing on in-depth Blueprint AV™ techniques as well as streamlined work flow for E-Series and S-Series systems. \nOver 2 days\, attendees will have the opportunity to expand on their existing knowledge and experience to deploy an Adamson System and gain a deeper understanding of the technology that provides the backbone for these systems. \nTopics covered will include: \n\nProduct overview\nVenue measurement\nSystem design\nSystem preparation\nSystem deployment\nTuning and alignment\n\nAttendees interested in taking this course must have completed Applied Certification as a pre-requisite. \nGet a head start with the pre-training material including the Education Series Videos\, User Handbooks and sign up for a copy of Blueprint AV™ \nFor more information and to sign up contact education.emea@adamsonsystems.com
URL:https://soundgirls.org/event/adamson-advanced-certification-2-day-paris-france-4/
LOCATION:British Columbia
CATEGORIES:Education and Training
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200903T130000
DTEND;TZID=America/Los_Angeles:20200903T150000
DTSTAMP:20260403T134545
CREATED:20200820T160237Z
LAST-MODIFIED:20200825T214507Z
UID:40747-1599138000-1599145200@soundgirls.org
SUMMARY:Sennheiser - RF Fundamentals Webinar
DESCRIPTION:RF Fundamentals \nThom Salisbury of Sennheiser will review the recent FCC changes\, explore RF theory Waves\, propagation\, intermodulation\, types of modulation\, and more. Then we will take a look at frequency coordination strategies\, and rules of thumb for system design. \nTime: Sep 3\, 2020 01:00 PM Pacific Time (US and Canada) \nJoin Zoom Meeting \nhttps://us02web.zoom.us/j/81064478440?pwd=RXM2ZWFBVkFieFFCSVhyQktZaGUvdz09 \nMeeting ID: 810 6447 8440 \nPasscode: 588352
URL:https://soundgirls.org/event/sennheiser-rf-fundamentals-webinar/
LOCATION:Online via Zoom
CATEGORIES:Education and Training
ATTACH;FMTTYPE=image/webp:https://soundgirls.org/wp-content/uploads/2020/08/auto.webp
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200830T120000
DTEND;TZID=America/Los_Angeles:20200830T140000
DTSTAMP:20260403T134545
CREATED:20200820T153247Z
LAST-MODIFIED:20200820T153247Z
UID:40742-1598788800-1598796000@soundgirls.org
SUMMARY:Transitioning in the Music Industry
DESCRIPTION:Laura Nagtegaal and Savy Dunlevy share their stories of working and transitioning in the music industry. \nTransgender people are in a unique position to see exactly how sexist dynamics in the workplace tend to play out and Laura and Savy will share their stories and experiences with us and what the industry needs to do to overcome sexism and transphobia. \nWe look forward to this discussion and are thankful that Laura and Savy want to share their stories with us. \nAugust 30th at 12 PM PST \nRegister Here\nSavy Dunlevy is a wireless and communications audio technician for broadcast television and live events. Although a newcomer to the world of audio\, they have worked in and been involved with entertainment since birth. Some of their favorite projects include shows with HGTV\, ABC Network\, Broadway promotional shoots\, Say Yes to the Dress\, and Paul McCartney: Live at Grand Central. \n  \n  \n  \nLaura Nagtegaal – Laura’s career touring the world as a guitar technician\, tour manager\, and merchandiser started 25 years ago. With her sunny and infectious demeanor\, she spreads her own newfound joy and youthful life force around. \nLaura shared her story with SoundGirls last year and you can read it here Transitioning in the Music Industry \n 
URL:https://soundgirls.org/event/transitioning-in-the-music-industry/
LOCATION:Online via Zoom
ORGANIZER;CN="SoundGirls":MAILTO:soundgirls@soundgirls.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200825T140000
DTEND;TZID=America/New_York:20200825T150000
DTSTAMP:20260403T134545
CREATED:20200820T155130Z
LAST-MODIFIED:20200820T175729Z
UID:40744-1598364000-1598367600@soundgirls.org
SUMMARY:Unraveling Audio Networking An in-depth look at DANTE\, AVB and MADI
DESCRIPTION:Synthax will be hosting a webinar for SoundGirls and Rat SoundSystems on August 25th  \nUnraveling Audio Networking An in-depth look at DANTE\, AVB and MADI –  \nAug 25\, 2020 – 2 pm – 3 pm Eastern Time with Synthax  \nIn addition Rat Sound is offering all SoundGirls members\, special discounts right now on products featured in the webinar as well as all the pro audio brands they sell including Sennheiser\, Shure\, Yamaha\, RME\, QSC and more. If you are decking out your home studio or just need a few miscellaneous cables\, Email sales@ratsound.com directly for a quote. \nhttps://www.synthax.com \nTo join Zoom meeting\, click this link:\nhttps://us02web.zoom.us/j/7542064220?pwd=YlozS01OUzBnckw2c25ON3NDaTlVQT09 \nMeeting ID: 754 206 4220\nPassword: synthax
URL:https://soundgirls.org/event/unraveling-audio-networking-an-in-depth-look-at-dante-avb-and-madi/
LOCATION:Online via Zoom
CATEGORIES:Education and Training
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200825T120000
DTEND;TZID=America/Los_Angeles:20200825T140000
DTSTAMP:20260403T134545
CREATED:20200801T140829Z
LAST-MODIFIED:20200801T140829Z
UID:40518-1598356800-1598364000@soundgirls.org
SUMMARY:Sexual Harassment in the Industry Seminar
DESCRIPTION:SoundGirls will be hosting Kim Warnick\, the Executive Director of Calling All Crows\, Kim has over a decade of sexual violence prevention and response experience\, including a specialized focus on workplace sexual violence since 2016\, and six years of music industry experience\, she was uniquely situated to design and lead the #HereForTheMusic campaign to prevent sexual violence at concerts and festivals.\n\n\nAugust 25\n\n\n12:00 to 2:00 PM PST\n\n\nRegister Here\n\n\nThe seminar will cover: \n\nWhat is sexual harassment? What does it look like?\nWhat is legal definition vs unwelcoming (but not illegal) work environment?\nWhat you can do if it’s already happening at work?\nWhat can you do if it’s already happening to someone else at your workplace?\nHow can we proactively address this issue?\nHow can we be involved in this broader culture change?\nCalling All Crows and #HereForTheMusic campaign\n\nKim Warnick\, the Executive Director of Calling All Crows\, is a professional with program design\, project management\, event production\, facilitation\, and communications experience in corporate\, start-up\, and nonprofit organizations. With a decade of sexual violence prevention and response experience\, including a specialized focus on workplace sexual violence since 2016\, and 6 years of music industry experience\, she was uniquely situated to design and lead the #HereForTheMusic campaign to prevent sexual violence at concerts and festivals. After 9 tours with 3 different artists\, she has opted to get off the road and settle into Long Beach\, CA\, a westward migration from spending most of her life in NH and MA. She holds a BA in Sociology from Harvard University\, where her studies focused on social movements\, organizational culture\, and conflict and peacebuilding\, including an intensive study in Rwanda. \n \n 
URL:https://soundgirls.org/event/sexual-harassment-in-the-industry-seminar/
LOCATION:Online via Zoom
CATEGORIES:Education and Training
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200820T140000
DTEND;TZID=America/Los_Angeles:20200820T160000
DTSTAMP:20260403T134545
CREATED:20200801T141358Z
LAST-MODIFIED:20200801T141419Z
UID:40522-1597932000-1597939200@soundgirls.org
SUMMARY:How to be an Ally for Marginalized Groups in Audio
DESCRIPTION:How to be an Ally for Marginalized Groups in Audio\n\nIt’s time to stop talking about the lack of diversity in the audio industry. and do something about it. In order to do this\, we need to understand the barriers marginalized groups face\, institutionalized sexism and racism\, double standards\, and unconscious bias. This will be a continuing series and this first webinar will two-parts. \nAugust 13 and August 20 \n2 PM to 4 PM PST \nRegister for August 13 \nRegister for August 20 \n\n\n\n\n\n\nModerator  \nMIKE BANGS – GEORGE STRAIT AEROSMITH\, ERIC CLAPTON\, KATY PERRY\, TOM PETTY\, LYNYRD SKYNYRD\n\nMike Bangs 20+ year career includes experiences as a monitor engineer and production manager for A-list acts including Aerosmith\, Eric Clapton\, George Strait\, Katy Perry\, Tom Petty\, Kid Rock\, and Lynyrd Skynyrd. An early advocate of live digital mixing\, Bangs assisted a multitude of others in making the transition from analog in the early 2000s. A pioneer in surfaceless mixing that naturally gravitated to Allen & Heath\, he built a close relationship with the manufacturer and ultimately joined the company to provide support to those on the road using dLive mixing systems. \n\nPanelists \nJERRY LOPEZ – EDWARD SHARPE & THE MAGNETIC ZEROS\, CHICANO BATMAN\, THE NEIGHBOURHOOD\n\nNamed one the best LA-area live sound engineers by LA Weekly\, Jerry Lopez mixes it up between running his own production company (Jerry Rig Audio) and engineering for some of the top acts in the world. Over the last 25 years he has mixed and supported a diverse range of acts like Run The Jewels\, Edward Sharpe & The Magnetic Zeros\, Chicano Batman\, and The Neighbourhood. \nKARRIE KEYES – PEARL JAM\, EDDIE VEDDER\, RED HOT CHILI PEPPERS\, SONIC YOUTH\n\nHailing from Los Angeles\, Karrie has spent the last 29 plus years as the monitor engineer for Pearl Jam and Eddie Vedder. Karrie started out doing sound for punk bands in Los Angeles in 1986 under the tutelage of Dave Rat of Rat Sound\, where she spent twenty years helping to establish the company. She was able to gain an immense amount of hands-on experience and technical knowledge at Rat\, which eventually led to her becoming the monitor engineer for The Red Hot Chili Peppers from 1990-2000. She first met and started working with Pearl Jam who opened for RHCP on their 1991-1992 Blood Sugar Sex Magic Tour. She has worked with Sonic Youth\, Fugazi\, and Neil Young. \n\nJIM YAKABUSKI – VAN HALEN\, AVRIL LAVIGNE\, MATCHBOX TWENTY\n\nWith nearly 40 years as a professional sound reinforcement engineer\, Jim started out mixing as club bands in western Canada in the early 1980s. He soon transitioned to a role as a concert staff engineer at dB Sound and the rest is history. Even with a packed schedule of writing pro audio books\, penning articles for top industry magazines\, mixing Peter Frampton\, Journey\, Avril Lavigne\, Van Halen\, Gwen Stefani\, Matchbox 20 and basically any huge name band you can think of — Jim always has time to talk about the latest mix techniques\, the coolest gear and fun audio tips and tricks. \nDANA WACHS – MGMT\, ST. VINCENT\, M.I.A\nA Brooklyn based Audio Engineer\, Tour Manager\, and Composer/Musician. Dana started her career in music in 1994\, as bass player for the Dischord band Holy Rollers\, which ignited her interest in live sound\, after a national tour supporting 7 Year Bitch. Her first foray into the practice of live sound began after that at the Black Cat DC\, and later the infamous 9:30 club. \nDana’s first national tour was as TM/FOH for Peaches supporting Queens of the Stone Age in 2002.  Her first International tour quickly followed in 2003 with Cat Power.  Since then\, touring has kept her on the road 9 to 11 months out of the year with bands such as MGMT\, St. Vincent\, M.I.A.\, Grizzly Bear\, Foster the People\, Nils Frahm\, Deerhunter\, and Jon Hopkins to name a few. \nOutside of touring\, Dana composes and performs under the name Vorhees\, with two releases on Styles Upon Styles (Brooklyn)\, and is currently composing her first feature film score. \nSALIM AKRAM – BAD RABBITS\, BILLIE EILISH\n\nA multitalented and diverse musician\, songwriter and engineer\, Salim Akram is currently mixing monitors for pop superstar Billie Eilish (2020 Grammy Best New Artist\, Record of the Year\, Song of the Year and Album of the Year winner). When he isn’t behind an Allen & Heath dLive mixing console on sold-out global tour dates\, he can be heard playing guitar at festivals and on tour with bands such as the post-R & B futuristic funk-punk group Bad Rabbits. \n\n\n\n\nWebinar Part One \nWe will discuss \nInstitutionalized sexism and racism \nHow unconscious bias affects who is hired \nEach of our panelists will share their experiences and insights on how we can move towards an inclusive industry where people are judged and hired on their skills vs. gender and race. \nQuestions and Answers \nWebinar Part Two \nWe will discuss double standards\, toxic masculinity\, and creating a safe work environment for all. \nWe will be providing resources and checklists unconscious bias and sexism and racism. \nSteps you can take personally take to be an ally. \nCreating a safe work environment for all \nQuestions and Answers
URL:https://soundgirls.org/event/how-to-be-an-ally-for-marginalized-groups-in-audio-2/
LOCATION:Online via Zoom
CATEGORIES:Education and Training
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200813T140000
DTEND;TZID=America/Los_Angeles:20200813T160000
DTSTAMP:20260403T134545
CREATED:20200801T141130Z
LAST-MODIFIED:20200801T141130Z
UID:40520-1597327200-1597334400@soundgirls.org
SUMMARY:How to be an Ally for Marginalized Groups in Audio
DESCRIPTION:It’s time to stop talking about the lack of diversity in the audio industry. and do something about it. In order to do this\, we need to understand the barriers marginalized groups face\, institutionalized sexism and racism\, double standards\, and unconscious bias. This will be a continuing series and this first webinar will two-parts. \nAugust 13 and August 20 \n2 PM to 4 PM PST \nRegister for August 13 \nRegister for August 20 \n\n\n\n\n\n\nModerator  \nMIKE BANGS – GEORGE STRAIT AEROSMITH\, ERIC CLAPTON\, KATY PERRY\, TOM PETTY\, LYNYRD SKYNYRD\n\nMike Bangs 20+ year career includes experiences as a monitor engineer and production manager for A-list acts including Aerosmith\, Eric Clapton\, George Strait\, Katy Perry\, Tom Petty\, Kid Rock\, and Lynyrd Skynyrd. An early advocate of live digital mixing\, Bangs assisted a multitude of others in making the transition from analog in the early 2000s. A pioneer in surfaceless mixing that naturally gravitated to Allen & Heath\, he built a close relationship with the manufacturer and ultimately joined the company to provide support to those on the road using dLive mixing systems. \n\nPanelists \nJERRY LOPEZ – EDWARD SHARPE & THE MAGNETIC ZEROS\, CHICANO BATMAN\, THE NEIGHBOURHOOD\n\nNamed one the best LA-area live sound engineers by LA Weekly\, Jerry Lopez mixes it up between running his own production company (Jerry Rig Audio) and engineering for some of the top acts in the world. Over the last 25 years he has mixed and supported a diverse range of acts like Run The Jewels\, Edward Sharpe & The Magnetic Zeros\, Chicano Batman\, and The Neighbourhood. \nKARRIE KEYES – PEARL JAM\, EDDIE VEDDER\, RED HOT CHILI PEPPERS\, SONIC YOUTH\n\nHailing from Los Angeles\, Karrie has spent the last 29 plus years as the monitor engineer for Pearl Jam and Eddie Vedder. Karrie started out doing sound for punk bands in Los Angeles in 1986 under the tutelage of Dave Rat of Rat Sound\, where she spent twenty years helping to establish the company. She was able to gain an immense amount of hands-on experience and technical knowledge at Rat\, which eventually led to her becoming the monitor engineer for The Red Hot Chili Peppers from 1990-2000. She first met and started working with Pearl Jam who opened for RHCP on their 1991-1992 Blood Sugar Sex Magic Tour. She has worked with Sonic Youth\, Fugazi\, and Neil Young. \n\nJIM YAKABUSKI – VAN HALEN\, AVRIL LAVIGNE\, MATCHBOX TWENTY\n\nWith nearly 40 years as a professional sound reinforcement engineer\, Jim started out mixing as club bands in western Canada in the early 1980s. He soon transitioned to a role as a concert staff engineer at dB Sound and the rest is history. Even with a packed schedule of writing pro audio books\, penning articles for top industry magazines\, mixing Peter Frampton\, Journey\, Avril Lavigne\, Van Halen\, Gwen Stefani\, Matchbox 20 and basically any huge name band you can think of — Jim always has time to talk about the latest mix techniques\, the coolest gear and fun audio tips and tricks. \nDANA WACHS – MGMT\, ST. VINCENT\, M.I.A\nA Brooklyn based Audio Engineer\, Tour Manager\, and Composer/Musician. Dana started her career in music in 1994\, as bass player for the Dischord band Holy Rollers\, which ignited her interest in live sound\, after a national tour supporting 7 Year Bitch. Her first foray into the practice of live sound began after that at the Black Cat DC\, and later the infamous 9:30 club. \nDana’s first national tour was as TM/FOH for Peaches supporting Queens of the Stone Age in 2002.  Her first International tour quickly followed in 2003 with Cat Power.  Since then\, touring has kept her on the road 9 to 11 months out of the year with bands such as MGMT\, St. Vincent\, M.I.A.\, Grizzly Bear\, Foster the People\, Nils Frahm\, Deerhunter\, and Jon Hopkins to name a few. \nOutside of touring\, Dana composes and performs under the name Vorhees\, with two releases on Styles Upon Styles (Brooklyn)\, and is currently composing her first feature film score. \nSALIM AKRAM – BAD RABBITS\, BILLIE EILISH\n\nA multitalented and diverse musician\, songwriter and engineer\, Salim Akram is currently mixing monitors for pop superstar Billie Eilish (2020 Grammy Best New Artist\, Record of the Year\, Song of the Year and Album of the Year winner). When he isn’t behind an Allen & Heath dLive mixing console on sold-out global tour dates\, he can be heard playing guitar at festivals and on tour with bands such as the post-R & B futuristic funk-punk group Bad Rabbits. \n\n\n\n\nWebinar Part One \nWe will discuss \nInstitutionalized sexism and racism \nHow unconscious bias affects who is hired \nEach of our panelists will share their experiences and insights on how we can move towards an inclusive industry where people are judged and hired on their skills vs. gender and race. \nQuestions and Answers \nWebinar Part Two \nWe will discuss double standards\, toxic masculinity\, and creating a safe work environment for all. \nWe will be providing resources and checklists unconscious bias and sexism and racism. \nSteps you can take personally take to be an ally. \nCreating a safe work environment for all \nQuestions and Answers
URL:https://soundgirls.org/event/how-to-be-an-ally-for-marginalized-groups-in-audio/
LOCATION:Online via Zoom
CATEGORIES:Education and Training
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200812
DTEND;VALUE=DATE:20200814
DTSTAMP:20260403T134545
CREATED:20200128T025034Z
LAST-MODIFIED:20200128T025034Z
UID:37216-1597190400-1597363199@soundgirls.org
SUMMARY:Adamson Applied Certification (2 Day) Lüneburg\, Germany
DESCRIPTION:Adamson will be holding the 2 Day Applied Certification program in partnership with Cobra Sound & Light\, Lüneburg\, Germany August 12th & 13th \nApplied Certification is designed to instill the basic framework needed to properly design\, deploy and control an Adamson loudspeaker system with a focus on Blueprint AV™ E-Series and S-Series. \nOver 2 days\, attendees will have the opportunity to learn fundamental skills\, as well as tips and tricks to deploy an Adamson System and gain an understanding on the technology that provides the backbone for these systems. \nThis course will be conducted in German! \nTopics covered will include: \n\nProduct overview\nVenue measurement\nSystem design\nSystem preparation\nSystem deployment\nTuning and alignment\n\nGet a head start with the pre-training material including the Education Series Videos\, User Handbooks and sign up for a copy of Blueprint AV™ \nFor more information and to sign up contact education.emea@adamsonsystems.com
URL:https://soundgirls.org/event/adamson-applied-certification-2-day-luneburg-germany/
LOCATION:British Columbia
CATEGORIES:Education and Training
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200809T120000
DTEND;TZID=America/Los_Angeles:20200809T140000
DTSTAMP:20260403T134545
CREATED:20200724T131743Z
LAST-MODIFIED:20200724T131743Z
UID:40442-1596974400-1596981600@soundgirls.org
SUMMARY:Anti Racism Discussion Group – August 9th at NOON PST
DESCRIPTION:Anti Racism Discussion Group\nSeveral of our members have asked that we start a discussion group on Anti-Racism Work.\nWe are forming a monthly discussion group\, where we will study on our own a video\, essay\, book\, etc. and then meet to discuss what we have learned and how we can apply it to creating a more inclusive industry.\nFor our first discussion we will watch\nIbram X. Kendi’s Lecture on How to be an Antiracist\, at UC Berkeley https://www.youtube.com/watch?v=mxa43H8m034\nWe will discuss key questions from the How to Be an Anti-Racist Book Club  \nAnd explore and share our experiences within the industry. \nIf you want to read the book we encourage you to do so. You can order How to Be An Anti Racist directly from the publisher here or from your favorite Independent Bookseller. Consider ordering books from a black-owned bookstore find one here. \nThis discussion group will be in a safe space and we are working on rules to keep all members safe. We will be sending these out with the Zoom Link. \nAugust 9th at NOON-2 PM PST – 3 to 5 PM EST.\nThis discussion is planned for 2 hours.\nRegister here\n\nWhy Anti-Racist work?\nUsing an anti-racist intersectional frame\nAn anti-racist intersectional frame recognizes all the different ways people and communities experience racism with respect to their identities. An anti-racist frame also recognizes that racism both in the United States & abroad is grounded in and motivated by anti-Black racism. Therefore\, an anti-racist intersectional frame provides a conceptual tool to examine institutional and systemic oppression that Black\, Indigenous & People of Colour (BIPOC) face because of both their race and identities while providing a guiding approach for working with and in communities and systems to create a more just and equitable society. \nHow does anti-racist work intersect with sexism and misogyny in the music industry? Intersectional theory asserts that people are often disadvantaged by multiple sources of oppression: their race\, class\, gender identity\, sexual orientation\, religion\, and other identity markers. \nAn anti-racist intersectional frame is an action-orientated frame. It critiques society’s structure and its treatment of people and communities while providing a guiding approach for how to work towards a more just and equitable society. \n\nDefinitions\nCentral to using a frame is developing a shared language. The following breaks down individual concepts as a means to better understand what an anti-racist intersectional frame entails. \nAnti-racism is the active process of identifying and challenging racism\, by changing systems\, organizational structures\, policies and practices\, and attitudes to redistribute power in an equitable manner. \nAnti-Black Racism is any attitude\, behavior\, practice\, or policy that explicitly or implicitly reflects the belief that Black people are inferior to another racial group. Anti-Black racism is reflected in interpersonal\, institutional\, and systemic levels of racism and is a function of white supremacy \nA racist idea is any concept that regards one racial group as inferior or superior to another racial group in any way. \nIntersectionality is a concept and frame coined by Professor Kimberlé Crenshaw in 1989\, to describe the ways in which race\, class\, gender\, and other aspects of our identity “intersect” overlap and interact with one another\, informing the way in which individuals simultaneously experience oppression and privilege in their daily lives interpersonally and systemically. Intersectionality promotes the idea that aspects of our identity do not work in a silo. Intersectionality\, then\, provides a basis for understanding how these individual identity markers work with one another. \n\nResources on Anti-Racist Work and Intersectionality\nHOW TO BE AN ANTIRACIST \nBLACK LIVES MATTER \nKimberlé Crenshaw: What is Intersectionality? \nIntersectionality Matters: A Conversation with Kimberlé Crenshaw \nSoundGirls Anti-Racist Resources
URL:https://soundgirls.org/event/anti-racism-discussion-group-august-9th-at-noon-pst/
LOCATION:Online via Zoom
CATEGORIES:Education and Training,SoundGirls.org Meetups
ORGANIZER;CN="SoundGirls":MAILTO:soundgirls@soundgirls.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200805T150000
DTEND;TZID=America/Los_Angeles:20200805T170000
DTSTAMP:20260403T134545
CREATED:20200724T132033Z
LAST-MODIFIED:20200724T132033Z
UID:40445-1596639600-1596646800@soundgirls.org
SUMMARY:Strategies for a Successful Career in Touring
DESCRIPTION:Join us for a lively discussion between a gathering of A-List touring pros as they share their stories and strategies for success and longevity in the business of concert touring. \n… and guess what? They’re all women! \nWe will discuss \nThe Reality of the Job – Paying your Dues – Mastering Your Craft -What Technical Skills are a Must – How Production Crews are Staffed -What Production Managers are looking for – How to get your first tour and your next one – Being a Versatile Tech – Your Skill Set- Defining your job expertise – From A-List to Back in the Van. \nAugust 5th at 3 PM Pacific Time. \nRegister Here\nModerated by Michelle Sabolchick Pettinato and Karrie Keyes \nMichelle began working in live sound in the late 1980s\,  a time when there were very few women in the field.  Her professional touring career started a few years later when she was hired to mix FOH for the band Spin Doctors. Since then\, Michelle has traveled the world mixing FOH for some of the most recognizable names in music including Indigo Girls\, Jewel\, Gwen Stefani\, Janet Jackson\, Melissa Etheridge\, Goo Goo Dolls\, Styx and many more.  In 2015 Michelle was inducted in Full Sail University’s Hall of Fame and in 2019 Michelle created and launched Mixing Music Live an online video course for live sound and mixing.  She is an active mentor and coach to those seeking a career in Live Sound and Music Production and has been a frequent speaker on industry and university panels and conferences.  Michelle is Co-Founder of soundgirls.org and she continues to be a full time touring sound engineer\, most recently on tour mixing Elvis Costello up until the current pandemic. \nKarrie has spent the last 30 years as the monitor engineer for Pearl Jam and Eddie Vedder. Karrie started out doing sound for punk bands in Los Angeles in 1986 under the tutelage of Dave Rat of Rat Sound\, where she spent twenty years helping to establish the company. She was able to gain an immense amount of hands-on experience and technical knowledge at Rat\, which eventually led to her becoming the monitor engineer for The Red Hot Chili Peppers from 1990-2000. She first met and started working with Pearl Jam who opened for RHCP on their 1991-1992 Blood Sugar Sex Magic Tour. She has worked with Sonic Youth\, Fugazi\, and Neil Young. Karrie is a Co-Founder of SoundGirls \nPanelists Include \nBecky Pell is a monitor engineer with 25 years’ experience in the live music industry. Originally from the UK\, Becky now lives in Australia. Her mixing credits include Westlife\, A-ha\, Anastacia\, Take That\, Il Divo\, The War of the Worlds\, Muse\, Kylie Minogue\, Bill Wyman\, James Brown\, Jennifer Lopez\, Sarah Brightman\, and Natalie Imbruglia. She is regularly in charge of monitors at the world’s largest festival\, Glastonbury\, and writes a monthly column for Live Sound International. Becky is also a qualified coach and Yoga Therapist\, and between tours\, she runs yoga retreats in beautiful locations around the world and coaches clients on Zoom. \nChristina Moon has been working in audio for over twenty years. Primarily known as a touring monitor engineer\, but has had her hands in a little bit of everything in order to get her foot in the door. Christina works with Sleater Kinney\, Beach House\, LCD Soundsystem\, Yeah Yeah Yeah’s\, Death Cab For Cutie and Interpol. \nClaudia Englehart has been a professional live-sound engineer for 38 years. In 1982 she began her career working in the historic San Francisco jazz club Keystone Korner. In 1983 she moved to New York City and continued mixing live sound in clubs such as CBGB’s\, The Bitter End\, and S.O.B.’s\, and then in 1985 began touring full time as a front of house engineer. Since 1989 Claudia has been working full time as sound engineer and tour manager for guitarist Bill Frisell. She has recorded two live albums for Frisell\, “East/West” and “Bill Frisell Live”. She has also mixed and recorded just about all of his live concerts over the past 30 years\, which has resulted in a Live Download Series\, concert recordings available for download on Frisell’s website. When not on tour with Frisell Claudia has toured extensively with many other renowned artists\, including Wayne Shorter\, Herbie Hancock\, Laurie Anderson\, Lou Reed\, Ron Carter\, Michael Brecker\, Grover Washington Jr.\, Dave Holland\, John Scofield\, Charles Lloyd\, Lee Konitz\, Marianne Faithfull\, Rosanne Cash\, Ryuichi Sakamoto\, David Sylvian\, Medeski Martin & Wood\, John Zorn\, The Kronos Quartet\, Don Cherry\, Cecil Taylor\, Eddie Palmieri\, Willie Colon\, and many others. \nMarguerite Nguyen started her career interning with a local rock station and promoter. Working as a promoter\, she realized there were not many women tour managers and decided that that was the path she would follow. She got her first gig on the road with the Indigo Girls working under Matt Miley. From there she moved to Los Angeles and has gone on to work with Coldplay\, Janet Jackson\, My Chemical Romance and more. \nMelissa Britton started mixing live sound in a classic rock biker bar in Golden\, CO. Shortly after\, she started working for a sound company that opened the door to venues all over Colorado like Red Rocks amphitheater\, Fiddler’s Green\, Mile High Stadium and most smaller theatre’s in Denver. After several years with the company\,  she was picked up by Dave Koz who she still works with today. Koz also exposed Melissa to other Jazz\, Blues\, Pop\, and Funk artists (Al Jarreau\, David Sanborn\, Tower of Power\, Keb Mo\, Sheila E.\, James Ingram\, and Boney James) that expanded her career. \nWorking in a smaller market is intimate\, personable\, and constantly shifting gears.  You wear a lotta different hats to get the job done. A positive attitude and a strong work ethic go a long way. It’s kept Melissa busy the past 25 years and taken her all over the world. \nTana Douglas is acknowledged as rock’n’roll’s first female roadie. Her journey started at the age of fifteen\, in 1973 in Australia within a year she was working for AC/DC\, first doing backline then F.O.H. Sound for the band. She then moved to lighting working for a Major Australian Promoter and completed in quick succession several tours with International acts such as Santana\, Suzi Quatro\, Neil Diamond\, David Essex\, and Leo Sayer and Status Quo all before she turned 18. Tana has worked in Audio\, Lighting\, Tour and Production Managing and Logistics. \nTana resides in Los Angeles\, California\, where she is currently participating in speaking engagements\, mentorship programs to the next generation of Music Industry technicians and is writing her second book.
URL:https://soundgirls.org/event/strategies-for-a-successful-career-in-touring/
LOCATION:Online via Zoom
CATEGORIES:Education and Training,SoundGirls.org Meetups
ORGANIZER;CN="SoundGirls":MAILTO:soundgirls@soundgirls.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200801T110000
DTEND;TZID=America/Los_Angeles:20200801T130000
DTSTAMP:20260403T134545
CREATED:20200710T141951Z
LAST-MODIFIED:20200710T141952Z
UID:40338-1596279600-1596286800@soundgirls.org
SUMMARY:Breaking Norms: Moms in Audio and The Music Industry
DESCRIPTION:Join us for a webinar on breaking the myth of “You Can’t Be a Mom in The Music Industry” \nSaturday\, August 1 at 11 am PST \nRegister here\nIn this webinar\, you will meet several women working within the industry and are at different stages of their careers and parenting.  They will share with us wow they are navigating parenthood and their careers. \nModerated by Karrie Keyes – Monitor Engineer Pearl Jam/Eddie Vedder\, Executive Director SoundGirls and single mom to twin daughters that are now 24. Her girls started life on the road in utero. \nWith \nErika Earl – Audio Experience Engineer / Hardware Developer \nErika is working on the new frontier of spatial\, immersive and interactive ambisonic audio. After working as Director of Hardware Engineering for Slate Companies and Head of Technology / Chief Tech for the Village Recording Studios\, Erika co-founded Earl Virtual Innovation Lab\, or Evil Tech\, and XR Creative to work with artists and engineers on the next generation of audio tech and experience design. When she’s not wielding a soldering iron\, recording\, or immersed in a VR headset\, you will most likely find her spending time with her 14 year old Daughter and 6 year old son writing songs and volunteering in her community. \nLeslie Gaston-Bird (AMPS\, M.P.S.E.) is author of the book “Women in Audio”\, part of the AES Presents series and published by Focal Press (Routledge). She is a voting member of the Recording Academy and a freelance re-recording mixer and sound editor. She was a tenured Associate Professor of Recording Arts at the University of Colorado Denver and Fulbright Scholar; prior to that she worked as a sound editor for Post Modern Company\, Colorado Public Radio\, and National Public Radio. She is on the advisory board for SoundGirls. Leslie is the proud mother of a 10-year-old son and 8-year-old daughter. \nKille Knobel has been the LD for Pearl Jam for 20 years and has toured with Cher\, Bette Midler\, Temple of the Dog\, Soundgarden\, The Smashing Pumpkins and many others.  When she is not on the road\, she works on The Jimmy Kimmel Show and wrangles her three sons- 15\, 12\, & 11. \nKaren Loria is the Operations Manager for Pearl Jam. She started her career in the music business working for Righteous Babe Records while pursuing a graduate degree in photography at the University of Buffalo in NY.  She moved to Seattle and started working with local music venues in various positions supporting live shows. In 2006 she was drafted to the PJ organization and has spent the last 14 years supporting the band both on the road and in the band’s HQ as the bands Ticketing Program Manager\, Tour Photographer\, Fan Club Co-manager and now the Operations Manager.  Karen is a mother of 2 little boys\, 5 and 3 years old\, and holds a Board Position for Keep Music Live\, a nonprofit aimed at assisting Washington State independent music venues impacted by the Covid-19 closures. \nJeanne Montalvo is a Grammy-nominated audio engineer and radio producer. She was selected amongst thousands of applicants as the 2018 EQL resident at Spotify Studios and Electric Lady Studios in New York City\, assisting in the recording process for artists like John Legend\, Alessia Cara\, and many more. She also recorded sessions with Ivy Queen\, Making Movies and Ruben Blades\, Flor de Toloache\, and Williamsburg Salsa Orchestra. In 2017\, she was nominated for a Grammy Award as Mastering Engineer for Vladimir Horowitz: The Unreleased Live Recordings\, and her recording of Multiverse by Bobby Sanabria’s Latin Jazz Big Band was nominated for Best Latin Jazz Album at the 2012 Grammy Awards. She’s worked at the Banff Centre for the Arts\, the Tanglewood Music Festival\, and worked on live recordings with Spike Lee and Al Kooper. She broke into radio after receiving her Masters in Music Technology from New York University\, working as an audio engineer and producer for National Public Radio and the Duolingo Podcast. She is also the creator of “Live from Latino USA” a live and (mostly) unplugged video series that features Latinx talent from Jessie Reyez to Jose Feliciano. She is currently the treasurer of the Audio Engineering Society New York Section. She is the mom of a 2 1/2-year-old toddler. \nTina Morris started her career in music as a guitar and Music Production/Engineering student at Berklee College of Music in Boston. Immediately after college she started her professional career at Sound Techniques giving her a head start as an engineer and studio tech and working with some of the best in the business. After years of gigging with her band as a heavy metal guitarist\, working as a freelance engineer for NPR\, Q Division Studios and The Blue Man Group she decided to move to LA with her husband. After moving she landed the position of head evening tech for The Village Studios.  Continuing to impress employers and clients alike with her expertise\, Tina’s hard work was rewarded with a promotion to her current position as Studio Manager of The Village. Now the proud mother of her son Jackson\, age 10\, Tina still manages to balance her role of manager and mom. \nApril Tucker (CAS) April has worked in Los Angeles for 15 years in post-production sound for films\, television\, new media\, and marketing/advertising. She has performed nearly every role in the process from the bottom up; she started as a PA at a studio and worked her way up to re-recording mixer – doing everything from Foley\, ADR and sound editing along the way. She is mom to a 3 year old boy. \n\nSociety tells us that being a mom means putting your dreams on hold. If you are working in audio\, tour production\, or the music industry you are told you simply can’t be a mom because of the long and sporadic work hours\, travel\, and simply being on tour for several weeks/ months each year. \nIt’s easy to fall into that belief and give up on our dreams because that’s what society tells us. Society also tells us this only applies to women\, no one in the industry cares if our male counterparts are dads. \nWhat we are not told is that it can be done\, it might take a village\, but it always has. How much better you will be as a mother who is following her passion. That it is possible to be working in a field you love and also a mother. It isn’t easy\, but it is certainly possible – just look at your own career path\, which certainly was not easy.
URL:https://soundgirls.org/event/breaking-norms-moms-in-audio-and-the-music-industry/
LOCATION:Online via Zoom
ORGANIZER;CN="Karrie Keyes":MAILTO:soundgirls@soundgirls.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200723T110000
DTEND;TZID=America/Los_Angeles:20200723T130000
DTSTAMP:20260403T134545
CREATED:20200719T134005Z
LAST-MODIFIED:20200719T134005Z
UID:40372-1595502000-1595509200@soundgirls.org
SUMMARY:El sonido y sus profesiones aplicadas - July 23
DESCRIPTION:El sonido y sus profesiones aplicadas: \nConoce desde la experiencia de profesionales de que tratan algunas especialidades en mundo del audio. \nEste jueves 23 de julio\, tendremos la tercera sesión de esta serie de charlas: Sonido en Estudios de grabación\, estaremos conversando con las profesionales: \nNilda Vechiatti\,  se dedica a la Investigación\, docencia y asesoramiento en temas de Ingeniería Acústica. Egresada de la facultad de ingeniería de la Universidad Nacional de la Plata en Ing. De telecomunicaciones con especialización en Acústica\, ha realizado numerosos proyectos de investigación en el área y es la actual Presidenta de la Federación Iberoamericana de Acústica y Presidenta de la Asociación de Acústicos Argentinos. \nFlorencia Saravia: Desde el 1994 en el mercado de audio brasilero\, Florencia comenzó su carrera en Río de Janeiro. Fue una de las pioneras en edición digital en Brasil. Dió clases de ProTools y Grabación en IATEC\, en el Curso de Producción Fonográfica en Río Música y en el curso de Producción Fonográfica en la Universidad Estácio de Sá. Tiene varios artículos publicados en la prensa especializada nacional. Trabajó como segunda ingeniera de mastering en Classic Master\, de 2005 a 2009. Trabaja en sonido en vivo para Gal Costa\, Chico César\, Luiza Possi\, Filipe Catto y para varios artistas independientes. Fue ingeniera responsable del proyecto “Escuta como Minas”\, de Spotify Brasil\, en 2019. \nSalomé Limón\, Productora e ingeniera de sonido\, presidenta de PIAudio (Asociación Iberoamericana de Productoras e Ingenieras de Audio) y miembro activo de la Grammy Academy\, la Latin Grammy Academy y del CPI (Circulo de Productores e Ingenieros) de los Latin Grammy. \nComenzó su carrera en el Madrid en 2004. Su primer proyecto fue el disco de Andrés Calamaro “ El cantante”. También ha trabajado con artistas de la talla de Paco de Lucía\, Anoushka Shankar\, Chick Corea\, John Legend\, Vampire Weekend\, Enrique y Estrella Morente\, entre otros muchos. \nGanadora de 4 Latin Grammys y nominada como mejor ingeniero de sonido 5 años consecutivos por la Academia de los Latin Grammy. \nA día de hoy Salomé continúa su carrera como productora\, ingeniera y compositora a la vez que colabora como ponente y profesora compartiendo sus conocimientos a través de diversas charlas y masterclass en Berklee College of Music\, Maxsine School en China\, IE University\, Fest Portugal\, etc. \nRegístrate en\nDía: 23 julio \nHora: \n\n12:00pm(GMT-6)🇨🇷🇳🇮🇬🇹🇭🇳🇸🇻\n1:00pm(GMT-5)🇨🇴🇪🇨🇲🇽🇵🇦🇵🇪\n2:00pm(GMT-4)🇧🇴🇨🇱🇨🇺🇵🇾🇵🇷🇩🇴🇻🇪\n3:00pm(GMT-3)🇺🇾🇦🇷🇧🇷\n8:00pm (GMT+2)🇪🇸\n11:00am (GMT-7)🇺🇸\n\nCarolina Anton\, es Ingeniera de Sonido – Sistemas/FOH y Mon. con más de quince años de experiencia\, ha colaborado con artistas y producciones distinguidos en más de veinte tours a nivel nacional e internacional; Ha mezclado para artistas como Kool & The Gang\, Gloria Gaynor\, Natalia Lafourcade\, Mon Laferte y León Larregui\, ademas trabaja para compañías como 2hands production services y Eight Day Sound. Actualmente se encuentra realizando mezclas en formatos de sonido inmersivo. \nCarolina es cofundadora de la empresa 3BH\, que desarrolla proyectos de integración tecnológica para estudios de post-producción y música en México y Latinoamérica y a partir del 2016 comenzó a representar a la organización Soundgirls.org en México\, apoyando a las mujeres a profesionalizarse en la industria del espectáculo. \nAndrea Arenas\, graduada en Ingeniería electrónica\, con estudios de música y percusionista\, es ingeniero de sonido con 14 años de experiencia. Trabaja para Cirque du Soleil en el show Totem y cuenta con experiencia en sonido en vivo\, grabación y producción musical en estudios\, también grabación y producción musical de orquestas sinfónicas de El Sistema. Su experiencia profesional va desde trabajos en producciones discográficas de la Deutsche Grammophon con Gustavo Dudamel\, como también soporte técnico de consolas Digico y otras reconocidas marcas en Hermes Music para bandas como Maná\, Vicente Fernández\, Ricky Martin; ha participado como voluntaria de audio para soundgirls en eventos como el She Rocks Awards\, Girlschool y preparación de gira de Pearl Jam.  Ha sido técnico de sonido en varios shows del Cirque du Soleil. (At sea\, Luzia\, Amaluna y Totem)
URL:https://soundgirls.org/event/el-sonido-y-sus-profesiones-aplicadas-july-23/
LOCATION:Online via Zoom
CATEGORIES:Education and Training,SoundGirls.org Meetups
ORGANIZER;CN="Carolina Anton":MAILTO:soundgirls@soundgirls.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200720T160000
DTEND;TZID=America/Los_Angeles:20200720T180000
DTSTAMP:20260403T134545
CREATED:20200619T150317Z
LAST-MODIFIED:20200619T150317Z
UID:40080-1595260800-1595268000@soundgirls.org
SUMMARY:Once You Have the Gig – What Makes You Stand Out
DESCRIPTION:Once You Have the Gig Round 2 \nHow to stand out once you get the gig\, how to get promoted\, etiquette for freelancers\, how scheduling works. \n\nIf you missed our first webinar “What Makes You Stand Out” you can view it here \n\n\n\n \n\n\n\n\n\nModerated by April Tucker\, a Los Angeles-based re-recording mixer and sound editor who works in television\, film\, and new media. She holds both a Master’s Degree and a Bachelor’s Degree in Music/Sound Recording. April enjoys doing educational outreach such as writing for industry blogs\, giving lectures and presentations. www.proaudiogirl.com \nPanelists:  \nTina Morris\, Studio Manager\, The Village Studios (Los Angeles) \nCatherine Vericolli\, Owner/Manager/Engineer\, Fivethirteen (Tempe\, Arizona) \nMeegan Holmes\, Global Sales\, 8th Day Sound (Los Angeles) \n\nJuly 20\n4-6 PM PST\nRegister Here\n\nThis webinar is limited to 100 people. It will also be live on Facebook and it will be recorded and posted on the SoundGirls website.
URL:https://soundgirls.org/event/once-you-have-the-gig-what-makes-you-stand-out/
LOCATION:Online via Zoom
CATEGORIES:Education and Training,SoundGirls.org Meetups
ORGANIZER;CN="April Tucker":MAILTO:soundgirls@soundgirls.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200718T120000
DTEND;TZID=America/Los_Angeles:20200718T140000
DTSTAMP:20260403T134545
CREATED:20200710T142306Z
LAST-MODIFIED:20200710T142306Z
UID:40340-1595073600-1595080800@soundgirls.org
SUMMARY:Career Paths in the Vinyl Industry – July 18 Webinar
DESCRIPTION:oin SoundGirls and Women in Vinyl to explore career paths in the Vinyl Industry.\nJuly 18 at 12 PM PST/3 PM EST\nRegister for the webinar\nPanelist Include \nJenn D’Eugenio – Founder\, Women in Vinyl | Chief of Sales\, Furnace (Alexandria\, VA) \nThe sales manager at Furnace Record Pressing\, and vinyl enthusiast for over 20 years\, Jenn is the founder and curator of ‘Women In Vinyl’; and is dedicated to the art and creation of vinyl. Her background spans that of designing textiles for Fortune 500 fashion companies to career advising for one of the top art colleges in the country; however\, Jenn’s passion for vinyl has lead her to a career in helping to manufacture the physical product for bands\, and both major to independent record labels. In launching Women in Vinyl a site\, online community\, and future non-profit she hopes to empower women working in the vinyl industry and to help young women who may be interested in this career path achieve their goals. \n  \nJett Galindo – Mastering Engineer\, The Bakery (Los Angeles\, CA) \nLos Angeles-based mastering engineer and vinyl cutter\, Jett Galindo of The Bakery\, has worked on albums spanning a wide array of genres and artists (Barbra Streisand\, Haley Reinhart\, Weezer\, the La La Land OST\, to name a few). Jett Galindo carries on the legacy left behind by her late mentor\, mastering legend Doug Sax (The Mastering Lab). Recipient of Summa Cum Laude honors and the 2012 Robin Coxe-Yeldham Audio Scholar Award from Berklee College of Music\, Jett Galindo was mentored by luminaries in the music industry including George Massenburg; producer Prince Charles Alexander; recording engineer Susan Rogers (Prince’s Purple Rain); and mastering engineer and AES President-elect\, Jonathan Wyner. Jett kickstarted her post-Berklee engineering career in the world-renowned Avatar Studios in New York (now known as Power Station) as the recording engineer for producer Jerry Barnes. As Barnes’ engineer\, Jett engineered for veteran artists such as legendary singer-songwriter Roberta Flack\, Nile Rodgers\, Bashiri among others. \n  \nBrittany Benton – Record Store Owner + DJ\, Brittany’s Record Shop (Cleveland\, OH) \nProducer and DJ as DJ Red-I as well as the owner of Brittany’s Record Shop; Brittany is an independent record store owner specializing in hip-hop\, reggae and soul out of Cleveland\, Ohio. \n  \n  \nAmanda McCabe – Former Archivist\, The Association for Recorded Sound Collections | Metadata\, Strategy & Tactics\, Universal Music Group (Seattle\, WA) \nAmanda is a record junkie\, music history archivist who continues to find new ways of contributing to the music industry’s changing landscape. Her work’s core mission is always focused on connecting fans with more music and getting artists paid. She is the Archives Committee Chair & Video Editor for the Association For Recorded Sound Collections (ARSC) and recently joined Universal Music Group’s Strategy & Tactics Team to focus on new products. \n  \nLenise Bent – Producer & Recording Engineer (Los Angeles\, CA) \nLenise is a groundbreaking recording engineer\, known for her work on many iconic records including “Aja” by Steely Dan\, “Breakfast in America” by Supertramp and “Tusk” by Fleetwood Mac.  She was also the first woman to receive a platinum album for engineering on Blondie’s AutoAmerican. Since then\, Lenise has moved into post-production audio\, beginning with the entire Disney cartoon catalog\, eventually specializing in recording and editing Foley. She has also traveled the world for Dreamworks supervising and producing the foreign dialogue and vocals for “Shrek\,” “Spirit: Stallion of the Cimarron” and “Shrek 2”. This rekindled her love of recording music\, and she is now engineering and producing up and coming musicians as well as seasoned artists. Currently\, one of her projects\, a blues/rock band called the Primal Kings\, is all-analog\, recording and mixing to tape and cutting vinyl. \nRobyn Raymond – Lacquer Cutter\, Red Spade Records | former QA Engineer\, Precision Record Pressing (Ontario\, Canada) \nOwner of Ontario based Red Spade Records\, Robyn is the only female record cutter in Canada.  She cuts short-run\, lathe cut records on a desktop Vinyl Recorder T-560\, apprentices on a VMS70 and formerly worked in the QA department at a Precision Record Pressing. \n 
URL:https://soundgirls.org/event/career-paths-in-the-vinyl-industry-july-18-webinar/
LOCATION:Online via Zoom
CATEGORIES:Education and Training,SoundGirls.org Meetups
ORGANIZER;CN="Jett Galindo":MAILTO:soundgirls@soundgirls.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200707T110000
DTEND;TZID=America/Los_Angeles:20200707T130000
DTSTAMP:20260403T134545
CREATED:20200616T130901Z
LAST-MODIFIED:20200616T130901Z
UID:40048-1594119600-1594126800@soundgirls.org
SUMMARY:A Conversation about Sound Editing for the Mix Stage (webinar)
DESCRIPTION:Join Sherry Klein\, Scott Weber and Marla McGuire with Moderator Karol Urban\nFor a discussion of best practices on processing\, editing\, stereo vs 5.1\, communication\, and more for delivering to re-recording mixers on the dub stage \nJuly 7\, 11 am PST \nPlease register here \nWe will also stream this live to our Facebook Page and record it for our YouTube Channel \nAbout our Moderator and Panelists\n\nSherry Klein and Scott Weber are a re-recording mixer team at Smart Post Sound in Burbank\, CA. Shows mixed together include New Amsterdam\, The Passage\, Queen of the South\, and Reverie. \nSherry was one of the first female television mixers in Los Angeles after being a recording engineer at Larrabee Studios in the late 70s. She mixes dialog and music. \nMore about Sherry Klein \nScott is a two-time Emmy award winner (as one of the re-recording mixers on Westworld and Lost) and mixes FX and Foley. \nMarla McGuire is a supervising sound editor who has worked on How To Get Away With Murder\, Scandal\, The Killing\, and Seven Seconds. \nKarol Urban is president of the Cinema Audio Society. Her recent re-recording mixer credits include Grey’s Anatomy\, Single Parents\, Project Blue Book\, and Gentefied. \nMore about Karol Urban
URL:https://soundgirls.org/event/a-conversation-about-sound-editing-for-the-mix-stage-webinar/
LOCATION:Online via Zoom
CATEGORIES:Education and Training,SoundGirls.org Meetups
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200630T140000
DTEND;TZID=America/Los_Angeles:20200630T160000
DTSTAMP:20260403T134545
CREATED:20200607T160842Z
LAST-MODIFIED:20200610T204807Z
UID:39970-1593525600-1593532800@soundgirls.org
SUMMARY:The Importance of Branding and Social Media Webinar
DESCRIPTION:  \nProfessionals who want to establish themselves as credible\, reliable experts must first develop a strong personal brand. As with a corporate brand\, starting your personal branding strategy requires a good\, hard look at who you are — your core values\, skills\, and beliefs — and figuring out how to convey those elements consistently in your digital presence. \nIf you’re just embarking on your branding journey\, you might not know where to begin. So join us for a webinar on The Importance of Branding and Social Media. \n\nJune 30\n5 to 7 pm EST\nRegister Here\n\nModerated by Laura B. Whitmore a music marketer\, singer/songwriter\, event producer\, and founder of the Women’s International Music Network and The She Rocks Awards. Laura is Vice President of Marketing for Positive Grid \nLaura will be joined by \nDani Mari: Ethereal Vocalist\, Producer & Visual Artist. Founder of Female Frequency\, BrookLAdelphia & Cruel Beauty Productions and Vice President of GrindEthos Records. She provides management\, guidance\, social media and web support\, booking\, promotion\, networking opportunities\, and many other invaluable services to people in the music industry. \nSarah Martinico: Graduated from Berklee College of Music with a Bachelor’s in Music Production and Engineering. She started her professional career in Los Angeles in marketing at BMG where she founded and created the first-ever royalty-bearing stems for sale from a major publisher’s catalogue via Avid Pro Tools. She went on to work for Native Instruments developing sound packages and marketing content with clients.  She then opened her own company in 2019 called SL Music & Marketing. She has worked for numerous Grammy-winning producers\, songwriters\, and artists from the pop\, urban and Latin worlds in marketing\, branding\, music publishing\, partnerships\, management\, and consulting. \nCatharine Wood: is an established Los Angeles-based composer/producer & studio owner. She launched her versatile career engineering on high profile commercials – including the first Apple iPhone spot. As a mix/mastering engineer\, she has delivered over 500 (both original & client) commercially released songs airing on many major networks. Her facility\, Planetwood Studios\, LLC specializes in production & composition services for the Film & TV Industries.
URL:https://soundgirls.org/event/the-importance-of-branding-and-social-media-webinar/
LOCATION:Online via Zoom
CATEGORIES:Education and Training,SoundGirls.org Meetups
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200622T153000
DTEND;TZID=America/New_York:20200622T170000
DTSTAMP:20260403T134545
CREATED:20200607T161157Z
LAST-MODIFIED:20200607T161157Z
UID:39972-1592839800-1592845200@soundgirls.org
SUMMARY:Handling Trauma – COVID-19 Webinar
DESCRIPTION:Handling Trauma – COVID-19 Webinar\n\n\n \nSoundGirls Presents Handling Trauma Caused By COVID-19 Webinar\nJune 22 at 3:30 -5:00 PM EST \nThis Webinar will be recorded and streamed on Facebook Live. We encourage you to register for this and submit questions you have. \nRegister Here\nThe social\, mental\, and cultural impact of going through a global pandemic is also causing a psychological trauma pandemic. The stress and fear that have come from this pandemic\, along with the global loss and isolation required to combat this are the perfect ingredients for psychological trauma and even Post Traumatic Stress Disorder (PTSD). \nWhen the dust settles from this crisis\, almost everyone will be impacted and many in the Live Event Industry are experiencing trauma due to the loss of employment\, income\, and loss of doing a job we love. \nThe good news is that there are a lot of therapists out there who are trained in trauma who can help. \nKaprece Stallings\, MS is a Registered Mental Health Counselor and will be joining SoundGirls to offer tips\, advice\, and how to navigate through the trauma our industry is experiencing. \nKaprece Stallings\, MS is a Registered Mental Health Counselor (psychotherapist)\, IMH 17304\, in the state of Florida. She has a Master’s Degree in Professional Counseling and a Bachelor of Science in Psychology from Palm Beach Atlantic University. She is a member of the American Counseling Association. Kaprece She specializes in trauma-informed therapy.  She has worked with adults\, teens\, and children with physical\, emotional\, and sexual abuse issues along with first-responders with PTSD issues. She also has experience working with adults and teens with depression\, anxiety\, substance abuse\, self-esteem issues\, broken relationships\, and spiritual issues. Kaprece is certified in Accelerated Resolution Therapy (ART) and trained in Eye Movement Desensitization Reprocessing (EMDR)\, and Trust-Based Relational Interventions (TBRI). She is also certified to assess temperament/personality through the Arno Profile System.
URL:https://soundgirls.org/event/handling-trauma-covid-19-webinar/
LOCATION:Online via Zoom
CATEGORIES:Education and Training,SoundGirls.org Meetups
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200615T140000
DTEND;TZID=America/Los_Angeles:20200615T160000
DTSTAMP:20260403T134545
CREATED:20200610T133101Z
LAST-MODIFIED:20200610T133101Z
UID:40016-1592229600-1592236800@soundgirls.org
SUMMARY:El sonido y sus profesiones aplicadas
DESCRIPTION:El sonido y sus profesiones aplicadas\n\n  \n\n\n  \nEl sonido y sus profesiones aplicadas: \nConoce desde la experiencia de profesionales de que tratan algunas especialidades en mundo del audio. \nEste lunes 15 de junio\, tendremos la primera sesión de esta serie de charlas: Sonido en Vivo\, estaremos conversando con las profesionales: \nMarina Bello\, Técnica de sonido argentina\, especializada en la operación de FOH y Monitores en shows en vivo desde 2002\, a la vez que se desarrollo en el area de Producción Técnica para bandas y productoras de shows internacionales. Ha trabajado con artistas como Miranda!\, Gustavo Cordera\, Lisandro Aristimuño\, Los Pericos\, Julio Iglesias\, BRMC\, Amaia Montero\, entre muchos otros. \nActualmente es la operadora de FOH de WOS\, operadora de monitores de Ca7riel y Paco Amoroso & la ATR Banda\, y jefa técnica del teatro Margarita Xirgu – Espacio UNTREF. \nXimena Montenegro\, Técnico de sonido e ingeniera de audio\, por mas de 15 años se ha dedicado al refuerzo sonoro\, ya sea como asistente\, técnico para sala o monitores de diferentes empresas. Ha mezclado para diversos artistas como : Marisela\, Lucero\, Erick barrios\, Denise Rosenthal\, entre otros ademas ha participado activamente en festivales como Viña del Mar. \nRoberta Siviero\,  Con 20 años de experiencia de sonido en vivo\, comenzó su carrera en compañías de renta de audio\, además cuenta con experiencia en sonido para TV\, teatro y estudios de grabación\, incluyendo postproducción en audiovisuales. \nRoberta es Cofundadora del grupo de mujeres sonidistas “Mulheres do Áudio” en São Paulo que se formó en el año 2012 ayudando a visibilizar a las mujeres en la industria. \n\nRegístrate en\nDía: 15 junio\n 3pm(GMT-6)\n4pm(GMT-5)\n 5pm(GMT-4)\n6pm(GMT-3)\n\n\nCarolina Anton\, es Ingeniera de Sonido – Sistemas/FOH y Mon con más de quince años de experiencia\, ha colaborado con artistas y producciones distinguidos en más de veinte tours a nivel nacional e internacional; Ha mezclado para artistas como Kool & The Gang\, Gloria Gaynor\, Natalia Lafourcade\, Mon Laferte y León Larregui\, ademas trabaja para compañías como 2hands production services y Eight Day Sound. Actualmente ingeniera para MexFutura. Carolina es cofundadora de la empresa 3BH\, que desarrolla proyectos de integración tecnológica para estudios de post-producción y música en México y Latinoamérica y a partir del 2016 comenzó a representar a la organización Soundgirls.org en México\, apoyando a las mujeres a profesionalizarse en la industria del espectáculo. \nAndrea Arenas\, graduada en Ingeniería electrónica\, con estudios de música y percusionista\, es ingeniero de sonido con 14 años de experiencia. Trabaja para Cirque du Soleil en el show Totem y cuenta con experiencia en audio en vivo\, grabación y producción musical en estudios\, también grabación y producción musical de orquestas sinfónicas de El Sistema. Su experiencia profesional va desde trabajos en producciones discográficas de la Deutsche Grammophon con Gustavo Dudamel\, como también soporte técnico de consolas Digico y otras reconocidas marcas en Hermes Music para bandas como Maná\, Vicente Fernández\, Ricky Martin; ha participado como voluntaria de audio para soundgirls en eventos como el She Rocks Awards\, Girlschool y preparación de gira de Pearl Jam.  Y ha sido técnico de sonido en varios shows del Cirque du Soleil. (At sea\, Luzia\, Amaluna y Totem)
URL:https://soundgirls.org/event/el-sonido-y-sus-profesiones-aplicadas/
LOCATION:Online via Zoom
CATEGORIES:Education and Training,SoundGirls.org Meetups
ORGANIZER;CN="Carolina Anton":MAILTO:soundgirls@soundgirls.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200615T110000
DTEND;TZID=America/Los_Angeles:20200615T130000
DTSTAMP:20260403T134545
CREATED:20200610T133402Z
LAST-MODIFIED:20200610T133402Z
UID:40020-1592218800-1592226000@soundgirls.org
SUMMARY:Post-Production Surround Sound Webinar
DESCRIPTION:Post-Production Surround Sound Webinar\n\n\nMixing and Sound Design in Surround Sound with Ai-Ling Lee and Paula Fairfield\nJoin SoundGirls and Women Who Are Sound for a webinar on \n\n\n\n\nJune 15\, 2020\n11 am PST\, 7 pm London\nRegister Here\n\nModerated by Leslie Gaston-Bird author of the book\, “Women in Audio”\, Governor-at-Large for the Audio Engineering Society\, and Chair of the AES Diversity and Inclusion Committee. She is also a freelance re-recording mixer and sound editor\, and owner of Mix Messiah Productions. She has a Heartland Emmy nomination for the film “Enough White Teacups”\, directed by Michelle Carpenter. \n\nAi-Ling Lee was born in Singapore where she studied music audio engineering. After two years of mixing and editing commercials and music\, she moved to Los Angeles in 1998 to pursue a career in sound design for feature films. Since then she has worked as a sound designer\, re-recording mixer\, and sound supervisor on a variety of films including Jojo Rabbit\, La La Land\, First Man\, Deadpool\, Wild\, Spider-Man 2 (Sam Raimi) and Buena Vista Social Club. Ai-Ling has had the opportunity to work with directors Damien Chazelle\, Taika Waititi\, Jean-Mar Valée\, Noah Hawly\, Wess Ball\, Cameron Crowe\, Gus Van Sant\, and Sam Raimi\, to name a few. \nPaula Fairfield is an International and Emmy award-winning sound designer for tv\, film\, commercials\, and basically anything that makes noise. She has 10 Emmy nominations with two wins for her work on Game of Thrones\, along with multiple wins and nominations for her work in both The US and Canada. During her career\, she has had the privilege of working on tv projects such as the iconic “LOST” and visionary filmmakers like Robert Rodriguez\, Brian DePalma\, Paul McGuigan\, and Darren Aronofsky.
URL:https://soundgirls.org/event/post-production-surround-sound-webinar/
LOCATION:Online via Zoom
CATEGORIES:Education and Training,SoundGirls.org Meetups
ORGANIZER;CN="Leslie Gaston-Bird":MAILTO:soundgirls@soundgirls.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200521T150000
DTEND;TZID=America/Los_Angeles:20200521T170000
DTSTAMP:20260403T134545
CREATED:20200513T214240Z
LAST-MODIFIED:20200513T231217Z
UID:39729-1590073200-1590080400@soundgirls.org
SUMMARY:Paying Yourself First - Webinar
DESCRIPTION:SoundGirls Presents Paying Yourself First\nAndrea Espinoza will be teaching us how to financially plan for your future. \nRegister here  – May 21 at 3 PM PST.\nThis is a Zoom Webinar and it will be recorded and available online at a later date. It will also be Live on Facebook. \nTopics Include: \n\nThe Importance of Emergency Funds\nShort Term Goals\nRetirement\nThe difference and benefits of taxable\, tax-deferred\, and tax-exempt accounts.\nQ&A\n\nAndrea Espinoza is an Audio Engineer turned Tour Manager. With a BFA in Sound Design & Engineering\, Espinoza spent eight years working in touring audio before she diversified into roles that included automation\, carpentry\, and video. In lieu of recent events\, she has been able to fully pivot to her own practice as a licensed financial educator and advisor\, helping to set those that she comes into contact with on the path towards financial freedom – one conversation at a time. \n 
URL:https://soundgirls.org/event/paying-yourself-first-webinar/
LOCATION:Online Webinar
CATEGORIES:Education and Training,SoundGirls.org Meetups
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200520T160000
DTEND;TZID=America/Los_Angeles:20200520T180000
DTSTAMP:20260403T134545
CREATED:20200516T033652Z
LAST-MODIFIED:20200516T033652Z
UID:39795-1589990400-1589997600@soundgirls.org
SUMMARY:What Makes You Stand Out? Webinar
DESCRIPTION:What Makes You Stand Out?\n\n \nWhen you’re getting started in the music industry (live sound and studio recording)\, what makes you stand out to a live sound company or a music studio ready to hire? We’ll discuss the types of jobs available\, how to find out about jobs\, resumes\, good and bad ways to cold contact\, and other ways to get a foot in the door. This webinar will discuss how business worked before the pandemic\, how it might look after\, and what you can be doing now to better be prepared. \nModerated by April Tucker\, a Los Angeles-based re-recording mixer and sound editor who works in television\, film\, and new media. She holds both a Master’s Degree and a Bachelor’s Degree in Music/Sound Recording. April enjoys doing educational outreach such as writing for industry blogs\, giving lectures and presentations. www.proaudiogirl.com \nPanelists:  \nTina Morris\, Studio Manager\, The Village Studios (Los Angeles) \nCatherine Vericolli\, Owner/Manager/Engineer\, Fivethirteen (Tempe\, Arizona) \nMeegan Holmes\, Global Sales\, 8th Day Sound (Los Angeles) \n\nMay 20\n4-6 PM PST\nRegister Here\n\nThis webinar is limited to 100 people. It will also be live on Facebook and it will be recorded and posted on the SoundGirls website.
URL:https://soundgirls.org/event/what-makes-you-stand-out-webinar/
LOCATION:Online Webinar
CATEGORIES:Education and Training,SoundGirls.org Meetups
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200425
DTEND;VALUE=DATE:20200427
DTSTAMP:20260403T134545
CREATED:20200115T013028Z
LAST-MODIFIED:20200115T013028Z
UID:37010-1587772800-1587945599@soundgirls.org
SUMMARY:Larry Crane Weekend Recording Workshop
DESCRIPTION:Jackpot! Recording is proud to announce another Larry Crane Weekend Recording Workshop\, April 25-26\, 2020 in Portland\, OR. Details HERE  Drop a line if you are interested in attending! info@jackpotrecording.com\n“Thanks for spending the time to work with us. I found it very valuable and I’ve already heard the difference in my mixes based on your lessons and feedback. I really enjoyed the whole thing.”\n-2017 attendee \nGet your mixing and tracking skills evaluated and improved with Larry Crane\, a professional producer\, engineer\, mixer\, studio owner\, and Oregon Music Hall of Fame inductee. Workshop is limited to 10 students and costs $400 for 2 days.
URL:https://soundgirls.org/event/larry-crane-weekend-recording-workshop/
LOCATION:Jackpot! Recording\, 2420 SE 50th Ave\, Portland\, OR\, 97206\, United States
CATEGORIES:Education and Training
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200415
DTEND;VALUE=DATE:20200417
DTSTAMP:20260403T134545
CREATED:20200128T024845Z
LAST-MODIFIED:20200128T024845Z
UID:37214-1586908800-1587081599@soundgirls.org
SUMMARY:Adamson Advanced Certification (2 Day) Paris\, France
DESCRIPTION:Adamson will be holding a 2 Day Advanced Certification course in partnership with DV2 in Paris\, France April 15th & 16th. \nAdvanced Certification is designed to expand the knowledge needed to properly design\, deploy and control large and/or complex Adamson loudspeaker system\, focusing on in-depth Blueprint AV™ techniques as well as streamlined work flow for E-Series and S-Series systems. \nOver 2 days\, attendees will have the opportunity to expand on their existing knowledge and experience to deploy an Adamson System and gain a deeper understanding of the technology that provides the backbone for these systems. \nTopics covered will include: \n\nProduct overview\nVenue measurement\nSystem design\nSystem preparation\nSystem deployment\nTuning and alignment\n\nAttendees interested in taking this course must have completed Applied Certification as a pre-requisite. \nGet a head start with the pre-training material including the Education Series Videos\, User Handbooks and sign up for a copy of Blueprint AV™ \nFor more information and to sign up contact education.emea@adamsonsystems.com
URL:https://soundgirls.org/event/adamson-advanced-certification-2-day-paris-france-3/
LOCATION:British Columbia
CATEGORIES:Education and Training
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200413T180000
DTEND;TZID=America/Los_Angeles:20200413T210000
DTSTAMP:20260403T134545
CREATED:20200218T005041Z
LAST-MODIFIED:20200218T005041Z
UID:37720-1586800800-1586811600@soundgirls.org
SUMMARY:Portland SoundGirls April Social
DESCRIPTION:Larry Crane welcomes SoundGirls to Jackpot Recording Studio\nJoin us for our April Social and discuss upcoming workshops! \nApril 13th 2020\n6pm-9pm\nBYOB (if you’d like) \nJackpot Recording Studio\n2420 SE 50th Ave\nPortland\, OR 97206
URL:https://soundgirls.org/event/portland-soundgirls-april-social/
LOCATION:Jackpot! Recording\, 2420 SE 50th Ave\, Portland\, OR\, 97206\, United States
CATEGORIES:SoundGirls.org Meetups
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200326
DTEND;VALUE=DATE:20200327
DTSTAMP:20260403T134545
CREATED:20200315T212853Z
LAST-MODIFIED:20200315T212853Z
UID:38339-1585180800-1585267199@soundgirls.org
SUMMARY:Women Setting The Tone - Austria
DESCRIPTION:
URL:https://soundgirls.org/event/women-setting-the-tone-austria/
LOCATION:British Columbia
CATEGORIES:Education and Training
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200324T180000
DTEND;TZID=America/Los_Angeles:20200324T210000
DTSTAMP:20260403T134545
CREATED:20200301T221555Z
LAST-MODIFIED:20200301T221636Z
UID:37932-1585072800-1585083600@soundgirls.org
SUMMARY:SoundGirls Atlanta Chapter Social
DESCRIPTION:Please Join Our SoundGirls Atlanta Chapter for the March Social and Meeting for March. We hope to see you there. \nDate: Tuesday March 24\, 2020\nLocation: Tin Lizzy’s 415 Memorial Dr SE\, Atlanta\, GA 30312\nTime: 6pm-9pm
URL:https://soundgirls.org/event/soundgirls-atlanta-chapter-social/
LOCATION:Tin Lizzy’s Cantina\, 415 Memorial Dr SE\, Atlanta\, GA\, 30312\, United States
CATEGORIES:SoundGirls.org Meetups
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200324T110000
DTEND;TZID=America/Los_Angeles:20200324T150000
DTSTAMP:20260403T134545
CREATED:20200308T222918Z
LAST-MODIFIED:20200308T222954Z
UID:38112-1585047600-1585062000@soundgirls.org
SUMMARY:Wireless Audio Basics for Technicians - Alberta
DESCRIPTION:Wireless Audio Basics for Technicians (by James Bundy) \nWireless audio technology often seems like a great solution – but what do you do when you’re getting signal dropouts or weird sounds? This course will help you understand what to buy\, how to set it up properly\, and how to coordinate everything so it works together. \nTopics include: \n\n\nRF Basics – what is RF? \n\n\nRF Spectrum – VHF\, UHF\, Wifi\, and more \n\n\nSetup and optimization \n\n\nCoordinating RF for yourself and others \n\n\n11AM-3:00PM Tue\, Mar 24th \nSea Change Brewing Co.\n9850 62 ave\, Edmonton\, Alberta T6E0E3 \nRegistration required in advance HERE. Food and beverages available to purchase on site.
URL:https://soundgirls.org/event/wireless-audio-basics-for-technicians-alberta/
LOCATION:British Columbia
CATEGORIES:Education and Training
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200324
DTEND;VALUE=DATE:20200327
DTSTAMP:20260403T134545
CREATED:20200205T043211Z
LAST-MODIFIED:20200205T043211Z
UID:37390-1585008000-1585267199@soundgirls.org
SUMMARY:FREE SSL Live Certified Console Training - New York\, NY
DESCRIPTION:FREE SSL Live Certified Console Training\, hosted at Solid State Logic New York\, between March 25th – 26th\, 2020.\n\nThese events are you opportunity to experience the superior sound quality and advanced workflow of SSL Live consoles.\nHead over to www.solidstatelogic.com/events for full info and RSVP
URL:https://soundgirls.org/event/free-ssl-live-certified-console-training-new-york-ny/
LOCATION:British Columbia
CATEGORIES:Education and Training
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200324
DTEND;VALUE=DATE:20200326
DTSTAMP:20260403T134545
CREATED:20200128T024705Z
LAST-MODIFIED:20200128T024705Z
UID:37212-1585008000-1585180799@soundgirls.org
SUMMARY:Adamson Applied Certification (2 Day) Paris\, France
DESCRIPTION:Adamson will be holding the 2 Day Applied Certification course in partnership with DV2 in Paris\, France. March 24th & 25th. \nApplied Certification is designed to instill the basic framework needed to properly design\, deploy and control an Adamson loudspeaker system with a focus on Blueprint AV™ E-Series and S-Series. \nOver 2 days\, attendees will have the opportunity to learn fundamental skills\, as well as tips and tricks to deploy an Adamson System and gain an understanding on the technology that provides the backbone for these systems. \nTopics covered will include: \n\nProduct overview\nVenue measurement\nSystem design\nSystem preparation\nSystem deployment\nTuning and alignment\n\nGet a head start with the pre-training material including the Education Series Videos\, User Handbooks and sign up for a copy of Blueprint AV™ \nFor more information and to sign up contact education.emea@adamsonsystems.com
URL:https://soundgirls.org/event/adamson-applied-certification-2-day-paris-france-2/
LOCATION:British Columbia
CATEGORIES:Education and Training
END:VEVENT
END:VCALENDAR